There are nearly three dozen calls for submissions in November. As always, anything you can think of is wanted — flash fiction, speculative fiction and poetry, horror, creative nonfiction along with several themed issues and anthologies.

All of these literary magazines pay, and none charge submission fees. Make sure to follow submission requirements carefully. Editors get cranky when writers don’t follow their submission rules.

If you want to get a jump on next month’s calls for submissions, check the page Calls for Submissions, which is where I post new calls as they come up.
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THEMA. Genre: Short stories, flash fiction, poems, art on theme of “The Critter in the Attic.” Payment: short story, $25; short-short piece (up to 1000 words), $10; poem, $10; artwork, $25 for cover, $10 for interior page display. Deadline: November 1, 2018. Reprints accepted.

Kenyon Review. Genre: Short stories, poetry, plays, excerpts, translations. Payment: Pro rates. Deadline: November 1, 2018.

The First Line. Genre: Short story with the first line: “As she trudged down the alley, Cenessa saw a small _________________. [Fill in the blank.].” Also, critical essays about your favorite first line from a literary work. Length: 300–5,000 words for fiction, 500–800 words for nonfiction. Payment: $25–50 for fiction, $25 for nonfiction, $5–10 for poetry. Deadline: November 1, 2018.

Spring Song Press: Steam and Lace Anthology. Genre: Speculative fiction,fantasy. Payment: 1 cent/word. Deadline: November 1, 2018.

Unlocking the Magic: A Fantasy Anthology. Genre: Fantasy. Payment: $300/story + royalties. Deadline: November 1, 2018.

The Puritan: What Does It Mean to Be a Muslim Writer? — Special Issue Poetry. Genre: Poetry. Payment: $20 — $100. Deadline: November 2, 2018.

Ninth Letter. Genre: Fiction, nonfiction, and poetry. Online Edition on theme of “Haunting.” Payment: $25 per poem, $75 per story or essay. Deadline: November 4, 2018.

Winter Tangerine. Genre: Poetry, prose, and visual art on theme of Dispatches from the Stars. “DISPATCHES invites work that constructs alternate realities for aliens of color, particularly through the lens of Afrofuturism, magical realism, speculative poetry/prose, or other re-renderings of the imagination. This feature welcomes submissions by all undocumented, noncitizen, and/or 1st generation immigrants of color who have stories about struggling with obtaining documentation or have otherwise experienced violence under the U.S. immigration system.” Payment: $50. Deadline: November 5, 2018.

Shooter. Genre: Stories, essays, reported narratives and poetry on theme of Rivalry. Send anything to do with competition, antagonism, warring forces and individual foes. The context might be sports, business, romance, politics, survival; the characters might be students, frenemies, parents, current and former lovers, courtroom opponents. As ever, the theme is open to wide interpretation. Minimum 2000 words for stories. Payment: £25 per story and £5 per poem. Deadline: November 11, 2018.

Goal Publications: The Daily Grind — A Coffee Anthology. Stories involving coffee. Payment: $0.0075/word. Deadline: November 14, 2018.

One story. Genre: Short story. Payment: $500. Deadline: November 14, 2018.

Hinnom Magazine. Genres: Science fiction, fantasy, and horror. Payment: $0.005 cents per word with a minimum payment of $5.00 and a maximum cap of $25.00. Deadline: November 15, 2018.

The Lorelei Signal. Genre: Fantasy short stories, flash fiction, and poetry. Payment: $7.50 for short stories, $3.00 for poems and flash (<1000 words) fiction pieces, $2.00 for reprints. Deadline: November 15, 2018. Accepts reprints.

Shifters United: Paranormal Romance. Genre: Paranormal romance novellas featuring shape shifters. Length: 20,000 to 50,000 words. Payment: Royalties. Deadline: November 15, 2018.

Fire Poetry. Genre: Poetry. Payment: $5. Deadline: November 15, 2018.

Vallum. Genre: Poetry. Theme: Connections. Payment: Not specified. Deadline: November 15, 2018.

Luna Station Quarterly. Genre: Speculative fiction by woman. Payment. $5. Deadline: November 15, 2018. Accepts reprints.

Lamplight. Genre: Dark fiction. Length: Up to 7,000 words. Payment: 3 cents per word. Deadline: November 15, 2018. Reprints accepted at 1 cent per word.

Human Noise Journal. Genre: Short stories, personal essays, poems. Payment: $30. Deadline: November 15, 2018.
 
Zyzzyva. Genre: Fiction, poetry, essays, and artwork. Payment: Token to semi-pro. Deadline: November 19, 2018. Snail mail submissions only.

Enchanted Conversation. Genre: Fairy tale. Theme: OF FROST AND FIRELIGHT: A Winter’s Rhapsody. Work can either be re-tellings of established stories or use original characters set within the fairy tale, folktale, or mythic templates. Payment: $10 US. Deadline: November 20, 2018.
 
Down & Out Books: Mickey Finn — 21st Century Noir. Genre: Hardboiled and noir crime fiction. Payment: Royalties. Deadline: November 30, 2018.
 
Martian Migraine Press: Monstrous Outlines. Genre: Speculative fiction, “an anthology of horror and weird fiction with a focus on the theme of camouflage: people, entities, monsters, gods, even concepts, that masquerade as things other than themselves.” Payment: .03CAD per word, via Paypal, as well as a contributor copy (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Deadline: November 30, 2018.

Twelfth Planet Press. Genre: Speculative fiction novellas. Payment: Advance of US$300 and royalties of 40% of all monies received by the publisher. Length: 17, 000–40,000 words. Deadline: November 30, 2018.

Haunted. Genre: Speculative romance about haunting and scorned women. Length: 4,000 words or more. Payment: $20. Deadline: November 30, 2018. Reprints accepted.
 
Villainous Press. Genre: Crime fiction. Length: 5,000 to 10,000 words. Payment: $25. Deadline: November 30, 2018. (Note: I could not find a website for this publication)
 
The Bare Life Review: Immigrant and refugee authors. Genre: Fiction, non-fiction, and poetry by immigrant and refugee authors — from foreign-born authors living in the US, and writers living abroad who currently hold refugee and/or asylum-seeker status. They welcome translations. American-born translators may submit work by eligible writers, but in such cases payment must be issued to the author. Length: Fiction up to 8,000 words; non-fiction up to 6,000 words; 3–5 poems, up to 10 pages in total. Payment: $750 for full-length prose pieces, $300 for accepted poems or shorter prose. Deadline: November 30, 2018.

Crannog. Genre: Short stories, poetry. Payment: €50 per story, €30 per poem. Deadline: November 30, 2018.

Ninth Letter. Genre: Fiction. Payment: $25 per printed page. Deadline: November 30, 2018.

Chicken Soup for the Soul: Life Lessons from the Cat. Genre: Nonfiction. “We are looking for first-person true stories and poems up to 1,200 words. Tell us what your cat taught you. How he made you smile. How she “rescued” you after you “rescued” her. How she brought your family closer together, helped you find love, inspired you to change something in your human life. Stories can be serious or humorous, or both. We can’t wait to read all the heartwarming, inspirational, and hysterical stories you have about your cats and what you learned from them!” Payment: $200. Deadline: November 30, 2018.

Third Point Press. Genre: Fiction, poetry. Payment: $10. Deadline: November 30, 2018.
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Apparition. Genre: Poetry and fiction on theme of Resistance. Payment: $0.01 per word, minimum of 10.00 dollars. Deadline: November 30, 2018.

Erica Verrillo has published five books. She blogs about the publishing world, posts useful tips on how to get an agent, lists agents who are looking for clients as well as publishers accepting manuscripts directly from writers, explains how to market and promote your work, how to build your online platform, how to get reviews, how to self-publish, and where to find markets for your work on Publishing and Other Forms of Insanity.

There are more than two dozen writing contests in November, none of which charge entry fees. This month there are contests for short stories, essays, poetry, and for both published and unpublished full-length works. Prizes range from a free class to $45,000. As always, read the guidelines carefully. Many contests have geographical and age restrictions.

If you want to get an idea of what kinds of contests are offered throughout the year, take a look at Free Contests. The majority of these contests are yearly events. When it comes to contests, it’s always a good idea to plan ahead.
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Commonwealth Short Story Prize. Restrictions: Open to citizens of the British Commonwealth. Genre: Unpublished short fiction (2,000–5,000 words) in English. Short stories translated into English from other languages are also eligible. Prize: Regional winners receive £2,500 (US$3,835) and the overall winner will receive £5,000 (US$7,670). Deadline: November 1, 2018. 

 
Vermont Writers’ Prize. Restrictions: Open to residents of Vermont. Genres: Short story, poem, play or essay on the theme of Vermont — its people, places, history or values. Entries must be unpublished and fewer than 1,500 words long. Writers may submit only one entry per year. Prize: $1,500 and publication in Vermont Magazine. Deadline: November 1, 2018.

 
Donald Murray Prize for Creative Nonfiction. Genre: Original, unpublished works of creative nonfiction with a preference for essays on writing, teaching, and teaching writing, but will consider quality entries on any subject, including topics related to social justice, civic action, and inequality. Prize: $300 in the form of an AMEX gift card and publication in the Spring 2018 issue of Writing on the Edge. All entries will be considered for publication in the journal. Length: 8,000 words maximum (2500–4500 preferred) Deadline: November 1, 2018.

 
William F. Deeck-Malice Domestic Grants Program for Unpublished Writers. Restrictions: Writers must not have published a book, short story, or dramatic work in the mystery field, either in print, electronic, or audio form. Genre: Mystery stories of the Agatha Christie type — i.e., “traditional mysteries.” These works usually feature no excessive gore, gratuitous violence, or explicit sex. Prize: Each grant may be used to offset registration, travel, or other expenses related to attendance at a writers’ conference or workshop within a year of the date of the award (no later than May 2017). In the case of nonfiction, the grant may be used to offset research expenses. Each grant currently includes a $1,500 award plus a comprehensive registration for the following year’s convention and two nights’ lodging at the convention hotel, but does not include travel to the convention or meals. Deadline: November 1, 2018. Read details here.

 
Patrick Henry Writing Fellowship. Genre: Nonfiction book in progress. The project should address the history and/or legacy — broadly defined — of the American Revolution and the nation’s founding ideas. It might focus on the founding era itself, or on the myriad ways the questions that preoccupied the nation’s founders have shaped America’s later history. Fellowship amount: $45,000 stipend, health benefits, faculty privileges, a book allowance, and a nine-month residency (during the academic year 2018–2019) in historic Chestertown, Md. Deadline: November 1, 2018. 

 
Lindenwood Chapter One Contest. Genre: First chapter of unpublished novel. Maximum submission length is 25 pages. Double-space and use a standard font size and style. Prize: $50, publication in issue 8 of The Lindenwood Review, and three contributor copies. Honorable mentions receive publication in issue 8 of The Lindenwood Review and three contributor copies. Deadline: November 1, 2018. 

 
Orwell Prize. Genre: Political writing published between 1st January and 31st January 2017. All entries must have a clear British link. Journalism and ‘exposing Britain’s social evils’. Prize: £3,000.00. Deadline: November 2, 2018. 

 
Dylan Thomas Prize. Restrictions: Authors must be aged 39 or under. Eligible books must have been commercially published for the first time in the English language between January 1 and December 31 of the year in which the deadline falls. Genre: Published books of poetry, fiction (novel, novella, or short story collection), radio scripts, or screenplays. Eligible books must have been commercially published for the first time in the English language between January 1 and December 31, 2017. Prize: 30,000 pounds, plus 1,000 pounds for shortlisted authors. Deadline: November 7, 2018. 

 
Women’s Prize for Fiction. Genre: Published book by a woman. Entrants must be writing in English and must be published in the UK. Novels must be published in the United Kingdom between 1 April 2017, and 31 March 2018. All subject matters and women of any age, from any nationality or country of residence are eligible. Prize: £30,000.00. Deadline: November 7, 2018.

 
RBC Taylor Prize for Literary Non-Fiction. Restrictions: Canadian citizens only. Genre: Nonfiction book. Prize: C$25,000. Shortlisted authors receive $2,000. Deadline: November 7, 2018 for books published between October 1 and October 31, 2018.

 
The PEN/Robert J. Dau Short Story Prize for Emerging Writers. Genre: First published short story. Authors may not submit their own work. Prize: $2000 and publication in The PEN America Best Debut Short Stories. Deadline: November 10, 2018.

 
Paul Torday Memorial Prize. Restrictions: Authors must be over 60. Genre: First published novel. The novel must have been first published in the UK and Republic of Ireland between 1 September 2016 and 31 August 2018. Prize: £1,000. Deadline: November 15, 2018.


Hajja Razia Sharif Sheikh Prizes in Nonfiction and Poetry. Restrictions: Undergraduates. Genre: Awards will be given to the best piece in each genre that addresses the experience of being Muslim in America. Winning pieces will speak to the experience — joys and challenges — of being Muslim in America today in ways that educate and inform our readers. Winning pieces may also demonstrate an understanding of Islamic history, culture, contributions, and / or its influence on society. Prize: $500 and publication in Oakland Arts Review. Deadline: November 15, 2018.


Arts & Letters Awards. Restrictions: Open to residents of Newfoundland and Labrador, Canada. Genres: poetry, short fiction, nonfiction, dramatic script, art, music, and French language. Entries must be unpublished and completed during the previous 12 months. Prizes: C$1,000 and C$250. Deadline: November 16, 2018.


Polar Expressions Publications Competition. Restrictions: Open to Canadian students in kindergarten through grade twelve. Genre: poetry. Prize: $300, $200, $100. Deadline: November 16, 2018.


Polar Expressions Publications Short Story Competition. Restrictions: Open to Canadian students in kindergarten through grade twelve. Genre: Short story. Prize: $300, $200, $100. Deadline: November 23, 2018.


Brooklyn Non-Fiction Prize is sponsored by the Brooklyn Film & Arts Festival. Genre: Non-fiction essay between 4 to 10 pages, set in Brooklyn about Brooklyn and/or Brooklyn people/characters. (Up to 2500 words). Prize: $500. Deadline: November 23, 2018.


Write the Good Fight Contest. Genre: Story (in 50 words or fewer) about a person (or group) who fights to resist the forces threatening what they hold dear. The story can be personal, fictional, or even historic. Prize: Free Gotham class. Deadline: November 26, 2018.


Shaughnessy Cohen Award for Political Writing. Restrictions: Titles must be published in Canada. Self-published books are not eligible. Genre: A book of literary nonfiction that captures a political subject of relevance to Canadian readers and has the potential to shape or influence thinking on contemporary Canadian political life. Prize: Winner: $25,000; Finalists: $2,500. Deadline: November 28, 2018, for books published between January 1 and December 31, 2018.


Servicescape. Genre: Short story or nonfiction up to 5,000 words. Prize: $1,000. Deadline: November 30, 2018.

 
McAndrews Poetry Award. Genre: Poetry. Poems must relate to human rights. Prize: $50–100. Deadline: November 30, 2018.

 
Everything With Words Urban YA (UK). Restrictions: Open to UK Residents. Genre: Debut novel for young adults/ adults, a book set in today’s multi-cultural Britain. Prize: £1000 and possible publication by Everything with Words. Deadline: November 30, 2018.

 
Betty Trask Prize. Restrictions: Author must be a Commonwealth citizen. Genre: First novels, published or unpublished, written by authors under the age of 35 in a “traditional or romantic, but not experimental, style.” Prize: Awards totaling 20,000 pounds. Top prize 10,000 pounds. The prize money must be used for foreign travel. Deadline: November 30, 2018.

 
Frontier New Voices Fellowship. Restrictions: Open to indigenous writers. Prize: $500 grant meant to be used toward covering industry submission costs, multiple publications (original poetry and prose) in Frontier, participation in their editorial community, and introductions to agents and presses. Deadline: November 30, 2018.

 
Patricia Grodd Poetry Prize for Young Writers. Restrictions: Open to writers aged 16–18. Genre: Poem (1). Prize: Full scholarship to The Kenyon Review Young Writers workshop, an intensive two-week summer seminar for writers aged 16–18. Deadline: November 30, 2018.

 
Somerset Maugham Awards. Restrictions: Open to writers under the age of 35. Genre: Published work of fiction, non-fiction or poetry. Prize: 2,500 pounds apiece to four winners. Prize money must be used for travel. Deadline: November 30, 2018. 

 
UNT Rilke Prize. Restrictions: US citizens or residents. Open to authors with at least two prior published books of poetry. Genre: Book of poetry published between November 1, 2017 and October 31, 2018. Prize: $10,000.00. Deadline: November 30, 2018. 

 
Princeton University Poetry Contest for High School Students. Restrictions: Student writers in the 11th grade. Prizes: First Prize — $500, Second Prize — $250, Third Prize — $100. Deadline: November 30, 2018.

 
AVBOB Poetry Competition. Restrictions: Open to any citizen of South Africa. Genre: Poetry. Prize: R10,000. Deadline: November 30, 2018.

 
The Ghosts in the Bookshop Contest. Genre: Short ghost stories set in a bookshop of typical short length by any author. Prize: £100 or £100 in books for the runners-up. Deadline: November 30, 2018.
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Erica Verrillo has published five books. She blogs about the publishing world, posts useful tips on how to get an agent, lists agents who are looking for clients as well as publishers accepting manuscripts directly from writers, explains how to market and promote your work, how to build your online platform, how to get reviews, how to self-publish, and where to find markets for your work on Publishing and Other Forms of Insanity.

There are nearly two dozen conferences, retreats, and festivals in November, spanning the country. Genre-specific conferences include medical writing, science fiction, fantasy, nonfiction, poetry, and more. And there are many opportunities to pitch your work to agents. 

I can’t recommend attending a conference enough. There is nothing like making personal contacts with agents, editors, and writers to advance your career as a writer.

If you can’t make your ideal conference this year, plan ahead for next year. Many conferences are yearly events. Planning ahead also gives you an opportunity to apply for the scholarships offered by some of these conferences. You can find a comprehensive list of conferences throughout the year here: Writing Conferences.
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Medical Writing and Communication Conference. Nov 1–3, 2018: Washington, DC. Workshops in medical writing, designing materials for patients, analysis, clinical reports, and more.

Sag Harbor Creative Nonfiction Writers Conference. November 1–4, 2018, Sag Harbor, NY. Spark your creativity and take your writing to the next level at the nonfiction writing conference in Sag Harbor — the heart of the east end of Long Island. The only small and focused conference in nonfiction in the country. Faculty: Donna Kaz, Roger Rosenblatt, Patricia McCormick, Terri Muuss, Matt Pasca, Judson Merrill, Sandra Yin, Michelle Blankenship, Roohi Choudhry, Jisu Kim.

Historical Writers of America. November 1–4, 2018: Providence, RI. Workshops for fiction and nonfiction, research, the submission process, the road to publication, and the life of a historical writer; networking opportunities including keynote luncheon and dinner, theme receptions, and collaboration and brain-storming sessions.

Clearwater Writers 2018 Women’s Writing Retreat. November 1–6, 2018: Clearwater, Idaho. Retreats are facilitated by the Inn’s writer-in-residence, Paula Coomer, poet and author of such books as Jagged Edge of the Sky, Dove Creek, Nurses Who Love English, and Blue Moon Vegetarian. With more than 20 years of experience as a teacher of creative writing, Ms. Coomer offers creative inspiration and support for writers at all levels of achievement and ability.

Writeful Places Black Writers Retreat. November 1–8, — 16, 2018: Aruba.

Atlanta Writers Conference. Nov 2–3, 2018: Atlanta, Georgia. The conference features publishing panels, pitch sessions, manuscript and query letter critiques, and a workshop on creating or improving author websites. Participating publishing professionals include editors Emma Caruso (Penguin Random House), Alicia Clancy (Lake Union Publishing/Amazon Publishing), Chelsey Emmelhainz (Crooked Lane Books), Erica Gonzalez (Penguin Random House), Melanie Iglesias (Atria Books), and Vedika Khanna (William Morrow), and agents Whitley Abell (The Jennifer De Chiara Literary Agency), Elizabeth Copps (Maria Carvainis Agency), Sara Megibow (KT Literary), John Rudolph (Dystel, Goderich & Bourret), Lauren Spieller (TriadaUS Literary Agency), and Brian Tibbetts (MacGregor Literary). The cost of a single session ranges from $50 to $170 depending on the activity; the cost of the discounted “All-Activities Package,” which includes two manuscript critiques, one query letter critique, two pitch sessions, the author website workshop, and two Q&A panels, is $620.

Ossabaw Weekend Writer’s Retreat. Nov 2 -4, 2018: Ossabaw Island, GA. Workshops and seminars led by nationally recognized faculty, and evening readings (special emphasis on ghost stories) by faculty and participants. Application deadline: September 25.

The BookBaby Independent Authors Conference. November 2–4, 2018: Philadelphia, PA. The Independent Authors Conference is the only conference that educates independent authors on how to cultivate a successful career in the self-publishing industry. Over three exciting days in historic Philadelphia, you’ll engage in workshops concentrated on learning and improving the skills you need to succeed, including effective writing techniques and strengthening your book marketing and promotion tactics.
 
North Carolina Writers’ Network Fall Conference. November 2–4, 2018: Charlotte, North Carolina. The conference features workshops and master classes in poetry, fiction, and creative nonfiction, as well as lectures and panel discussions on editing, publishing, and pitching. The faculty includes poets Morri Creech, Julie Funderburk, and Maureen Ryan Griffin; fiction writers Bryn Chancellor and Susan Rivers; and creative nonfiction writers Georgann Eubanks, Judy Goldman, and Cynthia Lewis. Fiction writer Randall Kenan will deliver the keynote. The cost for the full conference is $260 (including meals) or $200 (not including meals) for NCWN members, and $375 (including meals) or $300 (not including meals) for nonmembers until October 26. Onsite registration is $450 for the full conference, $350 for Saturday-only attendance, and $250 for Sunday-only attendance.

Colrain Intensive. November 2–5, 2018: Leicester, MA. The Colrain Manuscript Intensive is a small, select, highly focused, 3-day conference designed for the evaluation and discussion of book-length manuscripts by editors and publishers. The intensive is open only to those who have attended a previous Colrain conference and/or those whose manuscript is close to publication (semi-finalist, finalist or publisher feedback), and/or those with previous book publication.

Autumn Writing Getaway. November 3, 2018: Galloway, NJ. “Our retreats are centered on the belief that when writers leave behind the distractions of their busy lives to gather in an encouraging community, they are able to make important breakthroughs in their writing. Each workshop will meet for 6 hours and will offer craft discussion, writing prompts, writing time, sharing and inspiration.”

2018 Nebraska Writers Guild Poetry Retreat/Workshops. November 3, 2018: Nebraska City, NE. Focus: Poetry. A day full of workshops and writing sessions followed by evening readings and a wine tasting. Faculty: Laura Madeline Wiseman, Charlene Neely, Brad Anderson, Kristin Burnett, Janet Sobczyk, and editors from Backwaters Press.

Free Expressions Seminars-Emotional Craft of Fiction. November 4–8, 2018: Philadelphia, PA. Featuring Donald Maass. Based on psychological research and extensive study of what makes novels emotionally gripping, workshop participants will discover how to go beyond showing or telling to create an emotional journey for readers — one unseen but nevertheless deeply felt and ultimately unforgettable.

2018 Kauai Writers Festival. November 5–11, 2018: Kalapaki Bay, Lihue, Kauai, HI. Join bestselling authors and agents in an intimate, oceanfront setting, with an emphasis on fiction, memoir, thrillers, and screenwriting. Includes in-depth sessions on craft, publishing, and the writing life, with opportunities for agent/editor feedback.

The Monterey Writer Retreat in California. November 7–11, 2018: Monterey, CA. Participants in the Monterey Writer Retreat will work one-on-one with two of the best literary “closers” in the business: Gina Panettieri and Michael Neff combine 38 years of working with aspiring authors and ushering them to publication. They will be available for multiple private consultations from 9 AM to noon and 2:00 PM to 5:00 PM each day of the retreat. Choice of sessions and focus will be up to each individual writer. Additionally, as circumstances permit, Gina and Michael will also join retreaters in their quest for superb dining and festivity opportunities in the Monterey and Carmel area.

Fall Nonfiction Writers Conference. November 8–9, 2018. ONLINE EVENT. Online conference devoted to writing, publishing and promoting non-fiction books. Participation is live via phone or Skype, and recordings can be downloaded. Features 15 speakers over three days. Private Facebook group for attendees!

Sanibel Island Writers Conference. November 8–11, 2018: Sanibel Island, Florida. The conference features workshops in poetry, fiction, and creative nonfiction, as well as manuscript consultations, readings, panels, concerts, and book signings. Faculty and visiting writers include poets Major Jackson, Annemarie Ní Churreáin, and January Gill O’Neil; fiction writers Julianna Baggott, Lynne Barrett, Brock Clarke, John Dufresne, Tod Goldberg, Steve Kistulentz, Tom McAllister, and Darin Strauss; creative nonfiction writers Steve Almond, Andrea Askowitz, Emily Black, Stephanie Elizondo Griest, Joyce Maynard, Jane Roper, and Michael Ruhlman; screenwriter Mark Evan Schwartz; and agent Christopher Schelling (Selectric Artists). The keynote speaker is fiction writer Ann Hood. The cost of the conference is $550 ($440 for BIG ARTS members and $300 for full-time students).

Writing by Writers Manuscript Boot Camp. November 9–12, 2018: Tahoe City, California. Workshops for book-length manuscripts, as well as craft talks, readings, and agent panels, and individual meetings with agents. “The Writing By Writers Manuscript Boot Camp is for the writer who has a full book-length manuscript (novel, memoir, short story or poetry collection) and would like to engage with a small group for a serious and productive response. The long weekend will include an intimate full manuscript workshop, craft talks, readings, an agent panel and individual agent meetings — the perfect pre-publication boot camp for any manuscript.” Classes are limited to 5 participants. The cost of tuition, which includes a manuscript review of up to 300 pages with a faculty member, an individual meeting with an agent, lodging at the Granlibakken Resort, and all meals, is $3,250.

Red Clay Writers Conference. November 10, 2018: Kennesaw GA. The Red Clay Writers Conference is the annual conference of the Georgia Writers Association. Red Clay encourages and inspires writers across Georgia through a full day of literary events that focus on the art and craft of writing.

New Worlds, New Voices SFF Workshops. November 14–18, 2018: Morro Bay, CA. During the course of the conference, writers will hone and improve their writer voice and style by studying and applying an array of narrative, scene, and structure technique, thus enabling them to begin, enhance, and/or reconstruct their work in more powerful and innovative ways. Writing exercises are derived from analysis of a select group of works by both dramatists and authors.

Learn and Network. November 16–17, 2018: Branson, MO. The Ozarks Writers League is a group of like-minded individuals dedicated to promoting writing, literacy, photography, and art. Since 1983, OWL has welcomed individuals at all stages of their development.

ShowMe Writers Masterclass. November 17, 2018: Columbia, MO. This workshop offers a theory for and direct practice in a mindful approach to writing. This approach draws inspiration from Robert Boice’s book, How Writers Journey to Comfort and Fluency, which will be highlighted during the workshop.
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WriteAngles. November 17, 2018: South Hadley, Massachusetts. Panels and workshops, with two keynoters, a limited number of agent meetings. Continental breakfast, and buffet lunch included. Agents: TBA

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Erica Verrillo has published five books. She blogs about the publishing world, posts useful tips on how to get an agent, lists agents who are looking for clients as well as publishers accepting manuscripts directly from writers, explains how to market and promote your work, how to build your online platform, how to get reviews, how to self-publish, and where to find markets for your work on Publishing and Other Forms of Insanity.

Here are three agents actively expanding their client lists.

Jennifer Grimaldi is building a list of historicals, romance, horror, and YA & adult sci-fi and fantasy.

​Weronika Janczuk is looking for: Young adult, fantasy & sci-fi, literary fiction, commercial fiction, women’s fiction. romance, crime, mystery & thrillers, memoir, non-fiction (innovative ideas & research; projects with a potential for social & cultural impact, etc.).

Rhea Lyons is looking for literary/commercial crossover (especially those with a speculative bend), plot-driven commercial fiction, science fiction, fantasy, and romance. She is also interested in narrative nonfiction, health & wellness, pop culture, and true crime — particularly books that blend history, science, and pop culture. For children’s books and young adult, Rhea is especially interested in novels about girls who play sports for the sake of sports, and in nonfiction books that hint at being educational / empowering but are primarily entertaining. 

Always check the agency website before submitting. Agents may switch agencies or close their lists, and submission requirements can change.

If these agents don’t suit your needs, you can find a comprehensive list of new and established agents seeking clients here: Agents Seeking Clients.
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Jennifer Grimaldi of Chalberg & Sussman

Now an agent with Chalberg & Sussman, where she first started her publishing career in 2012, Jennifer is building a list of historicals, romance, horror, and YA & adult sci-fi and fantasy.

What she is seeking: Across all genres, Jennifer loves strong, voice-driven novels, dark and romantic themes, and books that make her think — and learn. She is particularly excited by books that explore gender and sexuality, especially those with diverse, LGBTA+ leads, and own-voice writers.

Aspects sure to delight her include: cities and urban-planning, anecdotal histories, that trope where there were supposed to be two rooms at the hotel but they’re all booked up so the leads have to share, spies, thieves, mythological retellings, witches just trying to get by, weird obsessions, and puns.

How to submit: To query Jennifer, please email jennifer@chalbergsussman.com and include the first five pages of your manuscript in the body of an email. Jennifer accepts queries by email only.
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Weronika Janczuk of D4EO 

Weronika broke into publishing in 2009, through a high school workshop that placed her with former young adult editor Brian Farrey at Flux (now North Star), a small imprint in Minnesota, where she pulled, from the slush pile, the lovely Out of the Blue by Holly Schindler, which received a starred review in Booklist. She then moved on to intern with Jenny Bent at The Bent Agency. From 2010–2011, she worked with Bob Diforio and sold an array of projects.

What she is looking for: Young adult, fantasy & sci-fi, literary fiction, commercial fiction, women’s fiction. romance, crime, mystery & thrillers, memoir, non-fiction (innovative ideas & research; projects with a potential for social & cultural impact, etc.).

How to submit: You can submit a query directly via the QueryTracker form linked here. No account is necessary. If you prefer to query over email, paste your query letter and the first ten pages of your manuscript to weronika(at)d4eo(dot)com, and include the word QUERY in your subject line. She will respond personally only if she requests your manuscript.
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Rhea Lyons of Hannigan Salky Getzler Agency 
Rhea began her publishing career while studying at the University of Rochester and interning at Open Letter, a press which exclusively publishes literature in translation. She then joined the Random House Publishing Group, which includes the imprints of Random House, Spiegel & Grau, Ballantine, Bantam Dell, and Del Rey, working in Subrights. In 2011, she became a scout at Franklin and Siegal Associates, and spent the next few years working to help international publishers discover and acquire new and upcoming works of fiction and nonfiction. Most recently, Rhea was the Subsidiary Rights Director at Rodale, where she also acquired books for their adult list as well as for their newly launched children’s imprint, Rodale Kids.

What she is looking for: For fiction, Rhea is looking for literary/commercial crossover (especially those with a speculative bend), plot-driven commercial fiction, science fiction, fantasy, and romance. She is also interested in narrative nonfiction, health & wellness, pop culture, and true crime — particularly books that blend history, science, and pop culture. For children’s books and young adult, Rhea is especially interested in novels about girls who play sports for the sake of sports, and in nonfiction books that hint at being educational / empowering but are primarily entertaining.
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How to submit: Please send a query letter and the first five pages of your manuscript (within the email–no attachments please!) to rlyons@hsgagency.com