January is a wonderful month for writing contests. This month there are more than three dozen contests calling for every genre and form, from poetry, to creative nonfiction, to completed novels. Prizes range from $10,000 to publication by a publishing house. None charge entry fees.

If you want to get a jump on next month's contests go to Free Contests. Most of these contests are offered annually, so even if the deadline is past, you can prepare for next year.


Good luck!


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The Reedsy Writing Prompts Contest. Genre: Short story. (See prompts) Prize: $50. Deadline: January 1, 2020.

Nature of Cities. Genre: Flash fiction: The theme of this year’s contest is 'City in a Wild Garden'. The work must:
- be 750 words or less;
- be of any style or genre of fiction;
- be set in a city (the notion of “city” may be liberally interpreted);
- include as significant plot elements both nature and people;
- be submitted in English.
Prize: One 1st place story receives $2,000; Two 2nd place stories receive $1,000 each; Three third prize stories receive $500 each. Deadline: January 1, 2020.

Northern New England Review Raven Prize in Creative Nonfiction. Restrictions: Open to US residents. Genre: Previously unpublished piece of creative nonfiction, maximum 3,000 words. Prize: $500 and publication. Deadline: January 1, 2020.

Stacy Doris Memorial Poetry Award. Genre: Poem, 3-10 pages long, that demonstrates a "truly inventive spirit." Prize: $500 and publication. Deadline: January 1, 2020.

Tony Hillerman Prize. Sponsored by St. Martin's Press. Genre: Debut mystery novel set in Southwest. Prize: $10,000 advance against royalties and publication, Deadline: January 2, 2020.

Minotaur Books/Mystery Writers of America Best First Crime Novel Competition. Restrictions: The Competition is open to any writer, regardless of nationality, aged 18 or older, who has never been the author of any published novel (except that authors of self-published works only may enter, as long as the manuscript submitted is not the self-published work) and is not under contract with a publisher for publication of a novel. Genre: Murder or another serious crime or crimes is at the heart of the story. Prize: $10,000. Deadline: January 3, 2020.

Texas Institute of Letters Literary Awards. Restrictions: Entrants must have resided in Texas for at least 2 consecutive years, or have been born in Texas. Genre: Book (published). 11 different categories. Prize: $6,000. Deadline: January 4, 2020.

The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community. The prestigious award aims to provide promising writers a network for professional advancement. Since Poets & Writers began the Writers Exchange in 1984, 85 writers from 33 states and the District of Columbia have been selected to participate. Restrictions: Open to Arkansas residents. Genre: Poetry and Fiction. Prize: A $500 honorarium; A trip to New York City to meet with editors, agents, publishers, and other writers. All related travel/lodgings expenses and a per diem stipend are covered by Poets & Writers. Winners will also give a public reading of their work; and One-month residency at the Jentel Artist Residency Program in Wyoming. Deadline: January 6, 2020.

New York Times 'Win a Trip with Nick Kristof' Contest. Restrictions: US college and graduate students. Genre: Essay. Prize: Trip with Nick Kristof. Deadline: January 7, 2020.

Stop the Hate: Youth Speak Out Essay Contest Grades 6 - 12. Stop the Hate® is designed to create an appreciation and understanding among people of differing religions, races, cultures and socioeconomic backgrounds. Genre: Essay, 500 words. Restrictions: Northeast Ohio 6-12th Graders. Prize: $40,000. Deadline: January 8, 2020 for Grades 6-10, January 20, 2020 for Grades 11-12.

Japan Center-Canon Essay Competition. The aim of the Japan Center Essay Competition is to promote awareness and understanding of Japan in the United States and to help young Americans broaden their international horizons. Genre: Essay. Contestants should write, in English, one or more aspects of Japan including art, culture, tradition, values, philosophy, history, society, politics, business, and technology in relation to their personal views, experiences, and/or future goals. (Contestants do not need to have any experience in visiting Japan or studying Japanese. Prize: Best Essay Award in the High School Division: 1st Place: $3,000 and a Canon camera, 2nd Place: $1,500 and a Canon camera, 3rd Place: $750 and a Canon camera; Best Essay Award in the College Division: $3,000 and a Canon camera; Uchida Memorial Award: $1,000 and a Canon camera; Merit Award: $200 (each) for up to five awards. Deadline: January 8, 2020.

Man Booker International Prize. The Man Booker International Prize for fiction translated into English is awarded annually by the Booker Prize Foundation to the author of the best (in the opinion of the judges) eligible novel or collection of short stories. Prize: £50,000 divided equally between the author and the translator. There will be a prize of £2,000 each of the shortlisted titles divided equally between the author and the translator. Deadline: January 10, 2020 for works published between January 1 and April 30, 2020.

Northern California Book Awards. Restrictions: Books written by authors based in northern California and published for the first time the previous calendar year are eligible for nomination.  Genre: Published book. Prize: $100. Deadline: January 10, 2020.

Novella-in-Flash Award. Genre: Flash fiction/Novella. 6000 to 18000 word limit – each flash should not be more than about 1000 words. Prize: £300 prize for the winner, two runner-up prizes of £100. Deadline: January 12, 2020.

Orwell Prize. Genre: Political writing published between 1st January and 31st January 2019. All entries must have a clear British link. Journalism and ‘exposing Britain’s social evils’.  Prize:  £3,000.00. Deadline: January 13, 2020.

Walter Muir Whitehill Prize in Early American History. Genre: Essay on early American history (up to 1825), not previously published, with preference being given to New England subjects. Prize: $2,500. Deadline: January 15, 2020.

Andres Montoya Poetry Prize. Restrictions: Open to Latino authors who are residents of the US. Genre: First book of poetry published by a Latino author. Prize: $1,000 and publication by the University of Notre Dame Press. Deadline: January 15, 2020.

The Cosmos Prize. Genre: Re-write the final chapter of the 1930s sci-fi serial novel, Cosmos. Prize: $300. Deadline: January 15, 2020.

Beatrice Medicine Award for Scholarship in American Indian Studies. Genre: Essay and/or book about Native American studies published in 2019. Prize: $250. Deadline: January 15, 2020.

French-American Foundation Translation Prizes. Genre: Book - best English translation of French in both fiction and non-fiction. Prize: $10,000. Deadline: January 15, 2020.

Stephen A DiBiase Poetry Prize. Genre: Poetry. Prize: $500. Deadline: January 15, 2020.

Electa Quinney Award for Published American Indian Stories. Genre: Story. "This award seeks to highlight the work of story creators who continue the tradition of teaching through narratives often crossing the boundaries of genres, formats and disciplines. To celebrate the dissemination of stories into spaces where they can be shared all published stories qualify including small press and fine arts printing." Prize: $250. Deadline: January 15, 2020.

Janet Heidinger Kafka Prize. Restrictions: Open to women, US citizens only. Genre: Novel. All entries must be submitted by publishers who wish to have the work of their authors that were published in the year 2018 considered. No self-published works or works from vanity presses will be accepted. Prize: $7,500. Deadline: January 15, 2020.

Letras Latinas/Red Hen Poetry Prize. Restrictions: Open to Latinx authors residing in the US. Applicants must be living poets who have published one or two full-length books of poetry and are not under contract for a third. Prize: $1000 and publication by Red Hen Press for a second or third poetry collection by a Latinx author. Deadline: January 15, 2020.

Pegasus Award for Poetry Criticism. Genre: This prize seeks to honor the best book-length works of criticism published in the US in the prior calendar year, including biographies, essay collections, and critical editions that consider the subject of poetry or poets. Prize: $7,500. Deadline: January 16, 2020.

John F. Kennedy Profile in Courage Essay Contest is sponsored by the John F. Kennedy Library Foundation. Restrictions: The contest is open to United States high school students in grades nine through twelve attending public, private, parochial, or home schools; US students under the age of twenty enrolled in a high school correspondence/GED program; and US citizens attending schools overseas. Genre: Essay on an act of political courage by a US elected official who served during or after 1956. Prize: The first-place winner receives $10,000 comprised of a $5,000 cash award and $5,000 from John Hancock. The second-place winner receives $1,000. Up to five finalists receive $500 each. Deadline: January 17, 2020.

Bethesda Urban Partnership Essay Contest. Restrictions: Open to residents of Washington, DC and select counties in Maryland and Virginia. Genre: Essays. Length: 500 words maximum. Prize: $500 in adult category (age 18+) and $250 in high school category (ages 14-17). Deadline: January 17, 2020.

Bethesda Magazine Short Story Contest. Restrictions: Open to residents of Washington, DC and select counties in Maryland and Virginia. Genre: Short stories. Length: 4000 words maximum.  Prize: $500 in adult category (age 18+) and $250 in high school category (ages 14-17). Deadline: January 17, 2020.

Poetry Society of Virginia - Student Contest. Restrictions: Open to students in Virginia, grades 3 - 12. Prize: $10 - $25. Deadline: January 19, 2020.

Elie Wiesel Prize in Ethics Essay Contest. Restrictions: Registered undergraduate full-time Juniors or Seniors at accredited four-year colleges or universities in the United States during the Fall 2015 Semester. Genre: Essay Topic: Articulate with clarity an ethical issue that you have encountered and analyze what it has taught you about ethics and yourself. 3,000 to 4,000 words. Prize: First Prize $5,000, 2nd Prize $2,500, 3rd Prize $1,500, two Honorable Mentions $500 each. Deadline: January 21, 2020. Read details here.

NYSCA/NYFA Artist Fellowships, are awarded in fifteen different disciplines over a three-year period. 7,000 cash awards are made to individual originating artists living and working in the state of New York for unrestricted use. These fellowships are not project grants but are intended to fund an artist’s vision or voice, regardless of the level of his or her artistic development. Deadline: January 22, 2020.

Technology Addiction Awareness Scholarship. Restrictions: Open to a high school freshman, sophomore, junior, or senior or a current or entering college or graduate school student of any level. Home schooled students are also eligible. There is no age limit. You must also be a U.S. citizen or legal resident. Genre: 500- to 1,000-word essay about technology addiction. Prize: $1000 scholarship. Deadline: January 30, 2020.


Jerry Jazz Musician Fiction Contest. "The Jerry Jazz Musician reader has interests in music, social history, literature, politics, art, film and theater, particularly that of the counter-culture of mid-twentieth century America." Genre: previously unpublished work of short fiction. Prize: $100.00.  Deadline: January 31, 2020.

The Danuta Gleed Literary Award for best first collection of short fiction in the English language was initiated by John Gleed in honour of his late wife to promote and celebrate the genre of short fiction, which she loved. Restrictions: Canadian residents only. Prize: A $10,000 prize will be awarded for the best first collection of published short fiction in the English language. Two finalist will also be awarded $500 each. Deadline: January 31, 2020.

Caine Prize for African Writing. Restrictions: Open to writers born in Africa, or nationals of an African country, or with a parent who is African by birth or nationality, Genre: Short fiction (published). Prize: £10,000. Deadline: January 31, 2020.

Encore Award. Restrictions: Open to British or Commonwealth citizens. Genre: Second published novel. Book must have been first published in the UK. Prize:10,000 pounds. Deadline: January 31, 2020.

Encore Award. Restrictions: Open to British or Commonwealth citizens. Genre: Second published novel. Book must have been first published in the UK. Prize: 10,000 pounds. Deadline: January 31, 2020.

Helen and Kurt Wolff Translator's Prize. The annual Helen and Kurt Wolff Translator's Prize is awarded each spring to honor an outstanding literary translation from German into English published in the USA the previous year.  Genre: Published fiction or non-fiction, may include: novels, novellas, short stories, plays, poetry, biographies, essays and correspondence. Prize: $10,000. Deadline: January 31, 2020.

Imagine Little Tokyo. Little Tokyo Historical Society (LTHS) seeks fictional short stories in Japanese or English for its second annual “Imagine Little Tokyo” writing contest. The setting of the story should be in Little Tokyo, Los Angeles, CA– either past, present or future. Prize: $600. The winner of the youth division (18 or younger) will receive $400. Deadline: January 31, 2020.

Jack London Fiction Writing Contest. Restrictions: Open to U.S. students in grades 9-12. Genre: Unpublished stories. Length: 2,000 words maximum Prize: $2,000, $1,000, and $500. Deadline: January 31, 2020.

Michael E. DeBakey Medical Student Poetry Awards. Restrictions: Only undergraduates currently enrolled in accredited United States medical schools are eligible. Genre: Poetry. Prize: $1,000 top prize. Deadline: January 31, 2020. Note: Winners do not retain copyright.

Sunburst Awards. Restrictions: Open to Canadians. Genre: Speculative fiction short stories published in 2019. Prize: ? Deadline: January 31, 2020.

New York City Emerging Writers Fellowship. Restrictions: "Applicants must be current residents of one of the five boroughs, and must remain in New York City for the entire year of the fellowship. Students in degree-granting programs are not eligible to apply, even if the focus of study is not directly related to writing. This program supports emerging writers whose work shows promise of excellence. Applicants can be of any age, but must be in the early stages of their careers as fiction writers and will not have had the support needed to achieve major recognition for their work. We define “emerging writer” as someone who has not yet had a novel or short story collection published by either a major or independent publisher and who is also not currently under contract to a publisher for a work of fiction. Eligible applicants may have had stories or novel excerpts published in magazines, literary journals or online, but this is not a requirement." Genre: Fiction. Grant: $5,000. Deadline: January 31, 2020.

Baby, it's cold outside! Wouldn't you rather be on a beach? Luckily, writing conferences in January tend to be held in warm places - like Key West, Palm Beach, Tampa, and Hawaii. Even if you can't make it to one of these conferences, you can dream!

I can't stress enough that conferences are the best way to find an agent, hobnob with editors and other industry professionals, and meet fellow writers. Whether you write fiction or nonfiction, conferences are career starters.

For a month-by-month list of conferences throughout the year see: Writing Conferences. (You will also find links to resources that can help you find conferences in your area on that page.)

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Key West Literary Seminar. January 9 - 12, 2020 (seminar) and January 13 - 17, 2020 (workshop), Key West, Florida. The seminar offers readings, lectures, and conversations with poets, fiction writers, and nonfiction writers on the topic of "Sports in Literature." The island nations of the Caribbean have produced some of the most powerful and exciting writers of our time. For the 36th annual Key West Literary Seminar, we look across the waves to the vital literature that has emerged from this region. In bringing these writers together in Key West, we seek to both celebrate and transcend geography, in pursuit of the stories that hold us together.

Creative Nonfiction Writers Conference. January 9 - 12, 2020: Southampton, Long Island. "Join award-winning authors, editors, agents and marketing experts for a three day intensive writing conference focused on both the craft and the business of writing essays, biography, memoir, and narrative nonfiction. Develop both your skills and your creative marketing savvy in this focused and small conference, the only one of its kind in the country. The Creative Nonfiction Writers Conference accepts just 16 writers." CLOSED BUT CHECK FOR CANCELLATIONS.

Pacific University Master of Fine Arts in Writing Residency Writers Conference. January 9 - 19, 2020: Forest Grove, Oregon. Writers seeking to deepen their craft and expand their professional community are invited to attend the Residency Writers Conference together with MFA students, faculty and guest speakers. Join us for 10 full days of craft talks, workshops, panels, classes, readings and more featuring some of the best minds of the literary world. This residency is a rare opportunity to engage in sustained and meaningful conversation with others who share your passion for the art of writing.

TMW January Jumpstart XX. Jan 10 - 12, 2020, Oak Ridge, TN. Parallel sessions of workshops on fiction, poetry, nonfiction, writing for young people, editing, storytelling, self publishing, oral history, keeping series books fresh; panel discussions/readings; Saturday banquet. Charles Dodd White will lead Fiction; Bill Brown will lead Poetry.

Winter Poetry & Prose Getaway. January 17 - 20, 2020, Atlantic City, New Jersey. Workshops in poetry, fiction, and creative nonfiction, as well as craft talks, one-on-one tutorials, featured readings, and open mics. Tuition, which includes some meals, ranges from $490 to $690, depending on the workshop; lodging is not included.

Eckerd College Writers’ Conference. January 18 - 25, 2020, St. Petersburg, FL. Workshops, roundtables, panel discussions, Q&As, readings book signings, and receptions. The faculty includes poets Billy Collins, Gregory Pardlo; fiction writers Michael Koryta, John Dufresne; creative nonfiction writers Stephanie Elizondo Griest and Dani Shapiro; editor George Gibson (Grove/Atlantic); and agent Ann Rittenberg (Ann Rittenberg Lit Agency) and many more.

Palm Beach Poetry Festival. January 20 - 25, 2020, Delray Beach, Florida. The festival features workshops, readings, craft talks, manuscript consultations, panel discussions, and social events for poets. The faculty includes poets Laure-Anne Bosselaar, Nickole Brown, Reginald Gibbons, Jessica Jacobs, Major Jackson, Ilya Kaminsky, Dana Levin, Adrian Matejka, and Maggie Smith. The special poetry guests are Joy Harjo and Patricia Smith. The cost of tuition is $950 for workshop participants and $550 for auditors. One-on-one manuscript consultations with Lorna Knowles Blake, Sally Bliumis-Dunn, or Angela Narciso Torres are available for an additional $99. Using only the online application system, submit three poems of up to six pages with a $25 application fee by November 10.

Kaua’i Writers’ Retreat. January 26 - February 1, 2020: Kaua'i, Hawaii. Live and write among the plumeria, hibiscus, and beauty of Po’ipū, Kaua’i. Once you arrive on-island, each day is designed to provide inspirational, intensive craft instruction in the morning, followed by afternoons to read, write, explore, and enjoy the island, and evening gatherings to attend as you see fit. All residency events are optional: your time is your own, to read, write, revise, and be.

Breakout Novel Boni Graduate Learning Retreat. January 27 - February 2, 2020: Tampa, Florida. An intensive week of critiques, one-on-one sessions, query clinics, brainstorming and writing. Limited to 16 students. Sold out, but check waiting list.

People enjoy listening to stories - whether it's in person through author readings, on the radio, or on the net. Podcasts are especially popular because they are accessible on phones, and can be heard any time or place.

There is nothing quite so exciting as hearing your own story read aloud. The words you have only imagined come to life. They achieve substance, form, color. It's a thrill like none other.

On a practical level, podcasts are a wonderful way of keeping your stories in circulation. Almost all podcasts accept reprints, and quite a few of them pay. The podcasts below accept mostly speculative fiction - science fiction, fantasy, and horror. Some have submission periods, but most accept stories year-round.

Happy submitting!

Note: For hundreds of paying markets, broken down by genre, see: Paying Markets.

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Drabblecast. Genre: Science Fiction, Fantasy and Horror short fiction — 500- 4,000 words. Podcast. Payment:  $.03/word, with a cap of $300.00. Accepts reprints.

Gallery of Curiosities. Genre: Speculative fiction up to 7,500 words. See themes. Payment:1 cent/word. Magazine and podcast. See submission periods. Accepts reprints.

Manawaker Studio’s Flash Fiction Podcast. Genre: Flash fiction. Payment: $3 minimum. Accepts reprints.

No Sleep Podcast. Genre: Horror. Stories between 1200 and 2499 words. "They have to be really scary. Any perspective or tense is fine for these. Single character stories are fine. Prose or script format is fine. For the most part, these stories will be appearing on the regular show, so cool soundscapes and attention to how they’ll sound in production is helpful." Payment: $100, made via Paypal or Amazon gift card.

StarShipSofa. Genre: Science Fiction. "From the soft, social science fiction to the weird pulpy stuff to the vigorous hard SF and YA adventure. We welcome all sub-genres and all variety of punks in all their colours. From high-octane action to quiet philosophical stories, we’re after it all.Science fiction is a rich and diverse genre, push it’s boundaries as far as you can go. We welcome translations and are very interested in stories that take place/written by authors outside the US/Anglo-sphere, as well as as alternative movements and styles. These include (but not limited to) “non-Western” science fiction, Chinese SF, Soviet speculative fiction, Afro-futurism, etc." Payment: $50 USD flat rate per story for nonexclusive, one time audio rights. Authors are paid for their stories on the 7th of the proceeding month. Accepts reprints.

The Overcast. Genre: Speculative fiction: Science Fiction, Fantasy, Steampunk, Magical Realism, Slipstream, or an as-yet-unnamed genre. No horror. The sweet spot for submissions is 2,000-3,000 words. Payment: $0.01 per word, but not less than $20 for any story. Flat rate of $20 for all stories under 2,000 words. Accepts reprints.

Escape Pod. Genre: Science fiction. "If your story isn’t centered on science, technology, future projections, alternate history, and how any or all of these things intersect with people, we’re probably not the right market for it." Payment: USD $0.08 per word for original fiction. USD $100 per story for reprint fiction. Accepts reprints.

PodCastle. Genre: Fantasy. Word count: up to 6,000 words. Payment: $.08/word USD for original fiction 6,000 words or less, $100 flat rate for reprints over 1,500 words, and $20 flat rate for flash fiction reprints (stories below 1,500 words). Accepts reprints.

Pseudopod. Genre: Horror. Payment: $.08/word for original fiction, $100 flat rate for short story reprints, and $20 flat rate for flash fiction reprints (stories below 1500 words). Accepts reprints.

Cast of Wonders. Genre: Young adult short fiction, open to stories up to 6,000 words in length. Payment: $.08/word USD for original fiction 6,000 words or less, $100 flat rate for reprints over 1,500 words, and $20 flat rate for flash fiction reprints (stories below 1,500 words). Accepts reprints.

​The best tip anyone can give a writer is to read. Much of the craft of writing is absorbed unconsciously by reading great authors. Don't limit yourself to your own genre. Read fiction, nonfiction, poetry, personal essays, anything you can lay your hands on - especially authors whose style is wildly different from your own. Reading is the fuel that will light your creative fire.

The analytical process of reading is also important for writers. Pay attention to what the author is saying and how she or he is saying it. How is the plot structured? How are the characters developed? What are the themes and motifs? Is the use of language vivid and imaginative? Are you moved? And when you are done thinking and analyzing, consider writing about what you have read.

Here are 22 magazines that want to hear your thoughts about fiction, poetry, music, movies, art. They will even pay for your considered opinion. If you are in the process of publishing a book, or have recently been published, some of these publications also accept book recommendations for review by their editorial staff. You or your publisher can submit these recommendations. To that end, I have also included seven publications that don't pay reviewers.

In addition to reviews and interviews, the majority of these journals also publish - and pay for -  fiction, poetry, CNF, and essays.

NOTE: For hundreds of paying literary magazines in every genre see: Paying Markets.

Happy submitting!

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Polu Texni

Polu Texni is a web magazine about mixed-media arts and speculative or weird fiction. "We’re interested in the intersection where different media, styles, crafts, and genres meet to create something more interesting than what they would be alone." They would like reviews of books pertaining to speculative fiction books, art books, illustrated books or graphic novels. Pays 3 cents a word.

The Georgia Review

Most of this journal's reviews are solicited by the editors, but they welcome submissions from outside reviewers. They publish standard reviews (typically 3–5 double-spaced pages), which focus on only one book, and essay-reviews (typically 10-20 double-spaced pages), each of which develops a strong thesis through an engagement with multiple books in order to comment on literature and/or culture beyond the texts at hand. No simultaneous submissions. They charge a fee for online submissions. No fee for postal submissions. Payment is $50. See submission periods.

West Branch

West Branch reviews poetry books. Book reviews are typically arranged by assignment, but if you are interested in writing reviews, please query with a sample. They currently pay $200 per assigned review.

Strange Horizons 

Strange Horizons publishes in-depth reviews of science fiction and fantasy, especially books, films, and television. "Reviews normally cover new works, although we do occasional features on older works, and will not reject a review because its subject has been available for a while. We're especially interested in reviews of worthy material that might not otherwise get the exposure it deserves; similarly, we are interested in reviews of works that push traditional genre boundaries." Pays $40 for reviews of at least 1000 words. They prefer reviews of 1500 to 2000 words.

Samovar

Samovar is a quarterly magazine of and about speculative fiction in translation published by Strange Horizons. They are looking for in-depth critical review-essays of 2,000 to 3,000 words. These may cover: Works recently translated into English; Works that have not been translated but that will be of interest to an English-language audience; Critical works focusing on speculative fiction in translation; Some combination of the above. Pays US$40 regardless of final word count.

New Letters

New Letters is primarily interested in reviewing excellent books, movies, and visual art otherwise not receiving much attention in the national media (which means most literary titles). Book reviews should be concise, detailed, vivid, and free of theoretical and academic jargon. Length is 300-800 words for single and double book reviews. Essay-reviews of groups of books could be longer. Potential reviewers should query first. If you want to review a particular book that you already possess, feel free to suggest it. Payment for single-book reviews is $35.

The New Haven Review 

The New Haven Review was founded to be a venue for writers associated with the Greater New Haven area and to resuscitate the art of the book review. They like to see submissions from writers who can claim some connection to Greater New Haven, no matter how spurious, though it's not mandatory. They prefer book reviews that are better than the book reviews you usually see. They pay at least $500 for prose pieces, fiction or nonfiction.

The Rumpus

The Rumpus is interested in thoughtful, engaging book reviews between 1200-2500 words. Please submit a finished draft of your review rather than a review pitch. Reviews should be single-spaced and paginated. Provide the following information in your cover letter and at the top of your review: Title of book, author's name, name of press, publication date, and your name and email address. In your cover letter, please also include your contact information and a brief bio that we would use should your review be accepted. They prefer not to publish negative reviews, but it’s fine to discuss a specific weakness, lack, or question you have related to the book. Please disclose any relationship you have to the author of the book you’re reviewing if one exists. They do not accept reviews where a conflict of interest exists. All work must be previously unpublished—this includes personal blogs, websites, and social media. A monthly pool of $300 is split between writers whose work is published. See submission periods.

Barrelhouse

Barrelhouse is a print and online journal featuring fiction, poetry, interviews, and essays. They are currently open for online book reviews. “We prefer reviews that focus on recent(last two years) small press titles—especially debuts—or upcoming titles. We  are especially keen on books that do not get reviewed in US outlets as  often as others—translated works, international releases etc. … We’re interested in full-length or chapbook-length collections of poetry & prose. We’d be open to memoirs, story or essay collections, even academic works. We’re most tentative with academic titles—not because we’re not open to them—but because they would need to be accessible to the same readership as for any text.” Payment is $50 to contributors of both print and online issues.

Contemporary Poetry Review

Contemporary Poetry Review bills itself as the largest online archive of poetry criticism in the world. They invite interested critics to submit their work. Contributors are accepted on a permanent basis, and asked to contribute regularly. Contributors are never assigned any work to review; they choose their assignments and their deadlines. Reviews have no maximum word count or length restrictions. Reviewers are encouraged to write leisurely and quote amply. All editorial revisions are submitted to the contributor before a contribution is published, and all revisions are discussed. Review copies are made available to contributors free of charge, and need not be returned. Reviewers are paid for each contribution. Payment is not specified.

The Gettysburg Review

The Gettysburg Review publishes fiction, essays, essay reviews, poetry, and visual art. They don’t publish short reviews of recently published books. They are interested in "more extensive assessments of new publications, reviews that offer insights both broader and deeper than whether a given book is good, bad, or mediocre.” They welcome unsolicited reviews so long as they are essay-reviews (15-20 pages). Payment is $25/page. See submission periods. Charges for online submissions. No charge for snail mail.

Tough


Tough is a crime fiction journal publishing short stories and self-contained novel excerpts of between 1500 words and 7500 words, and occasional book reviews of 1500 words or fewer. Query the editor at toughcrime@gmail.com before submitting reviews. Payment is $25.

The Puritan

This Canadian literary magazine publishes fiction, interviews, essays, reviews and poetry from all over the world. For reviews they are looking for pitches for 1500 to 5000-word reviews of recently released writing in any genre, including nonfiction. They generally publish reviews of books from small Canadian publishers, but are open to other works, as well. They do not publish reviews of chapbooks. Payment is $100 CAD per interview or review.

The Georgia Review

Most of this journal's reviews are solicited by the editors, but they welcome submissions from outside reviewers. They publish standard reviews (typically 3–5 double-spaced pages), which focus on only one book, and essay-reviews (typically 10-20 double-spaced pages), each of which develops a strong thesis through an engagement with multiple books in order to comment on literature and/or culture beyond the texts at hand. Essay-reviews and standard reviews earn honoraria of $50/printed page. In addition, all contributors receive a one-year subscription to The Georgia Review. No simultaneous submissions. See submission periods. Charges fee for online submissions. No fee for snail mail.

The Sunlight Press

The Sunlight Press is a 501(c)3 nonprofit, digital literary. They welcome creative nonfiction, fiction, poetry, reviews, photography, and reflections by artists on their craft. "We want to hear the ways people turn toward light and hope, whether it is through the arts, culture, spirituality, or humor, and also how they respond to the darkness and navigate unknown spaces. Epiphanies are born from the ordinary and the extraordinary; whether it’s a reflection unfolding during a morning walk, after the loss of a loved one, or in the middle of unexpected laughter, we want to know about these moments." The Sunlight Press considers reviews of books, short story collections, and essay collections. Length: 750-1,000 words. Payment is not specified.

87 Bedford

This new online literary magazine publishes fiction, poetry, art, photography, spoken-word, interviews, reviews, and other creative media. Payment is $0.01 USD per word for each short story, installments of serial fiction, or book review.

The Fiddlehead
The Fiddlehead is a Canadian magazine open to writing in English or translations into English from all over the world and in a variety of styles, including experimental genres. "Our editors are always happy to see new unsolicited works in fiction, including excerpts from novels, creative nonfiction, and poetry. We also publish reviews, and occasionally other selected creative work such as excerpts from plays." Payment is $60 CAD per published page, plus two complimentary copies of the issue with your work. No charge for snail mail submissions. See submission periods.

Kaleidoscope

Kaleidoscope is a journal that focuses on disability. (Writers do not have to be disabled to contribute, as long as their work is about disability.) They want “reviews that are substantive, timely, powerful works about publications in the field of disability and/or the arts. The writer’s opinion of the work being reviewed should be clear. The review should be literary work in its own right." Length: 5,000 words maximum each; two reviews maximum. They also publish poetry, fiction, creative nonfiction, articles, and visual art. Payment is $10-100.

Slightly Foxed

Slightly Foxed bills itself as "the independent-minded literary magazine that combines good looks, good writing and a personal approach. Slightly Foxed introduces its readers to books that are no longer new and fashionable but have lasting appeal. Good-humoured, unpretentious and a bit eccentric, it’s more like a well-read friend than a literary review." Articles are 1,000-2,000 words. Payment is not specified.

The Copperfield Review

The Copperfield Review is a journal of historical fiction. They publish book reviews, poetry, short stories, interviews with historical novelists, and nonfiction about tips for writing historical fiction or essays about writing historical fiction. Payment is $15 for reviews and poems, $20 for fiction and interviews, and $25 for tips on writing historical fiction. Accepts submissions all year.

Newfound

Newfound publishes work that explores how place shapes identity, imagination, and understanding. They publish reviews of books, film, television, music, art, and more. “We like reviews that are critical, complex, creative, and culturally-minded. Reviews should consider at least one object of culture that has been recently published (within the last year) or is forthcoming. Please send work that is double-spaced, 500-5000 words in length, and includes a short author bio. If you would like to review a work listed on our reviews page or something we’ve yet to discover, send a query along with a CV and writing sample.” There is no deadline given for reviews. They also publish fiction, creative nonfiction, poetry, translation, and art. Contributors are paid $25.


Tor.com

Tor, a highly regarded science fiction and fantasy publisher, is an imprint of Macmillan. Their blog, Tor.com, accepts pitches for reviews, as well as essays, think pieces, list posts, and reaction pieces in the 1,000-2,000 word range. Suggested areas of interest are: author appreciations, essays on classic or overlooked works of SF/F, SF/Fantasy in translation (international SF/F), nostalgia-driven looks at older film/TV, Manga and Anime, Internet/Geek culture, and science and technology. If possible, please include 2-3 writing samples and links to your published work on other sites. Payment is not specified.
Non-Paying Magazines

Prairie Schooner

"We are particularly interested in reviews of books that can fairly be called diverse--we aim to publish a range of reviewers on a range of authors in each issue--and in reviews of authors' first books or recent translations. Books should be no more than eighteen months old by the time of publication (note that with our publication cycle, we are often reading to fill issues for two-three seasons from the time of submission). Reviews may consider a single book or take up two or three books together." Reviews should be no longer than 1,000 words, double-spaced, and formatted using a standard font. Payment is a complimentary copy. See submission periods.

Borderlands: Texas Poetry Review

Borderlands: Texas Poetry Review is a literary journal based in Austin, Texas that publishes poetry along with art series, reviews and essays. All reviews must be germane to poetry. Reviewers must include a cover letter with a brief bio. Reviews should be no longer than 1500 words, though longer reviews are acceptable when several books are under consideration. Please submit your review in Times or Times New Roman font. Include date of publication, price, and publisher for all works considered. Poets may send books for review consideration. Payment is a complimentary copy. See submission periods.

Mid-American Review

This journal seeks book reviews of around 400 words, following the MLA style sheet, of works of poetry, fiction, and non-fiction published within six months of their publication dates (April & November). Please query before sending a book review. They also accept works of fiction, poetry, translations, and nonfiction, including personal essays and essays on writing. Contributing authors will receive two complimentary copies of MAR as payment.

Rain Taxi

Rain Taxi publishes work by writers in all stages of their careers. "Our quarterly magazine provides a place for the spirited exchange of ideas about books, particularly those overlooked by mainstream review media. While Rain Taxi focuses on current releases, it also devotes space to the discussion of older works that continue to resonate. Interviews, essays, and "Widely Unavailable" (reviews of out-of-print books) are also regular features of the magazine." Rain Taxi considers books in the categories of poetry, fiction, literary nonfiction, art, and graphic novels. Editorial reviews only.

Terrain.org

Terrrain “searches for the interface—the integration—among the built and natural environments that might be called the soul of place. It is not definitely about urban form, nor solely about natural landscapes. It is not precisely about human culture, nor necessarily about ecology. It is, rather, a celebration of the symbiosis between the built and natural environments where it exists, and an examination and discourse where it does not.” They accept poetry, essays, fiction, articles, artwork, videos, and other contributions—"material that reaches deep into the earth’s fiery core, or humanity’s incalculable core, and brings forth new insights and wisdom." They publish reviews of published or forthcoming books, CDs, magazines, community planning resource kits, websites, movies, and other items, as well as “Recommended Reads”, in which authors provide a list and narrative description of the books that have most influenced their own work. No maximum word length.

Literary Mama

This is a monthly online magazine featuring creative nonfiction, fiction, poetry, columns, essays about writing and/or reading as anyone who identifies as a mother, as well as book reviews, and profiles of mother writers and artists. “We seek reviews exploring literary work that reflects a wide-ranging understanding of motherhood as experienced through multiple lenses and bodies. We review both newly-released work and older books that we consider to be important to the genre." They want "a reasoned, fair, well-balanced and supported critique of the work, offered in a positive tone. If you include a summary, please be sure it serves a purpose in illustrating a point or reinforcing a thesis rather than giving away the plot. Do not attack the author; please restrict your critique to the author’s craft, ideas, execution, arguments, etc. We publish reviews that help us understand how a book adds to the conversation about motherhood. If you cannot recommend a book, we prefer not to review it. We’d like to see reviews that consider craft as well as content.” Reviews are 800-1500 words. Genres accepted are fiction, nonfiction, poetry. Please send a query first.

The New York Review of Science Fiction

They want reviews of science fiction, fantasy, and horror books. “Our credo is that we publish reviews which reveal the strengths and weaknesses of good books. We tend not to publish negative reviews, though we do publish reviews that examine with precision the unsuccessful elements of worthwhile books. Contrawise, we do not publish reviews which are simply gushes of unexamined praise even of the best books; we want thoughtful reviews. We are not interested in reviewing every book published — nor even the majority of books published; please query us beforehand if you are interested in reviewing a specific title. We will consider well-written and substantial reviews of books by any author, from any publisher. Reviews need not be limited solely to one book; we encourage reviewers to compare books with similar themes and to place individual works in context within an author’s oeuvre and/or within the context of the field of speculative fiction as a whole.” They also seek popular articles, essays, parodies, studies, and thought-pieces on topics related to science fiction, fantasy, and horror literature. For a submission to be considered for any specific issue, they must receive the submission by the first Wednesday of the month before the issue is to be published; they publish monthly. Payment is in copies.