In spite of protests from the inhabitants of Jurassic Park, it looks like ereaders are here to stay. A recent poll conducted for USA Today and Bookish, a website designed to help people find and buy books, found that 40% of adults — including 46% of those ages 18 to 39 — own an e-reader or a tablet. That's more than double the numbers of less than two years ago. (You can read the full article HERE.)

In a nutshell, twice as many people own an ereader, and three times as many own a tablet, as compared to two years ago.

The biggest demographic for ownership is, not surprisingly, between the ages of 18 and 49, almost half of whom own an ereader.

For this group, the number of books read on an ereader outstrips print books.

Also, not only are they reading more, they are talking about it on Facebook.

The poll asked a number of other interesting questions, including: What keeps you from reading more books? (Lack of time), and (big question!) For those using ereaders, what books are you reading more of? (In order of popularity: Sci-fi, mystery, romance, and nonfiction.)

Find out what factors play a role in their book selections HERE.

Here are two more agents actively seeking clients. Make sure to read about them on their agency websites, as well as any personal websites they maintain. If they write a blog (Anna Olswanger does), read that as well. Knowing what an agent likes and doesn't like - not just in terms of the writers they represent, but how they view the world - is essential for a good fit.

Anna Olswanger

Anna Olswanger has been an agent with the prestigious Liza Dawson agency since 2005. Her experience shows in her recent sales, which have been to the larger publishing houses: Houghton Mifflin Harcourt, Random House, and Bloomsbury.

What she is looking for:

Anna is actively looking for picture books, adult nonfiction, and historical mysteries (adult). In a recent interview with Chuck Sambuchino she says, "I like working with author-illustrators of picture books for children, and I like art that is sophisticated and that leans towards fine art. I am hoping to work with more authors of serious nonfiction (politics, science, finance). Kindness to animals is a big interest of mine, as are Judaica and Israel. Two books I wish I could have agented are Start-up Nation: The Story of Israel's Economic Miracle by Dan Senor and Saul Singer and The Immortal Life of Henrietta Lacks by Rebecca Skloot. I have some interest in middle grade fiction, none in YA. In the case of middle grade fiction, the writing has to really sparkle. I would love to represent an author of adult or middle grade historical mysteries whose research is impeccable, and whose writing is sharp and reflects the research, but without the research showing. I wish there were an ancient Israel equivalent of Steven Saylor's ancient Rome mysteries."

How to contact her:

Before you contact Anna, be sure to read her bio on her website: Anna Olswanger. This will give you a very good idea of her interests. Contact her at [email protected] (no phone calls or snail mail submissions, please).

Adam Muhlig

Adam Muhlig was recently hired by McIntosh & Otis an established literary agency located in New York. He was the former Director of Rare Books and Manuscripts at Leslie Hindman Auctioneers. In addition to authors (including several United States Poets Laureate and Pulitzer Prize winners), his clients include composers, performers, libraries, archives, and various private and public educational institutions throughout the United States.

What he is looking for: 

Adam is looking for fresh voices, both in fiction and narrative nonfiction. He is interested in new analyses and fresh perspectives by or about mavericks in the field of music - from jazz to classical to punk/pop - as well as texts focusing on natural history, travel, adventure and sports.

How to contact him:

Before contacting Adam, read McIntosh & Otis' submission guidelines HERE. Follow them to the letter. To query Adam Muhlig, please send the proper materials to [email protected]

This brief article appeared today in Publishers Weekly. Obviously, a lot was left out of this success story. For example, self-published authors usually don't get into the world's largest book fair.

So, how did Seskis get to Frankfurt?

Interestingly enough, Seskis' book, One Step Too Far, was published, not by Amazon or Smashwords - like most self-published ebooks - but by Kirk Parolles, an imprint that proclaims: "Gone are the days when agents, publishers and bookstores decide which books reach the reader. As publishers we may not always like it, but the truth is the books that sell may not be the ones we would have chosen – they’re the ones that people connect with, will talk about, will stay up until 3 in the morning to find out what happened.Those are the books we seek out at Kirk Parolles, and those are the ones we’re committed to publish."

What is truly fascinating about this publisher is that it has only two books on its roster, One Step Too Far, and Seskis' next novel, A Serpentine Affair. What's more KP is closed to submissions. Obviously, Kirk Parolles' publishing commitment has exceptionally narrow limits. Did Seskis set up a publishing house in order to get her book to Frankfurt?

You betcha. Authors who set up "publishing houses" to legitimize their work are rife in the industry. In fact, if you want to waste a few hours tracking down the owners of small publishing houses, you'll find their names often appear on the titles in their inventory.

Very clever, Tina.

(I am thinking of naming my new publishing house Random Penguin. What do you think?)
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Frankfurt Book Fair 2013: HC Wins Self-Published Novel In Major Buy

Source: Publishers Weekly, By Rachel Deahl Oct 10, 2013

Self-publishing was one of the big topics at this year’s Frankfurt Book Fair, and at least one self-published book caught the eye, and wallet, of a major publisher. In what is rumored to be a deal worth $500,000, Jennifer Brehl at HarperCollins’s William Morrow imprint bought North American rights to Tina Seskis’s novel, One Step Too Far.

The debut, which was originally published in April as a Kindle e-book, went on to hit #1 on Amazon. Seskis, who grew up in New Hampshire and now lives in London, followed the e-book publication with a paperback release, and that print edition went on to hit the bestseller list of the British bookstore chain, W.H. Smith.

One Step Too Far follows a lawyer named Emily Coleman who inexplicably abandons her life. Despite what appears to be an idyllic existence—a beautiful two-year-old son, a lovely home, an adoring husband—Emily wakes up one summer morning, grabs her passport, and hops on a train bound from London to Manchester. Determined to leave her old life behind, Emily meets a croupier named Angel who becomes her only new friend, and who also leads her into a dangerous new existence.

Brehl told PW that Seskis likes to refer to the book as a “whydunit,” because it leaves a host of questions about its heroine’s actions unanswered. The novel, which works up to a final secret-reveal, was something Brehl said she picked up one night and “didn’t put down until I finished it the next morning.”

John Elek, with the British firm United Agents, represents Seskis.

This little tidbit appeared in Publishers Weekly today. (If you haven't signed up for their free newsletters, do it now.) In all likelihood, Bowker's number of self-published books is low. Amazon does not require ISBN numbers, so people selling their ebooks through the Amazon KDP platform - of which there are thousands - won't have been counted by Bowker.

What does this mean for self-publishers? 1) You have lot of competition, and 2) You have a market.

Source: Publishers Weekly, 10/9/13

A new analysis of ISBN data by Bowker found that the number of self-published books in 2012 rose 59% over 2011, growing to over 391,000 titles. The gain has been led by the increase in the output of e-books, although Bowker reported, print books still accounted for about 60% of self-published titles that carried an ISBN. In 2007, print books accounted for 89% of self-published titles.

The analysis also found that more than 80% of self-published titles "came to market with the support from just eight companies, including Smashwords and CreateSpace." Fiction is the most popular self-published genre followed by inspirational/spiritual works, books for children, and biographies.

Recently, Laura Bennett interviewed the legendary Andrew Wylie (aka "The Jackal') for the New Republic. Wylie is an anomaly among literary agents. He despises commercial fiction, dislikes e-readers (he tossed his Kindle after one day), and is a vociferous proponent of traditional print publishing.

As someone who has been around the block (a few times), and ruffled myriad feathers (more than a few times), his take on what is going on in the publishing industry is well worth reading. Here is a snippet of what he thinks about publishing on Amazon.

LB: What would it take to get you to sell a book to Amazon? 

AW: If one of my children were kidnapped and they were threatening to throw a child off a bridge and I believed them, I might.

LB: That sounds reasonable.

For an insider's view of the publishing industry, nothing beats a well-seasoned agent. I encourage you to read this interview - several times.
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The Andrew Wylie Rules: How the literary agent still makes millions off highbrow

Interview by Laura Bennett

Among literary agents, Andrew Wylie is as old school as they come. Dubbed “the Jackal” for his aggressive poaching of other people’s clients, his distaste for commercial fiction and his disinterest in social media is legendary. He is the reigning king of the backlist, profiting mainly off classic titles rather than taking risky bets on new ones. His only criterion is enduring quality, and his client list is eye-popping: Amis, Nabokov, Bellow, Rushdie, Roth.

It might seem that Wylie’s single-minded emphasis on highbrow literature would have made him an early casualty of the turmoil in book publishing. Instead, he has thrived—throughout the rise of the mega-bookstores, the emergence of Amazon, and the e-book turf war over digital rights and royalties. In 2010, Wylie launched his own publishing initiative, Odyssey Editions, collaborating with Amazon to release digital editions of major books such as Lolita and Midnight’s Children, bypassing publishers entirely. It was an attempt to pressure publishing houses to offer higher e-royalties to his authors, but after Random House refused to do business with the Wylie Agency, he backed down.

The publishing industry has now arrived at yet another crossroads. Last year, a Department of Justice (DOJ) lawsuit charged five major publishing houses and Apple with e-book price-fixing, a major victory for Amazon. In July, Random House and Penguin merged to form a corporate colossus that controls a quarter of world book publishing. That has left literary agents scrambling to define their role. Will consolidation mean fewer places to pitch projects or stronger publishers with more purchasing power? Could Amazon succeed in eliminating middlemen entirely?

Read the rest of this enlightening interview HERE.

It is becoming increasingly rare to find publishing houses that will accept manuscripts directly from writers.

But in some genres, notably science fiction, you don't need an agent to get published. TOR is a major player in the sci-fi scene, with a large distribution network. (If you are a science fiction writer, don't be shy. Go ahead and submit your story.) If you love dogs and cats, or the great outdoors (and can take pictures), consider Willow Creek. Poets - check out Blaze.

Willow Creek Press publishes 25 titles per year. This press specializes in gift books, cookbooks, and nature books. Read full submission guidelines HERE. (Note: Does not accept electronic submissions.)

What they are looking for: "Willow Creek Press is a publisher whose primary commitment is to publish books specializing in nature, outdoor and sporting topics, gardening, wildlife and animal books, and cookbooks. We also publish nature, wildlife, fishing, and sporting calendars. Personal memoirs, children's books, and manuscripts dealing with limited regional subject matter may be considered, but generally stand little chance of acceptance."

CQ Press is an imprint of Sage, an academic publisher. It focuses exclusively on political science, journalism, and reference. Prospective authors should submit a complete proposal. (Even if you don't write political science texts, take a look at their proposal outline HERE. It's quite useful for any nonfiction manuscript.)

What they are looking for: "CQ Press is your first source for information on politics, policy, and people. We are the leading publisher of books, directories, subscriptions, and Web products on American politics, federal and state government, American institutions, campaigns and elections, current events, and world affairs. Our content is known for its objectivity, breadth and depth of coverage, and high standards of journalistic and editorial excellence."

Forge and TOR Books publish science fiction and fantasy novels. They're both imprints of Tom Doherty Associates, which is part of Macmillan-so it's a major player that accepts direct submissions. Submission guidelines are HERE.

What they are looking for: "Tor.com welcomes original speculative fiction short stories and poetry. We define “speculative fiction” broadly, including SF, fantasy, horror, alternate history, and related genres. We want our stories to represent the full diversity of speculative fiction, and encourage submissions by writers from underrepresented populations. This includes but is not limited to writers of any race, gender, sexual orientation, religion, nationality, class, and ability, as well as characters and settings that reflect these experiences. We’re particularly interested in stories under 12,000 words. We will consider stories that are slightly longer than 12k, but we really must put our foot down at the “novelette” mark—in other words, we will not read anything over 17,500 words."

BlazeVOX [Books] publishes poetry, fiction, and literary criticism. With an emphasis on poetry, prospective authors can submit via e-mail or an online contact form. Submission guidelines are HERE.

What they are looking for: "Our books push at the frontiers of what is possible with our innovative poetry, fiction and select non-fiction and literary criticism. Our fundamental mission is to disseminate poetry, through print and digital media, both within academic spheres and to society at large. We seek to publish the innovative works of the greatest minds writing poetry today, from the most respected senior poets to extraordinarily promising young writers. We select for publication only the highest quality of writing on all levels regardless of commercial viability. Our outlets of publication strive to enrich cultural and intellectual life, and foster regional pride and accomplishments."

Every so often an established agent will announce that she or he is seeking new clients. Generally, this happens when the agent switches to another agency (which is why you need to read Publishers Weekly, where these job moves are posted).

Whenever an established agent seeks out new clients, it is a boon for new authors. You get the dual advantage of having someone who will work hard for you, and who has the connections to do so.

Here are two established agents who are actively building their client lists.

As always, read the bios of the agents - and the websites of their agencies - very carefully to see if they are a good fit for your writing.

William Callahan is from Iowa City, Iowa. He went to the University of Iowa and Fordham University and has recently returned to InkWell Management.

Seeking: “For nonfiction, I am currently most interested in narrative nonfiction and memoir, comedy and pop culture, and American history. For fiction, I represent crime and commercial thrillers, and literary fiction.”

Contact: Please email submissions to william [at] inkwellmanagement.com.

Emma Parry joined Janklow & Nesbit as a literary agent, five years after selling her half of Fletcher &Parry — which she co-founded in 2004 . Parry was born in England, where she worked closely with VS Naipaul, Germaine Greer and Helen Fielding. She has been writing, developing and editing manuscripts and screenplays. Parry says in the announcement, “I feel very lucky to have found a new professional home alongside so many excellent and inventive colleagues. It’s easy to be evangelical about Janklow & Nesbit – and I hope authors looking for the highest grade help will hear me."

Seeking: "I’m on a scout for serious talent.”

Contact: [email protected]

The burgeoning ebook market in Great Britain has found a home on Amazon. Kindle dominates the market, which is not surprising. It also isn't surprising that 61 percent of these books are free - meaning, they are self-published through Amazon's KDP Select program.

This is bad news for publishers trying to break into the ebook market. If two-thirds of the ebook reading public expect to read a book for free, how likely is it that they are going to shell out the type of money that publishers charge for ebooks?

It is both good and bad news for self-published writers. The good news is that readers are enthusiastically downloading self-published ebooks. The bad news is that they aren't paying for them.
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79% of UK Consumers Use Kindle

Source: MediaBistro, September 13, 2013 10:34 AM

By Dianna Dilworth

Seventy percent of UK consumers use Amazon to download eBooks, according to a new report Ofcom and Kantar Media. According to the report, which looked at media consumption in the UK March-May 2013, Kindle dominated as the service used to download or access eBooks in the past three months. Apple held a very distant second place with 9 percent of UK consumers using it to download eBooks. A Google Search and eBooks.com tied for 4th and 5th place at 6 percent of consumers using these channels.

The report also examined the digital versus print downloads and revealed that during the three-month period, 58 percent of all books sold in the UK were print and 42 percent downloaded were eBooks. The study found that 61 percent of eBooks were free and only 39 percent cost money.

Eighty-three percent of these free eBooks were consumed legally and 17 percent were consumed illegally. Here is more from the report: “We estimate that 7 million e-books were consumed illegally online in the past three months – equating to 4% of all books (downloaded, accessed online, or bought in physical format)."

Nothing is quite so discouraging to an author as a dearth of reviews. After years of working on a novel, months (if not years) of trying to find an agent, and even more time spent waiting for publication, the release date arrives and poof! Nobody appears to be reading your book! It's enough to make you hang up your keyboard.

Even if you self-publish, you will spend months of preparation for a release day that may go out with a whimper, not a bang. In some respects, a lack of reviews is worse if you have self-published, because those who follow that route have to do all their own marketing and promotion, a task which requires direct involvement with readers.

Why are reviews important?

Like any other product on the market, people rely on the recommendation of others when they choose a book to read. In traditional publishing, endorsements by well-known authors and public figures are a key element in marketing. In the self-publishing world, success rests on the number of readers on Goodreads, on Amazon, and on blogs who will give your book a 5-star review. Without this kind of public endorsement, it may be nearly impossible to promote your book, especially if you have enrolled in KDP Select.

Amazon KDP Select giveaways are still the reigning book promotion tool. There are dozens of sites that will post your free days, but nearly all of them require a minimum number of reviews. It's one of those chicken-and-egg dilemmas. You can't promote your book without reviews, but you can't get reviews without promotion.

Should you pay for reviews?

If you are a new self-published author, don't pay for reviews.

Traditional publishers have long-standing ties with the media which self-publishers don't. This often drives self-publishers to pay for publicity. In my experience, paid reviews don't have nearly the clout of regular reviews posted on Amazon or Goodreads. For one thing, they have limited shelf life. A paid review may get posted on Blogcritics and then picked up briefly by small publications, or it may simply get sent to you for your own use. Very rarely do these reviews make it into larger media outlets, where they will reach the maximum number of people. Of course, you can always shell out $400 for a Kirkus review, but you take your chances. A good review in Kirkus is like an endorsement from God, but a bad review is the kiss of death.

How to get free reviews

Fortunately, there are mechanisms in place for getting reviews without spending a great deal of money. Giving away copies en masse is one route, targeting individual reviewers is another.

Librarything allows authors to give away copies of their books to Librarything members. (Read their policies.) Authors of self-published ebooks can give away up to 100 copies. Reviews are not required of readers, although they are recommended, so don't expect more than a 10% return rate. But even 10 reviews will enable you to post your free days on some of the larger freebie sites if you have enrolled in Amazon KDP Select.

Bookblogs is a great site for finding reviewers and for posting your giveaways. Explore the "groups" section and join the groups that are relevant to your genre. When you give away a book, or are looking for reviews, you can post it on the group site. You also have the option of sending a message to every member of that group.

Step-by-Step Self-Publishing
http://www.stepbystepselfpublishing.net/reviewer-list.html
This is a great resource for book review blogs. It's an alphabetical listing of individual bloggers as well as book reviewer lists. This is your one-stop shopping guide to reviewers.

Book Blogger Directory
http://bookbloggerdirectory.wordpress.com/
Over a thousand book blogs, very nicely organized by subject, and alphabetically.

Best of the Web
http://blogs.botw.org/Arts/Literature/Book_Reviews/0/
Best of the Web book blogs organized alphabetically. Not as easy to navigate as the book blogger directory.