Here are eight new literary agents actively seeking clients. New agents are a boon to writers. They are actively building their lists, and will go the extra mile for their clients.

All of these agents work for established agencies with good track records. They are looking for all genres.
Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists, and submission requirements can change. 

NOTE: Don't submit to several agents at the same agency simultaneously. If one rejects you, you may then submit to another. (Some small agencies share. Be alert to a notice that "a no from one is a no from all.")

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients. 

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Charlotte Sunderland of Park, Fine & Brower

Charlotte Sunderland works with Celeste Fine on bestselling nonfiction and fiction. She comes to books with a film and tv background, having worked in Los Angeles for a decade, at Creative Artists Agency, wiip studios, and as Julia Louis-Dreyfus’ Creative Executive, where she helped develop film, tv, and podcast material. Charlotte graduated from USC’s School of Cinematic Arts with a B.A. in Cinema and Media Studies.
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What she is seeking: Charlotte is looking for upmarket fiction that can expand into film and television, and is particularly interested in self-sabotaging heroines and morally ambiguous characters, dysfunctional families, unreliable narrators, ordinary people thrust into extraordinary situations, and humorous takes on conventionally dark subjects.

How to submit: Please specify the first and last name of the agent to whom you are submitting, as well as the category and genre of your submission (i.e.: “Charlott Sunderland – Adult Fiction”) in the subject line of the email. Send your query letter and accompanying material to this email address: queries@parkfinebrower.com. All materials must be in the body of the email, as we are unable to open attachments. Due to the volume of email queries we receive, we will only respond if we are interested.

For adult fiction submissions, please include a query letter and approximately the first 25 pages of your work. For YA & children’s fiction submissions, please include a query letter and the first chapter or approximately the first ten pages of your work. For non-fiction submissions, please send a query letter. 
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Ben Kaslow-Zieve of Park, Fine & Brower


Ben Kaslow-Zieve works alongside Celeste Fine on bestselling nonfiction and fiction. Having started his career in the foreign rights department at Park & Fine (now Park, Fine & Brower), he is particularly attuned to ideas and stories that will impact readers around the world—and how to help those books reach their audience in every country and every language. 

What he is seeking: He loves non-fiction of all kinds, especially books that seek to translate big ideas to a broad audience and authors who help us better understand the time and place in which we live. Whether in science, history, memoir, cultural criticism, investigative journalism, or business, he loves an unexpected angle, an untold story, and an unusual discovery. He believes in the power of nonfiction to start conversations, shift perspectives, and change our culture.

In fiction, he’s looking for smart takes on genre and accessible literary fiction that engages with its social and historical context. He loves: original premises taken to surprising conclusions; epics of all genres; unique relationships; characters at odds with their time; a feel for the rhythms of the world; understated heartbreak; compassion; compelling sentences.

How to submit: Please specify the first and last name of the agent to whom you are submitting, as well as the category and genre of your submission (i.e.: “Ben Kaslow-Zieve – Adult Fiction”) in the subject line of the email. Send your query letter and accompanying material to this email address: queries@parkfinebrower.com. All materials must be in the body of the email, as we are unable to open attachments. Due to the volume of email queries we receive, we will only respond if we are interested.For adult fiction submissions, please include a query letter and approximately the first 25 pages of your work. For YA & children’s fiction submissions, please include a query letter and the first chapter or approximately the first ten pages of your work. For non-fiction submissions, please send a query letter.
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Melissa Rodman of Park, Fine & Brower

Melissa Rodman works closely with Sarah Passick to develop a variety of nonfiction and select fiction projects from proposal to publication. Prior to joining the team at Park & Fine (now Park, Fine & Brower), she served as research associate in entertainment, media, and sports at Harvard Business School and editorial associate at Harvard University Press, before earning a master’s degree at NYU’s Arthur L. Carter Journalism Institute and completing an editorial internship at The New Republic. She received her Bachelor of Arts degree in History & Literature, magna cum laude, from Harvard University and in college interned at Picador, the U.S. imprint of her North Star author, Hilary Mantel.

What she is seeking: Her literary interests include narrative nonfiction, cultural criticism, history, and memoir, and she enjoys collaborating with authors to hone their ideas, arguments, and sentences.

How to submit: Please specify the first and last name of the agent to whom you are submitting, as well as the category and genre of your submission (i.e.: “Melissa Rodman – Adult Fiction”) in the subject line of the email. Send your query letter and accompanying material to this email address: queries@parkfinebrower.com. All materials must be in the body of the email, as we are unable to open attachments. Due to the volume of email queries we receive, we will only respond if we are interested.

For adult fiction submissions, please include a query letter and approximately the first 25 pages of your work. For YA & children’s fiction submissions, please include a query letter and the first chapter or approximately the first ten pages of your work. For non-fiction submissions, please send a query letter. 
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Ms. Natalie Barracliffe of Sheil Land Associates Ltd

Natalie studied Comparative Literature and Culture at Royal Holloway University of London and graduated in 2018. She completed work experience with Rogers, Coleridge & White and then joined Sheil Land Associates in 2019 as Assistant to two literary agents, including our CEO, Sonia Land. She was promoted to Associate Agent in 2024 and is growing her list while continuing to support the agents.

What she is seeking: As I begin growing my list, I’m particularly interested in fantasy, thrillers and romances in the Adult and Young Adult market. I'm also looking for a chilling horror to sink my teeth into. Genres: Romance, Fantasy, specifically fantasy with a romance element, Young Adult fiction, specifically thrillers, fantasy and romance, Thriller, Crime fiction, Horror, General fiction.

How to submit: Please follow the guidelines HERE.

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Arianna Siddiqui of FinePrint Literary Management

Arianna Siddiqui earned dual degrees in political science and economics from Trinity University and completed the Columbia Publishing Course at the University of Oxford. She also started her professional career selling used Mercedes before transitioning into a career in publishing. With experience as an assistant at Lucinda Literary and William Morris Endeavor, and as a mentee with the Writers House Mentor Initiative, she has a strong eye for engaging stories and market trends. Arianna is currently pursuing a part-time master’s in creative writing at the University of Cambridge. In her free time, Arianna writes speculative romance and fosters litters of kittens.

What she is seeking: Arianna is particularly drawn to mysteries, romance, and speculative fiction across young adult and adult audiences. She’s also open to adult nonfiction that explores unique narratives or perspectives.

How to submit: Use her querymanager HERE. 

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Hailey Stephens of Arthouse

Hailey Stephens is an avid reader, writer, and editor with a bachelor's degree in English-Writing from Illinois Wesleyan University, as well as a master's in Writing and Publishing from DePaul University. She is especially interested in uplifting diverse artists from rural communities that may be overlooked by such a metropolis-based industry. When not reading or writing, Hailey enjoys exploring her many hobbies. She's a baker, hiker, puzzler, gamer (board games, card games, D&D, video games-she's open to it all!), cross-stitcher, and so much more. While Hailey's reading tastes include almost everything (she currently favors romance, literary fiction, and creative memoirs), her writing is focused on both creative nonfiction and psychological/supernatural horror. 

What she is seeking: In general, Hailey is only looking for Adult novels, but she will selectively take on Middle Grade books if the manuscript will inspire a passion for reading. In fiction, she is looking for literary fiction, romance, thrillers, and horror. In nonfiction, she is looking for both trade and literary proposals, including memoirs.

How to submit: Please follow the agency guidelines HERE.

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Ed Wood of The Blair Partnership (UK)

As Publishing Director at Little, Brown, I published crime, thriller and book club bestsellers including Mark Billingham, Chris Brookmyre, Carl Hiaasen, Keith Stuart, Jessica Fellowes, Patricia Highsmith, and international megabrands Tom Clancy and Clive Cussler. I published numerous Sunday Times and digital bestsellers, including at number one. Among various awards, my titles won the Theakstons Old Peculier Crime Novel of the Year, various CWA Daggers, and the McIlvanney Prize. And in my second role as Little, Brown IP Director, I worked with authors on original concepts that became huge rights sales hits and international bestsellers. I like to work in creative partnership with authors to fulfil their vision – and then help them reach the biggest readership possible.

What he is seeking: I’m thrilled to take on clients in crime, thriller, mystery and book club fiction – and to be their creative and commercial champion.

How to submit: You can send submissions at EdSubmissions@theblairpartnership.com

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Ms. Marissa Koors of The Curious Minds Agency (UK)

Before joining Curious Minds in 2023, Marissa worked as an editor at Basic Books, where she edited Kate Cooper’s Queens of a Fallen World – a Finalist for the 2023 Cundill Prize – and Sophie Duncan’s Juliet.  An avid gamer with a love of branching narrative, she also edits video games and tabletop roleplaying games in her spare time. She lives in Brooklyn, New York.

What she is seekng: She is seeking non-fiction authors in categories ranging from history, philosophy, and the ancient world to fashion, culture, the arts, and emerging science and technology who want to use their expertise to render the hidden structures of the world legible to readers. She is drawn to stylish and substantive books animated by bold argument that spark debate and start conversations.

How to submit: You may submit a proposal and sample chapter by email to info@curiousmindsagency.com

Every year, I make a New Year's Resolution just for writing. I don't bother with personal resolutions, because I never keep them. (I have not, for example, run the Boston Marathon, cured cancer, or finished my PhD...yet.) But, without fail, I do keep my writing resolutions. 

In past years, I have made writing resolutions to Write What I Feared (we must all face our writing demons), and to get more rejections than C. S. Lewis. (He got over 800; I clocked in at a measly 160 that year.). In 2020, I resolved to begin (facing a blank screen is always daunting) and the following year, to finish what I had started. (This is a perennial problem for writers such as myself, who have a wealth of ideas, but little patience.) 

I have resolved to read, because it is only through reading and re-reading that we hone our writing skills, and I have resolved to observe the ordinary, because observing what goes on around us, and listening, really listening, with the heart as well as the ears, is the basis of all subject matter. 

Perhaps most important of all, I have resolved to be true to my own work - that is to say, to not conform to what I think an audience might like (or dislike, as the case may be), but to be loyal to my own message, my own thoughts, my own feelings. Most writers may not realize it, but ignoring a prospective audience is actually quite difficult, especially once editors and publishers get hold of your manuscript. 

Where was I? Oh yes...

After resolving to get off my butt and get published, and, miraculously, having done so, and having started, finished, faced my writing demons, observed, revised, and re-read the greats ... what is left?

Nothing. I am completely bereft of ideas.

No, just kidding. I do have one goal this year. Over the past few years (or is it decades?), I have gotten a number of short pieces published. It was exhilaring to see my work in print. So, like an addict, I kept pursuing the intoxication of publishing new work. Meanwhile, my older stories (some of which are quite good, even if I do say so myself), have been forgotten in my lust for novelty. 

There is simply no excuse for abandoning your prior work, especially when it has appeared in journals which are now defunct. (My strategy has always been to submit to print journals first. That allows me to submit to online journals later.)

So, this year, I shall delve into my neglected writings and recycle them. There are plenty of journals that accept reprints, and, because I happen to have a list of them right here, I shall begin to recycle.

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If you want to follow in my footsteps, this is my excellent list of 185 Literary Magazines Accepting Reprints. You are welcome to make ample use of it.

Previous resolutions (all of which are worth following in case you're stuck for inspiration):

2024 New Year's Writing Resolution: Revise Your Darlings
2023 New Year's Resolution for Writers: Motivation
2022 New Year's Writing Resolution: Observe the Ordinary
2021 New Year's Resolution for Writers: Read
2020 New Year's Resolution for Writers: Begin
2019 New Year's Resolution for Writers: To Thine Own Work Be True
2018 New Year's Resolution for Writers: Finish
New Year's Resolution: Write What You Fear
2016 - Your Year to Get Published!
A New Year's Resolution - For Writers (Get rejected!)

This January there are more than five dozen calls for submissions. All of these are paying markets, and none charge submission fees. As always, every genre, style, and form is wanted, from short stories to poetry to essays.

I post upcoming calls for submissions shortly before the first day of every month. But as I am collecting them, I post them on my page, Calls for Submissions. You can get a jump on next month's calls for submissions by checking that page periodically throughout the month. (I only post paying markets.)

Also see Paying Markets for hundreds of paying markets arranged by form and genre.

Happy submitting!

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What If… Skunk Wurks Edition. Genre: "Who doesn’t know the black projects that rolled out of the Skunk Works like the famous SR-71, U-2, or F-117 stealth fighter? What do you think they aren’t telling us about? This anthology dives into the concept of other black projects, their uses, and outcomes. Maybe the crazies are right. What If… the UFO’s are actually ours… Anything from discovery and design to use in application of the Aircraft, Heavy Weapons, Power Armor, Sea Vessels, and more are welcome." Payment: Royalties. Deadline: January 1, 2025.

Flame Tree: Robots Past & Future Short Stories. Genre: Short fiction on theme: Robots. Payment: 8 cents/6 pence per word for original stories, 6 cents/4 pence for reprints. Deadline: January 1, 2025. Accepts reprints.

Glen Must Die! Genre: Speculative fiction. See theme. Payment: $.03/word pending a Kickstarter launch of the anthology. Deadline: January 1, 2025.

June Road Press. Genre: Poetry collection, full-length, 40 to 60 poems, preferably the author’s first or second book. "We’re particularly interested in work with strong ecological/environmental themes, or that engages in meaningful ways with nature or place, by writers who identify as women." Payment: Royalties. Deadline: January 1, 2025.

Cafe Irreal. Genre: Magical realism. Length: Up to 2,000 words. Payment: 1 cent/word. Deadline: January 1, 2025.

Planet Black Joy. Restrictions: Open to women and non-binary folk who identify as Black, African, or of Afro-descendent heritage. Genre: Fiction exploring and celebrating Black joy and pleasure. Payment: 8 cents/word. Deadline: January 1, 2025.

Utopia Science Fiction. Genre: Utopian science fiction. See theme. Payment: $0.08/word for fiction, $30 for nonfiction, $25 for poetry. Deadline: January 1, 2025.

The Paris Review. Genres: Poetry. Payment: Not specified. Deadline: Opens January 1, 2025, and closes when they reach capacity.

The Other Stories (Audio). Genre: Horror on themes. Payment: 15 GBT. Deadline: January 1, 2025. See themes.

Cordite. Genre: Poetry. See theme. Payment: Not specified. Payment is available for Australian contributors only. Deadline: January 2, 2024.

Stone's Throw. Genre: Noir, dark fiction, crime short stories. Length: between 1,000 and 2,000 words. See theme. Payment: $25. Deadline: January 4, 2025. Note: This is a monthly call.

Sci Phi Journal. Genre: Hard science fiction, fictional nonfiction, and speculative philosophy. Translations accepted. Payment: €0.03/word; €0.01/word for translations. Deadline: Opens January 4, 2025.

The Fantastic Other. Genre: Fiction, flash fiction, poetry, art on theme: Storm. Payment: $5. Deadline: January 5, 2025.

Rainy Weather Days. Genre: Fiction, poetry, nonfiction on theme of Defiance. Payment: $25 for prose, $10 for poetry.  Deadline: January 5, 2025.

All My Relations is an art and lit, online and printed magazine, exploring themes of interconnectedness. This volume is open to racially and ethnically marginalized, gender variant, and disabled creatives only, in consideration of the theme. Own voices only, please. Payment: $10. Deadline: Open until filled or until January 5, 2025, whichever comes first.

Mslexia. Restrictions: Open to women. Genre: Fiction poetry, nonfiction. Payment: £25. Deadline: January 6, 2025.

Sunlight Press. Genre: Fiction, creative nonfiction, poetry, photography, reviews. Payment: $15 - $40. Deadline: Opens January 6, 2025.

Cosmic Horror Monthly. Genre: Weird and cosmic fiction under 5,000 words. Payment: 3 cents (USD) per word. Deadline: January 7, 2025.

Fourteen Poems Genre: Poems. "We want to represent all that's thrilling about the new wave of LGBT+ poets. If you’re a poet, even if you’ve never been published before, we want to read your work. Every issue we publish 14 of the best queer poems we’ve found, and we want to include you! We publish 4 times a year, but take submissions all year round. To be considered, email up to 5 poems, preferably in a pdf format, with a small paragraph about yourself to hello@14poems.com." Payment: £25 for each poem published. Deadline: January 10, 2025.

Headland. Restrictions: Open to Māori writers. Genre: Poetry, short fiction and nonfiction. Payment: Not specified. Deadline: January 10, 2025.

Daikaijuzine. Genre: Speculative fiction, poetry, art. Payment: $10.00 for each short story, and $5.00 for each poem and flash fiction piece. Deadline: January 12, 2025. Opens January 6.
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34 Orchard. Genre: Fiction, poetry. "We like dark, intense pieces that speak to a deeper truth. We’re not genre-specific; we just like scary, disturbing, unsettling, and sad." Payment: $50. Deadline: January 14, 2025. Opens January 1.

Midnight Meadow Publishing's goal is to publish engaging and unique LGBTQ+ stories while elevating marginalized voices. They are interested in a wide variety of genres. Read submission guidelines HERE. Deadline: January 15, 2025.

Puncher & Wattmann. Restrictions: Open to Australians. Genre: Full-length fiction, memoir, poetry. Payment: Advance and royalties. Deadline: January 15, 2025.

Electric Spec. Genre: Speculative fiction. Payment: $20 per piece. Deadline: January 15, 2025.

100-Foot Crow. Genre: Speculative fiction drabbles. Payment: $8. Deadline: January 15, 2025.

Inked in Gray. Restrictions: Open to Marginalized Representation includes LGBTQ+ representation (we will never ask you to out yourself), Authors of Color, Disabled Authors, etc. International authors welcome! Genre: Romance manuscripts - all genres and subgenres. Payment: Royalties. Deadline: January 15, 2025.

Tales from the Crosstimbers. Genre: Science fiction, fantasy, splipstream, and horror. Payment:  $10 per story or 1 cent/word rounded to the nearest 100 words, up to a maximum of $25. Deadline: January 15, 2025.

Shatter the Sun: Queer Tales of Untold Adventure. Genre: Fantasy stories of queer heroes forged and tempered in the fire, fighting dark stars and bright suns, and overthrowing tyranny in all its forms. Sword and sorcery, sweat and sandals, souls and stars. Payment: $0.08/word. Deadline: January 15, 2025.

Beautiful Days Press. Genre: Full-length and chapbook-length poetry manuscripts. Payment: Royalties. Deadline: January 15, 2025. 

Women Artists Datebook. Restrictions: Open to women. Genre: Poems and art. Theme: Peace and Justice. Payment: $200 for art, $70 for poetry. Deadline: January 15, 2025.

Orion. Genre: Essays on the environments in which songs are conceived and recorded. Payment: Who Pays Writers lists payment of 25 cents/word. Deadline: January 15, 2025. Pitches only.

Ploughshares. Genre: Fiction, poetry, and nonfiction. Payment: $45/printed page, $90 minimum per title, $450 maximum per author. Deadline: January 15, 2025. (Charges for online submissions. No charge for snail mail.)

Shenandoah. Genre: Fiction and novel excerpts. Payment: $80 per 1000 words of prose up to $400. Deadline: Opens January 15, 2025, and closes when they reach capacity.


Rattle: Tribute to Food Poems. Genre: Poetry about food. Payment: $200. Deadline: January 16, 2025. 

Havok. Genre: Flash fiction. See themes. Payment: $50 via PayPal for each story selected. No payment for online publication. Deadline: January 17, 2025. 

Seaside Gothic. Genre: Seaside gothic fiction, poetry, nonfiction, or a collection of photographs or illustrations. Payment: £0.01 per word. Deadline: January 19, 2025.

Flame Tree: Witch Craft. Genre: Stories that deal with what it means to be ‘witch’, and the rediscovery and reclaiming of that power, its links to nature – and the exploration of whether a witch is drawn to 'good' or 'bad', and why. Stories should be in the horror and folk horror veins, and we’d like to see as wide a range as possible. Payment: 8 cents/6 pence per word. Deadline: January 19, 2025.

Astrolabe. Genre: Fiction, creative nonfiction, and photography & art. Payment: $50. Deadline: January 21, 2025.

The Fairy Tale Magazine. Genre: Fairy-tale inspired stories/poems. See theme. Payment: $25. Deadline: January 21, 2025.

This Magazine. Restrictions: Open to Canadians. Submissions by BIPOC, Q2ST, disabled, and other marginalized writers are especially welcomed. Genre: Fiction. Payment: $125 per accepted short story up to 2500 words; 60$ per flash fiction story under 1000 words Deadline: January 26, 2025.

Mythaxis. Genre: Speculative fiction. Payment: €0.01 per word, with a €20 minimum. Deadline: January 30, 2025.

Gwyllion. Restrictions: Writers living in Wales and writers who identify (fully, in part, or by ancestry) as Welsh. Genre: Speculative fiction and poetry. Welsh themes. Payment: £15 per accepted story or poem. Deadline: January 31, 2025.

Event Magazine. Genre: Poetry, fiction. Payment: CAD $40/page for poetry and $35/page for prose, up to a maximum of $500. Deadline: January 31, 2025.

JMS Books. Genre: LGBTQ romance stories, 12,000 words minimum. See theme. Payment: Royalties. Deadline: January 31, 2025.

West Avenue: A Sparkle of Woodland Magic. Genre: Short stories of up to 5,000 words and poems. See theme. Payment: £10. Deadline: January 31, 2025.

Garland. Genre: Poetry, prose poetry, short prose (<1500 words), and other experimental writing by queer, trans, and gender variant writers. Visual components and hybrid formats are welcome. Payment: $5. Deadline: January 31, 2025.

Brink. Genre: Hybrid, cross-genre fiction, nonfiction poetry. Payment: $25 Poem; $50 Work (less than 1500 words); $50 Art (1-3 Images); $100 Art (4+ Images); $100 Work (more than 1501 words). See theme. Deadline: January 31, 2025.

The Temz Review. Genre: Prose (fiction and creative non-fiction) up to 10,000 words long. Payment: $20. Deadline: January 31, 2025.

Split Lip Magazine. Genre: Fiction (flash and short stories), memoirs, and poetry. with a pop-culture twist. Payment: $75 for poems, memoirs, flash, fiction, and art, $50 for interviews/reviews, and $25 for mini-reviews web issues. Deadline: January 31, 2025. Closes when they reach capacity, so submit early.

december magazine. Genre: Poetry, fiction, and creative non-fiction (essays, memoirs, biography, literary journalism, social or cultural commentary or analysis) and visual art that can be reproduced in our print format. Payment: $10.00 per page with a minimum of $40.00 and a maximum of $200.00. Deadline: January 31, 2025. For the month of January, they open fee-free submission portals exclusively for BIPOC writers.

The Bombay Literary Magazine. Genre: Fiction, poetry, translated fiction/poetry and graphic fiction. Payment: Indian rupees 5,000 (approx. $61) per contribution. Deadline: January 31, 2025. Closes when cap is reached.

Parsec Ink: Triangulation: Dark Hearts. Genre: Speculative stories and poems about women who are anti-heroes. Payment: 3¢ per word for fiction, 25 cents per line for poetry. Deadline: January 31, 2025.

Ampersand Review. Restrictions: Open to Canadians. Genre: Poetry, fiction, nonfiction, reviews. Payment: Poetry: $50 per poem/page to a maximum of $100. Fiction: $100 per story. Non-fiction: $100 per piece. Reviews: $100 per piece. Deadline: January 31, 2025.

Fiction. Genre: Experimental fiction and translations of works previously unpublished in English. Payment: Not specified. Deadline: January 31, 2025.

Dragon Soul Press: Reach for the Stars. Genre: Contemporary fiction stories. Must feature a character overcoming various obstacles to reach their goals. Can be based on true stories. Payment: Royalties. Deadline: January 31, 2025.

Inked in Gray: WriteHive Anthology. Genre: Science fiction, fantasy, or horror only. Theme: Surviving Humanity. Payment: $45. Deadline: January 31, 2025.

Silver Blade. Genre: Science Fiction, Slipstream, Classic and Modern Fantasy; short fiction, flash fiction, novellas, and poetry. Payment: $15 for novellas, $3 for flash fiction, $8 for short stories, $8 for single poems and $15 for Featured Poets (by invitation only). Silver Pen will pay half of these rates for previously published works. Deadline: January 31, 2025. Reprints accepted.

Poetry From the Rock. Restrictions: Open to Canadians. Genre: Poetry. Payment: Short poems will receive $25 per poem, medium poems $50 per poem, and long poems $75 per poem. Deadline: January 31, 2025.

Litmosphere. Genre: Art, flash (fiction and nonfiction), poetry, and short prose (fiction and literary nonfiction). Payment: $50 per accepted poem, flash fiction and nonfiction; $100 per short fiction and literary nonfiction; $250 for non-exclusive online use of 15-30 images. Deadline: January 31, 2025.

Space and Time. Genre: Speculative fiction. "We welcome poetry, art and fiction that bend rules, transcend genre and break stereotypes." Submissions accepted in English, Spanish, Portuguese, French or Italian. See theme. Payment: 1 cent/word for prose, $5 for poetry. Deadline: January 31, 2025.

Only Poems. Genre: Poetry. "We love prose poems, traditional forms (ghazals, villanelles, sestinas), love poems, sex poems, and experimental questionnaires, but we are not married to a style or genre. We are welcoming of anything you think is your most exciting work. Ultimately, we want poems that move us or make us go: “God, I wish I had written this!” Payment: $55. Deadline: January 31, 2025.

Nashville Review. Genre: Fiction, poetry, art, and nonfiction. Payment: $25 per poem & song selection; $100 per selection for all other categories, including featured artwork. Translators receive $25 per poem & $100 for prose selections. Deadline: January 31, 2025.

Southword. Genre: Poetry. Payment: €50 per poem. Deadline: January 31, 2025.

Malahat Review. Genre: Poetry. Payment: CAD $70/page. Deadline: January 31, 2025. (Note: Submissions by Canadian writers are accepted for consideration all year.)

Nonbinary Review. Genre: Poetry, fiction, essays, and art. See theme. Payment: $10 - $25. Deadline: January 31, 2025. Closes when cap is reached.

AND A FEW MORE...

The Other Stories (Audio). Genre: Horror on themes. Payment: 15 GBT. Deadline: February 1, 2025. See themes.

Last Girls Club. Genre: Feminist horror: short stories and poems - see themes. Payment: Fiction, 15 cents/word. Poetry, $10. Deadline: February 1, 2025.

The Paris Review. Genres: Fiction. Payment: Not specified. Deadline: Opens February 1, 2025, and closes when they reach capacity.

The First Line Journal. Genre: Fiction, nonfiction and poetry using the line provided. (See theme) Payment: $25-50 for fiction, $25 for nonfiction, $10 for poetry. Deadline: February 1, 2025.