​Here are four agents actively seeking writers. Alex Reubert wants fiction that includes debuts, stories of love, family epics, and coming-of-age, at any age. He loves world literature and wants to see more books published in the U.S. that are not set in the U.S. He is eager to read and represent voices that have been historically de-centered. Thrillers and speculative stories that skew literary are welcome, as is any narrator looking back and trying to make sense of their life. Tia Ikemoto is looking for middle grade, young adult, adult fiction and select nonfiction that speaks to a wide audience, upmarket & book club fiction, psychological and literary thrillers, women's fiction, updated rom coms, blockbuster or high concept commercial fiction, and historical fiction that takes us somewhere else or teaches us something new. Nonfiction: Pop culture, narrative nonfiction, journalism, of-the-moment essay collections, and the occasional experience-driven memoir. 

Mariah Stovall is actively seeking writers with strong voices and intersectional and interdisciplinary perspectives. She works on adult literary and upmarket fiction, narrative nonfiction, essay collections and memoir. She’s most passionate about music, mental health/illness, Black America, linguistics, histories of objects and ideas, pop science, and deep dives into subcultures and social movements. Natalie Edwards is seeking commercial, upmarket, and literary titles both contemporary and historical: stories of queerness and diaspora, hidden histories, workplace satires/sendups of #girlbosses, and anything that offers biting social commentary and disrupts conventional wisdom.

Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists, and submission requirements can change. 

NOTE: Don't submit to two agents at the same agency simultaneously. If one rejects you, you may then submit to another.

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients.

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Mr. Alex Reubert of Sanford J. Greenburger Associates

Alex joined the scouting department of Sanford J. Greenburger Associates at the start of 2019. Prior to the agency, he worked as a bookseller at WORD Bookstores and interned with New Directions and W.W. Norton & Company. Originally from Georgia, he lives in Brooklyn where he enjoys walking through parks and going to delis. 

What he is seeking: Fiction that includes debuts, stories of love, family epics, and coming-of-age, at any age. He loves world literature and wants to see more books published in the U.S. that are not set in the U.S. He is eager to read and represent voices that have been historically de-centered. Thrillers and speculative stories that skew literary are welcome, as is any narrator looking back and trying to make sense of their life. 

For nonfiction, he’s interested in memoir, psychology, narrative, philosophy, literary studies, art history, pop science, and cultural studies. The memoirs might be playful in the way they arrange time, the essays written in an undeniable voice. He's also seeking poets and musicians that have ventured into prose.
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How to submit: Query Alex at areubert@sjga.com with “QUERY: Project Title” as the subject line. In the body of your email, please include a brief letter and the first 10 pages of your project. If he is interested in reading further, he will be in touch within 4-6 weeks. Alex is sorry that he cannot respond to each query, but appreciates every writer that reaches out and trusts him to be a reader of their work.
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Ms. Tia Ikemoto of ICM Partners

Literary Assistant at ICM Partners. Originally from the Bay Area, she graduated from UC San Diego, and joined ICM in 2019. 

What she is seeking: Middle grade, young adult, adult fiction and select nonfiction that speaks to a wide audience, upmarket & book club fiction, psychological and literary thrillers, women's fiction, updated rom coms, blockbuster or high concept commercial fiction, and historical fiction that takes us somewhere else or teaches us something new. Nonfiction: Pop culture, narrative nonfiction, journalism, of-the-moment essay collections, and the occasional experience-driven memoir.

How to submit: Submissions should be emailed to tia.ikemoto@icmpartners.com
Please email your query and first 10 pages of the manuscript pasted into the body of the email.

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Mariah Stovall of Trellis Literary Management

Mariah Stovall joined Trellis Literary Management after agenting at Howland Literary and Writers House. Prior to that, she worked on the other side of things, at Farrar, Straus and Giroux and at Gallery Books. Mariah is a graduate of Pitzer College, of the Claremont Colleges, where she studied English and World Literature with a minor in Linguistics. She volunteers for VIDA: Women in the Literary Arts. She has written fiction and nonfiction for Ninth Letter, Hobart, Joyland, The Paris Review, Poets & Writers, Literary Hub and more.

What she is seeking: She is actively seeking writers with strong voices and intersectional and interdisciplinary perspectives. She works on adult literary and upmarket fiction, narrative nonfiction, essay collections and memoir. She’s most passionate about music, mental health/illness, Black America, linguistics, histories of objects and ideas, pop science, and deep dives into subcultures and social movements, but great writing can get her interested in any topic.

How to submit: Use their form HERE.

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Natalie Edwards of Trellis Literary

Natalie Edwards joined Trellis Literary after nearly two years at Janklow & Nesbit Associates. Prior to that, she worked at Curtis Brown, Ltd. At Trellis, Natalie supports Allison Hunter and Michelle Brower, while actively building a list of her own. Natalie grew up in Pasadena, California and attended Bowdoin College, where she earned her BA in English with a minor in History and played four years of varsity softball. She lives in Brooklyn and still plays on several softball teams in the city.

What she is seeking: In terms of fiction, she is seeking commercial, upmarket, and literary titles both contemporary and historical: stories of queerness and diaspora (i.e., Patsy), hidden histories, workplace satires/sendups of #girlbosses, and anything that offers biting social commentary and disrupts conventional wisdom. She is particularly drawn to accessible voices with a literary sensibility, in the vein of Ann Patchett and Zadie Smith, especially when they let her in on a subculture or historical truth she's never encountered before. She also enjoys contemporary retellings of classic works, particularly by authors from underrepresented and marginalized groups.

In the nonfiction space, she is looking for hybrid memoirs (think H is for Hawk or In the Darkroom), which combine personal stories with research/reportage; narrative nonfiction like Say Nothing or Bad Blood; and cultural histories about music, film, art, and sports. There is nothing more delicious to her than the implosion of a scam, and nothing sweeter than rightful justice being handed down, so anything involving bad actors getting their comeuppance at the hands of passionate advocates for truth, she wants to see.

How to submit: Use their form HERE.