<![CDATA[Erica Verrillo - Blog]]>Fri, 26 Apr 2024 04:51:30 -0700Weebly<![CDATA[85 Calls for Submissions in May 2024 - Paying markets]]>Fri, 26 Apr 2024 11:44:48 GMThttp://ericaverrillo.com/blog/85-calls-for-submissions-in-may-2024-paying-markets
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GoodFon
This May there are more than seven dozen calls for submissions. All of these are paying markets, and none charge submission fees. As always, every genre, style, and form is wanted, from short stories to poetry to essays.

I post upcoming calls for submissions shortly before the first day of every month. But as I am collecting them, I post them on my page, Calls for Submissions. You can get a jump on next month's calls for submissions by checking that page periodically throughout the month. (I only post paying markets.)

Also see Paying Markets for hundreds of paying markets arranged by form and genre.

Happy submitting!

________________


Cincinnati ReviewGenre: Prose, poetry, art. Payment: $25/page for prose in journal. $30/page for poetry in journal. Deadline: Opens on May 1, closes when cap is reached.

Flash Fiction OnlineGenre: Flash fiction, reprints only. Payment: $100. Deadline: Opens May 1, 2024.

Flash Fiction OnlineGenre: Flash fiction. Theme: Rural Fantasy. Payment: $100. Deadline: Opens May 1, 2024.

Grumpy Old Gods Anthology: Grumpy Old Sherwood Genre: Speculative fiction stories. Theme: Robin Hood. "It’s open season on storytelling.  It means you can take whatever bits you like best of thousands of available tales, and twist and turn them however you like." Length: 3,000-4,000 words. Payment: A percentage of the profits. Deadline: May 1, 2024.

december magazineGenre: Poetry, fiction, and creative non-fiction (essays, memoirs, biography, literary journalism, social or cultural commentary or analysis) and visual art that can be reproduced in our print format. Payment: $10.00 per page with a minimum of $40.00 and a maximum of $200.00. Deadline: May 1, 2024.

Bright Wall/Dark RoomGenre: Essay on theme: Spike Lee. "For our month of Lee, we’re seeking essays and voices tackling any and all of his films, his performances, his writings, his impact on cinema and culture.” Payment: $100. Deadline: May 1, 2024. 

Everyday HeroesGenre: Contemporary Fiction. "In Honor of Mark Christopher Wagner the 2nd, we are looking for compelling and heartfelt stories centered around those who serve their communities. Stories of Firefighters, First responders, Law Enforcement, etc. Those Everyday Heroes who make a difference in the lives of their communities." Payment: Royalties. Deadline: May 1, 2024.

Vilas AvenueGenre: Poetry on theme of “Impermanence." Payment: $25. Deadline: May 1, 2024.


LONG DIVISION: Stories of Social Decay, Societal Collapse, and Bad MannersGenre: Stories of transgression, of the mechanisms behind what’s fraying the bonds that bind us. Payment: 10c/word for original short fiction (up to 5,000 words). Deadline: Opens on May 1, closes when cap is reached.

CutleafGenre: Fiction. Length: Less than 6,000 words. Payment: $100 to $400. Deadline: May 1, 2024.
The Bombay Literary MagazineGenre: Fiction, poetry, translated fiction/poetry and graphic fiction. Payment: Indian rupees 5,000 (approx. $61) per contribution. Deadline: Opens on May 1, 2024.

The First LineGenre: Fiction, poetry, nonfiction using the first line provided. (See site.) Payment: $25.00 - $50.00 for fiction, $10.00 for poetry, and $25.00 for nonfiction. Deadline: May 1, 2024.

Seven Story HotelGenre: Interviews, essays, stories, poems, and artwork. 7SH explores the weird, esoteric, and outsider fringes of contemporary culture, art, and technology. Payment: $35. Deadline: May 1, 2024. or until filled. 

Caretaker Press: Back Into The GroundGenre: Horror. “For the purposes of Back Into The Ground we seek spooky stories inspired by place, specifically, our home, the Pacific Northwest." Payment: $40. Open until filled. 

Whisper House Press: Costs of LivingGenre: Horror. Length: 500-4,000 words. See themePayment: $25. Open until filled.

Vault of ShadowsGenre: Short horror, weird, dark fiction between 3000 and 7500 words (not really a firm limit - the final product will be the comics script, not the short story), that can be adapted into a comic book script of 12 pages or less. Payment: $35 per page of the adapted script, up to 12 pages, paid via PayPal, and a print copy of the issue. Deadline: Extended submission window exclusively for LGBTQIA+, BIPOC, neurodivergent, and other marginalized writers open April 16 - May 1, 2024.

Last Girls ClubGenre: Feminist horror: short stories and poems - see themes. Payment: Fiction, 15 cents/word. Poetry, $10. Deadline: May 1, 2024.

SpellbinderGenre: Poetry, fiction, nonfiction, drama, art. Payment: £3. Deadline: May 1, 2024.

FoglifterGenre: Foglifter is a biannual compendium of  queer and trans writing. It’s a space where LGBTQ+ writers celebrate, mourn, rage, and embrace. "Foglifter welcomes daring and thoughtful work by queer and trans writers in all forms, and we are especially interested in cross-genre, intersectional, marginal, and transgressive work. We want the pieces that challenged you as a writer, what you poured yourself into and risked the most to make. But we also want your tenderest, gentlest work, what you hold closest to your heart. Whatever you're working on now that's keeping you alive and writing, Foglifter wants to read it." Payment: $25. Deadline: May 1, 2024.

Cosmic Roots and Eldritch ShoresGenre: Speculative stories. Payment: 8 cents/word for original work. 2 cents/word for reprints. Deadline: May 2, 2024. Opens May 1.

HavokGenre: Flash fiction. See themes. Payment: $50 via PayPal for each story selected for an Anthology. No payment for online publication. Deadline: May 3, 2024.

Pride Magazine: Infinite HorizonsRestrictions: Open to 2SLGBTQAI+ writers from across Canada. Genre: Short articles (300-600 words), and features (900-1,300 words). See theme. Payment: CAD 0.60/word. Deadline: May 4, 2024. Pitches only.

The Suburban ReviewGenre: Prose, art, poetry on theme: Meet Cute. Payment: AUD150-275 for prose; AUD125-275 for poetry. Deadline: May 5, 2024.


Eggplant Emoji is an annual comedy publication. Genre: Eggplant Emoji Volume 3 will be a print and eBook collection of hilarious short stories that are character-driven and culturally striking. Stories selected for this anthology will define pop culture with unforgettable characters, outrageous situations, and riotous humor. Length: 1,000 – 7,000 words. Payment: $25. Deadline: May 6, 2024.
Unnerving BooksGenre: Horror. Length: 6,000-11,000 words. Payment: 1 cent/word. Deadline: May 6, 2024. 


GeistRestrictions: Canadian connection required. Genre: Fiction, nonfiction, poetry, art. Payment: $100 - $1000. Deadline: May 6, 2024. Geist offers no-fee general submissions for Black writers, Indigenous writers, and writers of color.

HexagonGenre: Speculative fiction short stories, flash fiction, poetry, graphic stories, and visual art, in English or French. Payment: $5 for accepted poetry and cartoons, 0.01$ per word for all short stories up to 7,500 words, $40/page for comics and $150 for cover art pieces. (Payment in CAD). Deadline: May 7, 2024. 

Abyss and ApexGenre: Speculative fiction. No horror. Payment: USD $.08/word (eight cents a word) up to 1,000 words, and a flat payment of $80.00 for longer stories. Deadline: May 7, 2024.

Stone's ThrowGenre: Noir, dark fiction, crime short stories. Length: between 1,000 and 2,000 words. See themePayment: $25. Deadline: May 7, 2024. 

Island MagazineRestrictions: Open to Australian and New Zealand citizens and residents only. Genre: Fiction. Payment: 40 cents per word for print fiction, with a minimum of $700 and a maximum of $1500 and $200 per page, with a maximum of 6 pages for graphic narratives. Deadline: May 8, 2024.

Cursed Cooking: A Horror Community Cookbook and Food Horror AnthologyRestrictions: Extended submission window exclusively for writers of color, members of the LGBTQ+ community, and other underrepresented groups: May 1 - May 10, 2024. Genre: Horror on theme: Food. Payment: 5 cents per word for original fiction works and 1 cent per word for reprints. Accepted recipe submissions will receive $5. Deadline: May 10, 2024. Reprints accepted.

CorditeGenre: Poetry. Payment: Not specified. Payment is available for Australian contributors only. Deadline: May 12, 2024. 

ShooterGenre: Fiction, poetry, CNF, art on theme of Nightlife. Payment: £25 per story and £5 per poem. Deadline: May 12, 2024.

Going Down SwingingRestrictions: Open to writers in Oceania. Genre: Long short stories, mini-manifesto, chapbook collections, essays. Length: 6,000 - 10,000 words. Payment: $600. Deadline: May 13, 2024.

Island MagazineRestrictions: Open to Australian and New Zealand citizens and residents only. Genre: Poetry. Payment: $175 per poem. Deadline: May 13, 2024.

Georgia ReviewGenre: Fiction, poetry, non-fiction. Payment: $50 per printed page for prose and $4 per line for poetry. Essay-reviews and standard reviews earn honoraria of $50/printed page. Deadline: May 14, 2024. Fee to submit online; no fee for postal submissions.

A Velvet GiantGenre: "We are open to work that takes the shape of basically any format: words, recordings, visual art, hybrid forms, etc. We are open to translated original work." Payment: $20. Deadline: May 14, 2024. 

Philly Poetry Chapbook ReviewGenre: Reviews of chapbooks coming soon or published in the past three years, essays on the crafts of poetry and chapbook making or publishing, and features about authors or publishers of chapbooks. Payment: $10. Deadline: May 15, 2024.

Reader BewareGenre: Horror. Payment: $0.01/word for fiction, $0.05/line for poetry, $5/page for comics. Deadline: May 15, 2024.

100-Foot CrowGenre: Speculative fiction drabbles. Payment: 8 cents/word. Deadline: May 15, 2024.

Talk VomitGenre: Non-fiction under 4,000 words, fiction under 2,000, and poetry just generally kept to a minimum. Payment: Fiction and nonfiction run in the $10-30 range; poetry in the $5-15 range. Deadline: May 15, 2024.

Eat the Rich AnthologyRestrictions: Deadline extended for BIPOC, LGBTQIA+, chronically-ill/disabled, and writers from other historically marginalized groups. Genre: Speculative fiction about billionaires being eaten. Payment: $.05 per word and a paperback. Deadline: May 15, 2024.

Root QuarterlyRestrictions: RQ is a quarterly print-only journal of art and ideas from Philadelphia. Genre: Nonfiction, art. "We are publishing RQ in part because we’d like to promote regional arts and culture, makers, and entrepreneurs, be part of the national discourse on important issues, build a community of thoughtful people, and reclaim discourse from the highly-politicized, rage-stoking space of social media." See themePayment: $25 - $100 depending on the piece and its length. Deadline: May 15, 2024. Pitches only

The Lorelei SignalGenre: Fantasy short stories, flash fiction, and poetry with strong female characters. Payment: $15 for short stories, $5 for poems and flash (<1000 wds) fiction pieces, $5 for reprints. Deadline: May 15, 2024. Accepts reprints.

Honeyguide Magazine is a bi-annual magazine that features fiction, poetry, nonfiction, art, and blog posts about animals and their human neighbors. Payment: $25 for the story, $50 for art. Only pays for featured articles. Deadline: May 15, 2024. See themes.

Archive of the OddGenre: Speculative fiction, horror preferred. “Archive of the Odd is a zine of uncanny occurrences, told in even stranger ways.” They’d like a variety of time periods. Stories can be in any format, except traditional prose. Some of the suggested formats are: academic papers; technical writing; medication warning sheets; sales papers; newspaper articles; recipes; knitting/crochet/weaving/what-have-you guides; care guides (plant, animal, rock garden, etc); or any other unusual format. Submissions do not have to be entirely in text. Payment: $15-$25 for fiction of 500-5,000+ words. Deadline: May 15, 2024.

Fourteen Poems Genre: Poems. "We want to represent all that's thrilling about the new wave of LGBT+ poets. If you’re a poet, even if you’ve never been published before, we want to read your work. Every issue we publish 14 of the best queer poems we’ve found, and we want to include you! We publish 4 times a year, but take submissions all year round. To be considered, email up to 5 poems, preferably in a pdf format, with a small paragraph about yourself to hello@14poems.com." Payment: £25 for each poem published. Deadline: May 15, 2024.

SubterrainGenre: Creative nonfiction, commentary, fiction and poetry. See themePayment: Poetry: $50 per poem; Prose: $.10 per word (to a maximum of $500). Deadline: May 15, 2024. No fee if submitted by mail. Journal is located in Canada.

Brilliant Flash FictionGenre: Flash fiction stories of 300 words or less on the subject of Tenacity. Payment: $20. Deadline: May 15, 2024. 

Diet Milk: GothicGenre: Gothic fiction, poetry, and art. See theme. Payment: $0.01/word for fiction (minimum $40); $15/poem; $50/art piece. Deadline: May 15, 2024. 
Luna Station QuarterlyRestrictions: Open to women writers only. Genre: Speculative fiction. Payment: $5. Deadline: May 15, 2024. Some reprints accepted.

khōréōRestrictions: Open to writers who identify as an immigrant or member of a diaspora in the broadest definitions of the terms. "This includes, but is not limited to, first- and second-generation immigrants, refugees, asylum seekers, undocumented migrants, persons who identify with one or more diaspora communities, persons who have been displaced or whose heritage has been erased due to colonialism/imperialism, transnational/transracial adoptees, and anyone whose heritage and history includes ‘here and elsewhere’. We especially encourage BIPOC creators who identify as the above to submit their work." Genre: Stories, essays, and art: fantasy, sci-fi, horror, and any genre in between or around it, as long as there’s a speculative element. Payment: 0.08/word for fiction, $100 for nonfiction, and $40-300 for art. Deadline: May 15, 2024.

GreenPrintsGenre: Personal essays about gardening. “Calling all experienced gardening writers—we seek gardening stories that are true and personal, expressive and thoughtful, and humorous and witty. We focus on the human, not the how-to, side of gardening, so your story should be entertaining, moving, unexpected, touching, and funny—a heartfelt story you would tell a friend or family member.” Payment: Up to $100 (?). Deadline: May 17, 2024.

Solarpunk Micro MiniGenre: Solarpunk micro fiction, 250 words max. Payment: $25. Deadline: May 21, 2024.

Off Topic Publishing: Poetry BoxGenre: Poetry. Payment $30 CAD.  Deadline: May 25, 2024. This is a monthly call.

The Stinging FlyGenre: Fiction, nonfiction, poetry. Payment: Fiction and nonfiction: €30 per magazine page; Poetry: €50 per poem; Featured Poet: €250. Deadline: May 29, 2024.

A Killing at the Copa AnthologyGenre: Crime fiction. "Barry Manilow created a crime story of his own in his hit song Copacabana, and now we look to provide the same treatment to his many other hits." Payment: $25. Deadline: May 30, 2024.

Kweli Journal. "Kweli is the first online journal of its kind to celebrate community and cultural kinships. In this shared space, you will hear the lived experience of people of color. Our many stories. Our shared histories. Our creative play with language. Here our memories are wrapped inside the music of the Muscogee, the blues songs of the South, the clipped patois of the Caribbean." Genre: Self-contained novel excerpt, short story, or creative non-fiction piece, poetry. Length: No more than 7,000 words. Payment: "Upon publication." Deadline: May 30, 2024.


Dragon Soul Press: Apocalypse. Genre: "All apocalyptic stories are welcome. All genres are accepted." Payment: Royalties. Deadline: May 31, 2024.

OlitRestrictions: Strong preference for Orlando based writers/submissions about Orlando and surrounding areas. Genre: Fiction, Nonfiction, Poetry, Hybrid, Artwork, Photography. "Send us all kinds of stuff. We love the artfully weird." Payment: $10. Deadline: May 31, 2024.


Broken Sleep Books. (UK) Genre: Poetry pamphlets (up to 40 pages). Payment: Royalties. Deadline: May 31, 2024.


The Robots Were Right: Tales of Unstoppable Technology. Genre: Tales of technology gone right, wrong, and everything in between. Length: 500 – 5000 words. Payment: 5 cents/word. Deadline: May 31, 2024.

Black Lawrence Immigrant Writing SeriesRestrictions: Open to any individual living in the U.S. who identifies as an immigrant and who either (i) was born in another country, (ii) has at least one parent who was born in another country (iii) is a refugee, or (iv) lives in the United States under Asylum or a Protection Program, such as TPS or DACA. Genre: Books of poetry, prose (fiction or nonfiction), and hybrid texts of poetry and prose. Payment: In addition to publication, marketing, and a standard royalties contract from Black Lawrence Press, authors chosen for the Black Lawrence Immigrant Writing Series will receive a travel stipend of $500, which can be used for book tours or in any manner chosen by the authors. Deadline: May 31, 2024

JMS BooksGenre: LGBTQ romance stories, 12,000 words minimum. See themePayment: Royalties. Deadline: May 31, 2024.

AGNIGenre: Poetry and prose. Payment: $10 per printed (or printed-out) page for accepted prose, and $20 per page for accepted poetry, up to a maximum of $150. Deadline: May 31, 2024. Fee to submit online. No fee to submit by USPS.


HeartlinesRestrictions: 50% of content is from writers identifying as being from Canada/Turtle Island. Genre: Speculative fiction and about relationships. "We're looking for short fiction and poetry focused on long-term relationships: platonic, romantic, or familial. We don't want the blaze of new love or the obsession of a new friend. We want pieces that show that comfort that develops when people know each other for years." Stories - 1,000 - 3,500 words. Payment: $0.08 CAD per word for short fiction (1,000-3,500 words) and $60 CAD flat per poem. Deadline: May 31, 2024.


filling station.  Genre: Stories, poems, CNF, nonfiction, and art on theme: Language. Payment: $50. Deadline: May 31, 2024. 

Skull and LaurelGenre: Weird Horror, Dark Fantasy, Dark Science Fiction. Short Fiction, Narrative Poetry. "We also encourage trying us with things like comic strips, mixed media, found footage, puzzles, games, experiments, and other weird forms, as long as they tell a story." Word count: 100 to 7,499. Payment: 3 cents/word; $25 for reprints. Deadline: May 31, 2024. Accepts reprints.


Little GutsGenre: Horror. They will be taking PITCHES, and if accepted, your story should be 2-5k words. Payment: 12 cents/word. Deadline: May 31, 2024. 

Strange AeonGenre: Speculative fiction. See themePayment: $20. Deadline: May 31, 2024, or until filled.

Poet LoreGenre: Poetry. Payment: $50. Deadline: May 31, 2024.

The Cincinnati ReviewGenre: Literary nonfiction (up to 20 pages), fiction (up to 40 pages), poetry, poetry translations, drama, and art. Payment: $25/page for prose in the journal, $30/page for poetry, $25 for miCRo posts or special features. Deadline: May 31, 2024. Opens on the first day of the month and closes once they hit the submissions cap.

SkinGenre: Speculative stories (2-5k words) on the theme of skin. "We tend to prefer speculative, surreal, supernatural, dark fiction with creeping, poetic, dread-inducing prose, and endings we can't predict, but we're open to all subgenres of dark fiction." Payment: £0.005 per word. Deadline: May 31, 2024.

Haven SpeculativeRestrictions: Open to submissions by authors of color, members of the LGBTQIA+ community, and other underrepresented groups. Genre: Speculative fiction and poetry. Payment: 8¢ per word for fiction and $20 for poetry. Deadline: May 31, 2024.

Apparition LitGenre: Speculative fiction and poetry on theme. See themePayment: $30. Deadline: May 31, 2024. Opens May 15. Submission periods are extended by a week for BIPOC creators only.

New Orleans ReviewGenre: Fiction, nonfiction and poetry. Payment: $300 for prose, $100 for poetry. Deadline: May 31, 2024. In celebration of Asian American and Pacific Islander Heritage month, there are no submission fees for all API writers for the month of May, not limited to those living in/born in the US.

HavokGenre: Flash fiction. See themes. Payment: $50 via PayPal for each story selected for an Anthology. No payment for online publication. Deadline: May 31, 2024.

Malahat Review. Genre: Poetry, Fiction. Payment: CAD $70/page. Deadline: May 31, 2024. (NoteSubmissions by Canadian writers are accepted for consideration all year.)

Split Lip MagazineGenre: Fiction (flash and short stories), memoirs, and poetry. with a pop-culture twist. Payment: $75 for poems, memoirs, flash, fiction, and art, $50 for interviews/reviews, and $25 for mini-reviews web issues. Deadline: May 31, 2024. Closes when they reach capacity, so submit early. 

Escape PodGenre: Science fiction (Audio and written format). Payment: USD $0.08 per word for original fiction. USD $100 per story for reprint fiction. Deadline: May 31, 2024. Reprints accepted.


Contemporary Verse 2Genre: Poetry and critical writing about poetry, including interviews, articles, essays, and reviews. Payment: $30 - $150. Deadline: May 31, 2024.

Abyss and ApexGenre: Speculative poetry. No horror. Payment: $5.50 per poem. Deadline: May 31, 2024.

TypehouseRestrictions: In honor of Asian American and Pacific Islander Heritage Month, and Mental Health Awareness Month, no-fee submissions are open for all API creators and all Mental Health identified creators, not limited to those from the US. Genre: Prose, poetry, art. Payment: $25. Deadline: May 31, 2024.

University Press of KentuckyGenre: Books of poetry or fiction (novels, short story collections, etc.). Payment: Royalties. Deadline: May 31, 2024.

Baltimore ReviewGenre: Poetry, fiction, creative nonfiction, videos (including poetry), and cross-genre work. Payment: $40. Deadline: May 31, 2024.


AND A FEW MORE...

Totally Entwined: Love at Second SightGenre: Novellas, 30,000 - 50,000 words. Theme: Second chance romance. Payment: Royalties. Deadline: June 1, 2024.

Eternal Haunted SummerGenre: Poetry, short fiction. Theme: Gardens. Payment: $5. Deadline: June 1, 2024.

The Fires of RetributionGenre: Speculative Fiction. Theme: A collection of stories dealing with DRAGONS! Concept: We’re looking for a story that shows the struggle between man and beast. These aren’t Pete’s Dragon; these are vicious killers who would just as soon eat you as look at you. Payment: Royalties. Deadline: June 1, 2024.

Darkest Shadow, Brightest LightGenre: Dark Fantasy. Word Count: 5,000 – 10,000. Payment: Royalties. Deadline: June 1, 2024.

Hellbound BooksGenre: Horror. Payment: $5. Deadline: June 1, 2024.

Shivering Timbers! Genre: Pirate themed horror fiction. "Avast ye, scurvy seadogs! Within these pages there be swashbuckling zombies, petrifying privateers and bloodthirsty buccaneers hunting for cursed treasure in darkened coves. Come aboard and join our crew as we set sail on a chilling voyage across the kraken infested seven seas. Sharpen your cutlasses, raise the Jolly Roger and prepare to be terrified by tales of piratical peril. Arrr!" Payment: £20. Deadline: June 1, 2024.

ParabolaGenre: Original essays and translations, poetry, reviews. Payment: $400. Deadline: June 1, 2024. See themes.

Air/LightGenre: New and innovative works of literary arts across all mediums and genres including cross genre work. Length: Up to 4,000 words for prose, and up to 10 pages for poetry. Payment: Poetry: $50; Responses and department pieces: $100; Fiction and essays/nonfiction: $200; Visual art, music, and multimedia: $200. Deadline: June 1, 2024.

The Fires of Retribution AnthologyGenre: Speculative Fiction. Theme: A collection of stories dealing with DRAGONS! Payment: Royalties. Deadline: June 1, 2024.
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<![CDATA[72 Writing Contests in May 2024 - No entry fees]]>Wed, 24 Apr 2024 10:57:05 GMThttp://ericaverrillo.com/blog/72-writing-contests-in-may-2024-no-entry-fees
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Freerange
This May there are six dozen free writing contests for short fiction, novels, poetry, CNF, nonfiction, and plays. Prizes this month range from $50,000 to publication. None charge entry fees.Some of these contests have age and geographical restrictions, so read the instructions carefully.

If you want to get a jump on next month's contests go to Free Contests. Many of these contests are offered annually, so even if the deadline has passed, you can prepare for next year.


Good luck! 

____________________


Descant. Each year, descant offers four awards:
  • the $500 Frank O’Connor Award for fiction (for the best short story in a issue)
  • the $250 Gary Wilson Award (for an outstanding story in an issue)
  • the $500 Betsy Colquitt Award for poetry (for the best poem or series of poems by a single author in an issue)
  • the $250 Baskerville Publishers Award (for an outstanding poem or poems by a single author in an issue
There is no application process or reading fee. All published submissions are eligible for prize consideration. Simply submit your work. Deadline: May 1, 2024.

Neukom Institute Literary Arts AwardsGenre: Play that addresses the question: “What does it mean to be a human in a computerized world?” Prize: $5000. Deadline: May 1, 2024.

The Waterston Desert Writing PrizeGenre: Literary nonfiction, desert theme. Prize: $3,000. Deadline: May 1, 2024.

CINTAS Creative Writing FellowshipRestrictions: Open to any Cuban author (including those of direct Cuban lineage; need not reside in Cuba). Genre: Novel excerpts, short stories, plays, or poems of up to 25 pages. Prize: $20,000 fellowship. Deadline: May 1, 2024.

West Virginia Fiction CompetitionRestrictions: Open to West Virginia residents or students. Genre: Short fiction, 5,000 words max. Prize: $500. Deadline: May 1, 2024.

The Future Bookshelf: Mo Siewcharran PrizeRestrictions: The contest is open to BAME writers in the UK. Genre: Picture book. Prize: £2,500, £1,500 and possible publication. Deadline: May 1, 2024.

Rabbi Sacks Book PrizeGenre: Published nonfiction book that contributes significantly to the arena of modern Jewish thought. Prize: $50,000. Deadline: May 1, 2024.

Casa Africa: Essay ContestGenre: Essay on theme: Intra-African immigration. Essays, of 15,000-20,000 words, can be in Spanish, English, French or Portuguese. Prize: €2,000. Deadline: May 2, 2024.

On The Premises Mini-Contest. "For this mini-contest, tell, show, or evoke a complete story between 25 and 50 words long in which a hat of some kind matters to the story. We’re going with the fairly traditional definition of “hat” for this one. Scarves, hijabs, earmuffs, wigs, hoods, and other head coverings do not qualify. I’m going to say that even helmets don’t qualify. Caps are okay; they’re an informal hat. The judges will not care if anyone wears the hat in the story, so that’s up to you." Prize: First place pays $35, second pays $25, and third pays $15, all in US dollars. Honorable mentions get published, but make no money. Deadline: May 3, 2024.

Furious FictionGenre: Flash fiction. "On the first Friday of every month, a new set of story prompts will be revealed. You will have 55 hours to submit your best 500-word (or fewer) story." Prize: $500AUD. Deadline: May 5, 2024. Opens on May 3.

Singapore Poetry Contest. Genre: Poetry. "We are looking for poems that use the word “interrogation” in imaginative ways." Prize: USD300, 200, and 100 will go to the top three winners. Deadline: May 6, 2024.

Create 4 FreedomRestrictions: The contest is open to writers in the contiguous United States (48 states plus Washington, DC). Genre: Essays and poetry. This year’s contest focuses on One's Moral Compass. Prize: $750. Deadline: May 8, 2024.  
Note: Winner gives up all rights.

RTÉ Radio Short Story CompetitionRestrictions: Open to Irish writers and residents of Ireland. Genre: Short story. Prize: Up to 5,000 euros. Deadline: May 10, 2024.

Pulitzer Center's "Fighting Words—Poetry in Response to Current Events" ContestRestrictions: Current K-12 students anywhere in the world may enter. Students may write in any language, and are welcome to submit multilingual poems. Judges will have reading fluency in English and Spanish. Genre: Poetry. Theme: How can poetry be an effective response to current events and underreported stories? How can journalism and poetry help us make connections between global issues and our local and personal contexts? Prize: $300 top prize. Deadline: May 12, 2024.

Quay Words Young Writers’ Flash Fiction CompetitionRestrictions: Open writers aged 10 to 18-years. Genre: Flash fiction on theme ‘Trading Places.' Prize: £200 top prize. Deadline: May 12, 2024.

Brown's Mart Theatre Award 2024Restrictions: Open to all writers from across the Northern Territory, Australia. Genre: Script. There is no word limit. Scripts must have a performance time of more than 30 minutes. Script treatments are ineligible. Prize: The winner of the Brown’s Mart Theatre Award will receive a $1,000 prize, an NT Writers’ Centre membership and a double pass to select shows in Brown's Mart’s performance program. Deadline: May 13, 2024.

Charles Darwin University Creative Non-Fiction Award 2024Restrictions: Open to all writers from across the Northern Territory, Australia. Genre: A factually accurate work, written with attention to literary style and technique. Can take the form of a biography, autobiography, memoir, diary entry, travel writing, food writing, literary journalism, or criticism. Word limit: 3,000 words. Prize: The winner of the Charles Darwin University Creative Non-Fiction Award will receive a $500 prize, an NT Writers’ Centre membership and a double pass to Brown's Mart’s performance program. Deadline: May 13, 2024.

Charles Darwin University Essay Award 2024.  Restrictions: Open to all writers from across the Northern Territory, Australia. Genre: A referenced academic essay on a topic relating to the Northern Territory. Word limit: 3,000 words. Prize: The winner of the Charles Darwin University Essay Award will receive a $1,000 prize, an NT Writers’ Centre membership and a double pass to Brown's Mart’s performance program. Deadline: May 13, 2024.

Flash Fiction Award 2024Restrictions: Open to all writers from across the Northern Territory, Australia. Genre: A blog post, fan fiction, short story, fictional diary entry or fictional letter. Word limit: 500 words. Entries limited to three entries per person. Prize: The winner of the Flash Fiction Award will receive a $600 prize, an NT Writers’ Centre membership and a double pass to Brown's Mart’s performance program. Deadline: May 13, 2024.

Kath Manzie Youth Award 2024Restrictions: Open to all writers from across the Northern Territory, Australia. Genre: A piece of creative writing, either poetry or short story, by a person aged 12 to 18 years as of 1 January 2023. Limit of three poetry entries with a 300-line limit OR a short story with a 3,000-word limit per person. Prize: The winner of the Kath Manzie Youth Award will receive a $600 prize, an NT Writers’ Centre membership and a double pass to Brown's Mart’s performance program. Deadline: May 13, 2024.

NT Writers' Centre Poetry Award 2024Restrictions: Open to all writers from across the Northern Territory, Australia. Genre: A single poem up to 300 lines. Entries limited to three separate poetry entries per person. Prize: The winner of the NT Writers’ Centre Poetry Award will receive a $1,000 prize, an NT Writers’ Centre membership and a double pass to Brown's Mart’s performance program. Deadline: May 13, 2024.

Cave Canem Poetry PrizeRestrictions: Open to Black writers of African descent who have not had a full-length book of poetry published by a professional press. Authors of chapbooks and self-published books with a maximum print run of 500 may apply. Genre: Unpublished, original collections of poems written in English. Prize: $10,000, publication by Graywolf Press in fall 2025, 15 copies of the book, and a feature reading. Deadline: May 13, 2024.

Zip Print Short Story Award 2024Restrictions: Open to all writers from across the Northern Territory, Australia. Genre: An original work of short fiction. Word limit: up to 3,000 words. Prize: The winner of the Zip Print Short Story Award will receive a $1,000 prize, an NT Writers’ Centre membership and a double pass to Brown's Mart’s performance program. Deadline: May 13, 2024.

Apparition LitGenre: Speculative flash fiction on themes related to food. (See site for specifics)  Length: 1000 words max. Prize: $30. Deadline: May 14, 2024.

Governor General's Literary Awards. Restrictions: Books must have been written by Canadian citizens or permanent residents of Canada. They do not need to be residing in Canada. Genre: The Governor General’s Literary Awards are given annually to the best English-language and French-Language book in each of the seven categories of Fiction, Literary Non-fiction, Poetry, Drama, Young People’s Literature (Text), Young People’s Literature (Illustrated Books). Prize: $25,000. Deadline: May 15, 2024.

Dark Tales from the TarotGenre: Horror based on Tarot card. See websitePrize: $10. Deadline: May 15, 2024. Opens May 1

Prose Poetry ContestGenre: Prose poem. Prize: First place: £50 plus publication; Second place: £25 plus publication; Third place: £15 plus publication; Honorable mention: £10 plus publication. Deadline: May 15, 2024.

Leeway Foundation: Transformation AwardRestrictions: Women and transgender poets, fiction writers, and creative nonfiction writers in the Philadelphia area who have been creating art for social change for five or more years. Writers who have lived for at least two years in Bucks, Camden, Chester, Delaware, Montgomery, or Philadelphia counties, who are at least 18 years of age, and who are not full-time students in a degree-granting arts program are eligible. Award: $15,000. Deadline: May 15, 2024.

ABA Journal/Ross Writing Contest for Legal Short Fiction. Sponsored by the American Bar Association. Restrictions: Entrants must be U.S. citizens or legal permanent residents. Genre: Original works of short fiction that illuminate the role of the law and/or lawyers in modern society. 5000 words max. Prize: $3,000 and publication in ABA Journal. Deadline: May 15, 2024.

Andy Warhol Foundation Arts Writers GrantGenre: Articles, books, and short-form writing about contemporary art—the grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies. The program also supports art writing that engages criticism through interdisciplinary methods and experiments with literary styles. Grant: $15,000 to $50,000. Deadline: May 15, 2024.

The Queen’s Commonwealth Essay ContestRestrictions: The competition is open to all citizens and residents of the Commonwealth aged 18 and under. Genre: Essay. The theme of the contest is "Community in the Commonwealth." Prize: Past prizes have included certificates, resources for winner's school, visits to Cambridge University, a trip to London and a week of activities, work experience at international organisations, and having your entry featured in worldwide media. Deadline: May 15, 2024.

The James Laughlin Award is sponsored by the Academy of American Poets. Genre: A second book of poetry forthcoming in the next calendar year. Must be under contract with US publisher. Restrictions: Open to US citizens and residents only. Prize: $5,000, an all-expenses-paid week long residency in Florida, and the Academy will purchase approximately 1,000 copies of the book for distribution to its members. Deadline: May 15, 2024.

Brain Mill Press Chapbook ContestRestrictions: Open to all Wisconsin poets, with a particular interest in voices under-represented in traditional publishing, such as writers of color, women, indigenous voices, disabled writers, queer writers. Genre: Poetry chapbook, 18-30 pages in length. Prize: $250 and publication. Deadline: May 15, 2024.

Boroondara Literary AwardsRestrictions: Open to Australians. Genre: Prose and poetry. Prize: More than $5,000 in prize money across various age groups in the Young Writers’ category; more than $3,500 in prize money in the Open Short Story category. Deadline: May 17, 2024.

Creative Future Writers’ AwardRestrictions: Open to underrepresented writers in the UK only, who are over 18 years old. Genre: Poetry, fiction. This year’s theme is ‘Reveal.’  Prize: Publication, unspecified monetary award (?)  DeadlineMay 19, 2024.

RBC PEN Canada New Voices Award. "The RBC PEN Canada New Voices Award is an annual award that aims to encourage new writing and to provide a space where unpublished Canadian writers can submit short stories, creative nonfiction, journalism, and poetry. The shortlisted submissions are judged by a distinguished jury of Canadian writers." Prize: The winning entry will receive a $3,000 CAD cash prize and mentorship from a distinguished Canadian author. Deadline: May 19, 2024.

Roscommon New Writing AwardRestrictions: All entrants must have a connection with the county of Roscommon (born in, living in, currently working in, went to school in, etc). Genre: Short story. Prize: €600.00. Deadline: May 20, 2024.

How Does War Affect People’s Lives? Restrictions: Open to young people ages 9 - 18. Genre: Poetry, art, speech, song. Prize: Unspecified. Deadline: May 24, 2024.

Changing Light Prize for a Novel-in-VerseGenre: Novel-in-Verse. Prize: $500 and publication for a novel-in-verse, 90-160 pages. Deadline: May 25, 2024.

Great Lakes Colleges (GLCA) New Writers AwardRestrictions: Open to Americans and Canadians.  Genre: Poetry, fiction, and creative non-fiction. In each category, the submitted work must be an author’s first published volume. Prize: $500. Deadline: May 25, 2024.

Write the World Competition: Poetry & Spoken Word CompetitionRestrictions: Young writers ages 13-19.5. Genre: Poem. Theme: Seeds of Change. Prize: Best Entry: $100; Runner up: $50. Deadline: May 27, 2024.  (Note: This is a monthly contest.)

Dream Foundry Emerging Writers Contest. Restrictions: You have published a total of less than 4,000 words of paid or income-earning speculative fiction in English. You have earned a total of less than USD 320 from those words. You have never been nominated for any award listed here as a major award in speculative fiction. Genre: Short speculative fiction, up to 10,000 words. Prize: $200 - $1,000. Deadline: May 27, 2024.

Irene Adler Prize for Women WritersRestrictions: Open to Canadian women. Genre: Creative nonfiction. Prize: $1,000 scholarship to a woman pursuing a degree in journalism, creative writing, or literature at a recognized post-secondary institution in the U.S. or Canada. Deadline: May 30, 2024.

The Jeff Sharlet Memorial Award for Veterans. This creative writing contest for U.S. military veterans and active duty personnel is hosted by The Iowa Review and made possible by a gift from the family of Jeff Sharlet (1942–69), a Vietnam veteran and antiwar writer and activist. The contest is open to veterans and active duty personnel writing in any genre and about any subject matter. Prizes: First place: $1,000 plus publication in The Iowa Review. Second place: $750. Three runners-up: $500 each. Deadline: May 31, 2024.

The Drabble Harvest ContestGenre: Drabble on theme of Interstellar Archives. A "drabble" is defined as a short story containing exactly precisely no more and no fewer than 100 words. It has a title, which can be from 1 to 15 words-- but no more than 15. Prize: $5. Deadline: May 31, 2024.

Restless Books Prize for New Immigrant WritingRestrictions: Open to first-generation residents of the United States. “First-generation” can refer either to people born in another country who relocated to the U.S., or to American-born residents whose parents were born elsewhere. Genre: Unpublished nonfiction books. Prize: $10,000 and publication. Deadline: May 31, 2024.

Baltimore ReviewGenre: Poetry, fiction, creative nonfiction, videos (including poetry), and cross-genre work. Payment: $40. Deadline: May 31, 2024.

The Wolfe Pack Black Orchid AwardGenre: Mystery novellas in the style of Rex Stout's Nero Wolfe novellas. Manuscript length: 15K-20K words. Prize: $1,000, plus recognition and publication in a forthcoming issue of AAMM. Deadline: May 31, 2024.

Harlequin: Romance Includes You MentorshipRestrictions: Open to debut writers in Canada and the US. Genre: Romance novel. Prize: A contract advance plus grant with a value of $5,000 U.S. Deadline: May 31, 2024.

A Voice for Animals Teen Essay ContestRestrictions: Open to students between the ages of 14-18. Genre: Essays on an animal rights topic. In the 16-18 year olds category, essays must be 800-1,000 words long and be accompanied by a photograph; in the 14-15 year olds category, essays should be between 1,400-1,500 words. Prize: $200 - $500. Deadline: May 31, 2024.

bpNichol Poetry Chapbook AwardRestrictions: Canadian publishers only. Genre: Published poetry chapbook. Prize: The author receives $4,000 and the publisher receives $500. Deadline: May 31, 2024.

Vancouver Writers Fest's Youth Writing ContestRestrictions: Open to students in British Columbia. Genre: Short stories and personal essays: 1,000 word limit (for elementary school student submissions) and 1,500 (for high-school student submissions). Prize: $100 top prize. Deadline: May 31, 2024.

Furphy Literary Award: Junior and Youth CompetitionRestrictions: Open to  juniors & youth age writers who live in the Goulburn Valley, Australia. Genre: Short stories and poetry. Prize: First prize of $300. Deadline: May 31, 2024.

Jerry Jazz Musician Fiction ContestGenre: Unpublished fiction approximately 1,000 - 5,000 words. Story should pertain to music, social history, literature, politics, art, film and theater, particularly that of the counter-culture of mid-twentieth century America. Prize: $100 and publication in Jerry Jazz MusicianDeadline: May 31, 2024.

Speculative Literature Foundation Older Writers GrantRestrictions: Open to writers who are fifty years of age or older at the time of grant application. Genre: Speculative fiction. Prize: $500. Deadline: May 31, 2024.

Genesis Emerging Writers' ProgrammeRestrictions: Open to emerging writers over 18 years of age, of any background living in the UK. Genre: Fiction, non-fiction and poetry. Prize: Up to £1,500 and mentorship. Deadline: May 31, 2024.

The Center for Fiction / Susan Kamil Emerging Writer Fellowships offer grants, editorial mentorship, and other opportunities to early-career New York City-based practitioners who are at a critical moment in their development as fiction writers. Genre: Fiction. Grant: $5,000. Deadline: May 31, 2024.

James Bartleman Aboriginal Youth Creative Writing AwardsRestrictions: Open to aboriginal youth, 18 years or younger, residing in Ontario, Canada. Genre: Creative writing. Prize: $2,500. Deadline: May 31, 2024.
A Very Short Story AwardGenre: Short story of ten words or fewer. Prize: Free Gotham class. Deadline: May 31, 2024.

#GWstorieseverywhereGenre: Micro fiction. Your story must be no longer than 25 words, with a max of 280 characters, including spaces and the hashtag. See themesPrize: Free Gotham class. Deadline: May 31, 2024. This is a monthly contest.

Rattle's Ekphrastic ChallengeGenre: Poetry based on art. (See websitePrize: $100. Deadline: May 31, 2024. Monthly contest.

Substack runs a monthly short story competition. Their mission is to "revive the art of the short story, support artists, and produce something wonderful." Genre: Short story. Length: 6000- 10,000 words. Prize: $100 plus 50% of subscription revenue to be sent by Paypal, Zelle, or check. Deadline: May 31, 2024. Reprints are ok so long as you still have the rights to distribute.
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<![CDATA[3 New Literary Agencies Seeking Nonfiction and All Genres of Fiction]]>Tue, 23 Apr 2024 10:13:17 GMThttp://ericaverrillo.com/blog/3-new-literary-agencies-seeking-nonfiction-and-all-genres-of-fiction
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Anjali Singh
New literary agencies are usually started by established agents with considerable experience in the publishing industry. They have reliable contacts in publishing houses and a roster of successes getting writers published. New agencies are looking to expand, and are eager to take on prospective clients.

Always check the agency website and agent bio before submitting. Submission requirements can change. 

NOTEDon't submit to several agents at the same agency simultaneously. If one rejects you, you may then submit to another. 

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients
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Anjali Singh Agency  

Anjali Singh founded her agency in 2024. Most recently, she was an agent at Ayesha Pande Literary for nine years; she has also worked as an editor at Vintage Books, Houghton Mifflin Harcourt, Simon + Schuster and as Editorial Director of Other Press. She is best known for having championed Marjane Satrapi's Persepolis after stumbling across it on a visit to Paris. She has always been drawn to the thrill of discovering new writers and among the literary novelists whose careers she helped launch are Chimamanda Ngozi Adichie, Samantha Hunt, Saleem Haddad and Nawaaz Ahmed. She focuses on literary fiction, memoir, and narrative nonfiction as well as representing graphic novel writers and illustrators across all age ranges. 

If you would like to query Anjali, please send a pitch letter along with the first 5 pages of your MS in the body of the email, and the title of your project in the subject line, to queries@anjalisinghagency.com
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The Eck Agency

Connor Eck is the Founder and Principal Agent of Tea. He spent 8 years at Lucinda Literary as an Agent and Chief Operating Officer.

His authors are novelists, journalists, producers, professors, humorists, creative directors, athletes, and change-agents. He is most interested in books that tug at the heart strings, stimulate the mind, and have an emotional arc. Connor loves championing underrepresented authors and original thinkers with diverse backgrounds. He is known for his personable, transparent approach, dynamic editorial and pitching skills, and for his ardent advocacy of his authors.

They welcome the following genres only:  adult fiction, young adult fiction, narrative nonfiction, science, sports, history, and humor. If you’re a ghostwriter, please submit your portfolio. 

Submit your query HERE.
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The Ballpoint Agency  (CANADA) 

The Ballpoint Agency is a new, artist-centred literary agency with many enthusiasms, but mostly books. We currently serve a small roster of writers with focused attention, creativity and care.  The three founders have 75 years of professional experience between them: Dave Bidini has spent 25 years writing books, earning valuable insight into the industry from an artist’s perspective. Warren Sheffer has 20 years as a lawyer, representing authors and performers and specializing in intellectual property law. Janet Morassutti has 30 years of publishing industry experience, most recently as a founder and  managing editor of a non-profit newspaper.

Read submission guidelines HERE.
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<![CDATA[37 Marvelous Writing Conferences and Workshops in May 2024]]>Fri, 19 Apr 2024 11:15:43 GMThttp://ericaverrillo.com/blog/37-marvelous-writing-conferences-and-workshops-in-may-2024
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Kachemak Bay, Alaska: Alan Grinberg | Flickr
This May there are more than three dozen writing conferences and workshops. Some conferences and workshops will be held online, but most will be held in person or use a hybrid format.

These writing events offer everything a writer might want: intensive workshops, pitch sessions with agents, to how to market yourself and your books, discussions - there is something for everyone.

For a full list of conferences held throughout the year see Writing Conferences. If you miss an application deadline, put it on your calendar for next year. Quite a few conferences offer scholarships, so apply early. Plan ahead!

Be sure to check out Highlights list of workshops. They offer many throughout the year. 

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Asian and Asian American Voices: An In-Community Retreat. May 2 - 5. 2024: Boyds Mills, PA. The third annual Asian and Asian American Voices retreat celebrates the vibrant world of Asian and Asian American voices in children's and young adult literature. Waitlisted.

Lakefly Writers Conference. May 3 - 4, 2024: Premier Waterfront Hotel & Convention Center in Oshkosh, Wisconsin. Workshops, talks, and a book fair for poets, fiction writers, and nonfiction writers. Previous presenters: Beth Amos, Malinda Andrews, Valerie Biel, Rebekah Bryan, R. R. Campbell and more. 

Washington Writers Conference. May 3 - 4, 2024: Bethesda, MD. "Expert sessions with authors and publishing pros on the many paths to publishing — from writing killer query letters and landing an agent to going your own way and utilizing a self/hybrid model — and publicizing your book once it exists!" 

Atlanta Writers Conference. May 3 - 4, 2024: Atlanta, Georgia. The goals of this conference are to give you access to eighteen top publishing acquisitions editors and literary agents actively seeking new clients (see their profiles on our Editors and Agents page), help you get your work ready for them, and educate you with a workshop and talks by experienced authors and other industry professionals. The Conference Activities page details each activity you can register for: select them all, only one, or some number in between–it’s entirely up to you, so you can craft the conference experience that will be best for your growth, interests, and budget. Virtual option for critique and pitch meetings with the agents and editors.

Michigan Writers Workshop. May 4, 2024: Detroit, MI. This is a special one-day “How to Get Published” writing workshop. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. 

The 2024 Writing Conference of Los Angeles. May 4, 2024: Los Angeles, CA. This is a special one-day “How to Get Published” writing workshop. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. 

Workshop: Getting to Know Your Characters through Passion, Purpose, and Place. May 4, 2024: Online. Katherine Higgs-Coulthard will explore share strategies for creating well-developed characters. Infusing characters with passion, purpose and place will pull readers into the story and make them care about what happens to the characters. We'll work through some examples and attendees will leave with a better idea of who they're writing about. Will be held via Zoom.

SCBWI 2024 Writers & Illustrators Working Conference. May 4 - 5, 2024: Round Rock, TX. Conference on children's books with keynotes; general sessions; breakout sessions for writing, professional development and illustration; intensives for novels, picture books and illustration; critiques; pitches and more. Will be held in person.

Blurred Lines: Writing Speculative Nonfiction. May 4 - June 8, 2024: Online. Though the golden rule of writing nonfiction is to be truthful, in speculative nonfiction, invention and imagination help a writer capture and hold truth’s slippery nature. In this five-week online workshop, we will read examples of speculative nonfiction by other writers like Margot Jefferson, Elissa Washuta and Jami Nakamura Lin, and learn how to draft scenes where facts are not fighting with what is imagined. Through exercises that employ both fiction and speculative nonfiction techniques, we will generate new material or fine-tune pieces already in progress. This workshop is open to new and more experienced writers looking to set their minds free—to use fact to explore fiction, blur the lines and create your own truth

Jewish Symposium: An In-Community Gathering for Jewish Writers and Illustrators. May 5 - 8, 2024: Boyds Mills, PA. The heart of the Jewish Symposium is to offer community for Jewish writers and publishing professionals. The program is designed to be an exchange of ideas, a place to connect, and a springboard for diversifying and amplifying Jewish content in literature for children and teens. There will be inspiring and engaging keynote addresses and faculty panel discussions with Q&A, readings by faculty and participants, and time set aside to write, retreat, and connect with fellow creatives.

Sundress Academy for the Arts: Mapping & Memory: Poetic Cartographies. May 8, 2024: Online. Through a series of writing exercises, we’ll use memory, cultural inheritances, and geographic imagination to develop new markers and map legends toward making and expanding our own poetic landscapes. Participants should expect to finish the class having generated the start of several new poems, and with new ideas in hand for approaching poetry in both reading and writing. 

Nonfiction Writers Conference. May 8 - 10, 2024. ONLINE EVENT. Online conference devoted to writing, publishing and promoting non-fiction books. Participation is live via phone or Skype, and recordings can be downloaded. Features 15 speakers over three days. Private Facebook group for attendees!

Annual PEN World Voices Festival of International Literature. May 8 - 17, 2024 at various locations in New York City and Los Angeles. "This year’s festival is a tribute to our fellow former President Salman Rushdie, the visionary who conceived the festival and has championed it ever since, as he launches his new memoir, Knife, an emblem of courage and of the role of literature and truth as vessels of human resilience. The PEN World Voices Festival was founded by Salman Rushdie, Michael Roberts, and Esther Allen."

2024 Portland Writing Workshop. May 10-11, 2024: Portland, OR and Online. This is a special one-day “How to Get Published” writing workshop on Friday, May 10, 2024, at the Radisson Hotel Portland Airport. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

Ohio Writing Workshop. May 10-11, 2024: Online. This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). Will be held virtually.

Grub Street Muse and the Marketplace Conference. May 10 -  12, 2024: Boston, Massachusetts. The Muse and the Marketplace is a three-day literary conference designed to give aspiring writers a better understanding about the craft of writing fiction and non-fiction, to prepare them for the changing world of publishing and promotion, and to create opportunities for meaningful networking. On all three days, prominent and nationally-recognized established and emerging authors lead sessions on the craft of writing—the "muse" side of things—while editors, literary agents, publicists and other industry professionals lead sessions on the business side—the "marketplace." 

Colrain Classic. May 10 - 13, 2024: Via Zoom. "The Colrain Manuscript Classic is a highly focused, 3.5 day conference designed for poets with manuscripts in progress. The Classic features in-depth pre-conference work and candid, realistic evaluation and feedback from nationally-known poets, editors and publishers. In preparation, participants work at home on pre-conference assignments and then, in the workshop, review, arrange, and winnow their work based on the pre-conference work. In addition to the manuscript preparation workshop and editor sessions, there will be an editorial Q&A, and an after-conference strategy session." 

Seattle Writers Workshop. May 11, 2024: Seattle, WA. This is a special one-day “How to Get Published” writing workshop. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. 

Longleaf Writers Conference. May 11 - 18, 2024: Seaside, Florida. "Formerly the Seaside Writers Conference, Longleaf Writers Conference is an annual gathering of creative writers from all over the nation, featuring award-winning writers in poetry and fiction and screenwriting who will offer a full week of intensive writing workshops, one day seminars, school outreach programs, and social events. This event occurs every year in May, and offers the opportunity for beginning, intermediate and advanced writers to celebrate writing, to network with other writers, and to hone their craft. There will also be seminars hosted by professional editors and literary agents who will offer one-on-one consultations. All participants who pay the full conference tuition fee will be able to take part in all daily activities, while those paying a la carte pricing will have the pick of which classes and workshops they would like to attend. The Longleaf Writers Conference is one of the only conferences in the nation to take place on one of the most beautiful beaches in the US, and every year will feature notable guest writers, literary agents, and professional editors."

The Braided Narrative: Weaving Creative Nonfiction. May 13 - June 17, 2024: Online. Personal narratives are driven by our own stories and experiences. In this workshop, our goal will be to weave these stories into multiple braids to create one cohesive narrative. Using craft essays as models, we will explore interconnections between the self and society, between the individual and the universal. As we share and discuss our revelatory pieces in a positive, supportive community, we will look for the potential in each draft to become relatable to a multitudinous body of readers. Come empty-handed to write something new, or bring some works-in-progress to unite.

Writing with Pride: A Two-Night Mini for Picture Book Writers. May 14 - 16, 2024: Online. Picture books can be filled with Pride! Join celebrated authors Lesléa Newman and Rob Sanders for this short course designed to bring LGBTQIA+ creators and their allies together to study the craft of picture books, and build confidence to create picture books with LGBTQIA+ characters and or/themes.

Whole Novel Workshop: An In-Person Retreat for NovelistsApplication deadline May 15, 2024. August 14 - 19, 2024: Boyds Mills, PA. OVERVIEW: In-person 6-Day/5-Night Workshop and Retreat with a Full Novel Critique Included This intensive Whole Novel Workshop offers writers the rare opportunity to have the entire draft (up to 80,000 words) of a novel read by faculty, with detailed written feedback and two private consultations provided. Attention in an intimate setting makes this program one that guarantees significant progress in preparation for submission. 

Get Unstuck: Defying Writer’s Block in Your Poetry. May 15 - June 12, 2024: Online. Feeling like you want to write but can’t? Struggling to move your poems forward? This online poetry workshop for writers of all levels will give you the tools to break free from writer’s block and revise your “stuck” poems. Together, we will study published work for inspiration and experiment with creative prompts that make use of texts, art and objects you can find around your home to generate new poems. We will also play with revision strategies that will help you identify your poem’s lifeforce to enliven stale drafts you’ve all but given up on. Each weekly meeting will be preceded by a selection of assigned readings and at least one writing prompt. Our meetings will be divided between discussion of published texts, short in-class writing exercises and workshopping our poems. At the conclusion of our five weeks together, you will have assembled a reliable “Getting Unstuck” toolkit to return to whenever you need.

Biographers International Organization Conference. May 16 - 17, 2024. Each year, BIO brings together some of the finest practitioners of the craft of biography to help guide, mentor, encourage, and advise attendees on a wide variety of topics relating to the writing, researching, and selling of biography. The conference also offers a unique opportunity to hear some of biography’s best—and best-known—writers share their stories. During the James Atlas Plenary, prominent biographers such as Douglas Brinkley, Annette Gordon-Reed, David Remnick, Stacy Schiff , T. J. Stiles, and Evan Thomas begin the day in casual conversation. The afternoon features a keynote lecture by the recipient of the BIO Award. Past recipients include Robert Caro, Ron Chernow, Arnold Rampersad, Jean Strouse, and Claire Tomalin. Panel sessions throughout the day provide tips for novice biographers, examination of the craft of biography, and exploration of issues aimed at seasoned biographers. And a highlight of the conference is the presentation of the Plutarch Award for the year’s best biography.

Working Retreat: Nonfiction and Informational Fiction. May 16 - 16, 2024: Boyds Mills, PA. Join Heidi Stemple, Andrea Page, and editor Eileen Robinson for time to create and connect with fellow nonfiction writers.

Pennwriters Conference. May 17 - 19, 2024: Pittsburgh, PA. The Annual Pennwriters Conference features three days of workshops, panels, networking and learning to help you learn, grow, soar! Friday, Saturday and Sunday feature an open attendance slate of one-hour workshops on all things writing. The schedule is structured with open attendance, so you can take whichever classes appeal to you. Attendees will have 40+ hours of sessions to choose from. Our faculty is comprised of published authors, literary agents and editors, and other writing industry professionals. Pitch appointments are available at no additional fee.

Peripatetic Writing Workshop and Retreat. May 17 - 24, 2024: Catskill,  New York. NYU teachers and authors Maureen Brady and Martha Hughes lead the program featuring daily workshops, stimulating writing exercises, structured "quiet hours" for writing, plus optional tutorials. Martha Hughes founded the Peripatetic on Shelter Island, NY in 1991 in response to writers' needs for a quiet time and place for writing coupled with constructive feedback of their work from excellent editors and like-minded peers. Since then in keeping with its name, the Peripatetic has moved from state to state and country to country, meeting twice-annually in such diverse locations as Achill Island, Ireland; Anna Maria Island, Florida; Antigua, Guatemala; Siracusa, Sicily; Woodstock, NY; Verona, Italy; St Simon's Island, Georgia; Tybee Island, Georgia; and Deal, England. This is the Peripatetic's first stay in Catskill in Upstate New York. The location of the Peri may change, but what remains year after year is the stimulating atmosphere and warm camaraderie created by serious writers sharing work and writing concerns.

Kachemak Bay Writers' Conference. May 18 - 21, 2024: Homer, Alaska. This year, we will be exploring the theme “Wonder in the Wounded World” and the myriad ways we can be stronger writers and readers. Not only will there be four-days of craft classes, agent and editor meetings, panel discussions, readings by the participants and the faculty, but we’ll have more chances for folks to interact with each other and form the community of writers that sustains us when we return to our desks.

Writeaway in New Mexico. May 18 - 25, 2024: Casa Bellisima, New Mexico. $3.200 for private room; $2,800 each for friends or couple sharing a room Includes writing consultations and daily writing workshops, all meals, wine and cocktails, plus a cooking class and excursion. 

Working Retreat: Novelists and Graphic Novelists. May 19 - 22, 2024: Boyds Mills, PA. All creatives need time and space to accomplish their goals. We invite novelists and graphic novelists to gather with fellow storytellers for an immersive experience where productivity meets inspiration!


Boldface Conference for Emerging Writers. May 20 - 24, 2024: Houston, Texas. Daily workshops, readings, craft talks, social events and professionalism panels in an intimate and supportive environment designed specifically with the needs of emerging writers in mind.

Balticon. May 24 - 27, 2024: Baltimore, MD. Balticon is sponsored by the Baltimore Science Fiction Society (BSFS). BSFS presents the Compton Crook Award, the Robert A. Heinlein Award, and the winner of the annual Jack L. Chalker Young Writer's Contest annually at this event. Multiple tracks of Programming over the four day weekend, featuring authors, artists, scientists, musicians, podcasters, publishers, editors, costumers and other creative SF luminaries. 

Martha’s Vineyard Summer Writers’ Conference. May 26- 31, 2024: Martha’s Vineyard, Massachusetts. "The Martha’s Vineyard Summer Writers’ Conference brings together writers from around the world with the central belief that we can all learn from one another.  Our program offers week-long classes on the craft of fiction, poetry, and creative nonfiction, evening readings, panel discussions, and individualized manuscript sessions. Attendees study with award-winning Visiting Authors & Poets and celebrate writing on the beautiful island of Martha's Vineyard. For those interested in individualized feedback, we offer Manuscript Sessions with our Visiting Authors and Poets. These one-on-one sessions allow attendees to get individualized feedback on their works-in-progress as well as advice on how to seek publication." 

ThrillerFest XIX. May 28 – June 1, 2024: New York City. This is the annual conference of the International Thriller Writers. The ThrillerFest conference has four main components: Master CraftFest, CraftFest, PitchFest, and ThrillerFest. Master CraftFest was designed as an educational tool for aspiring writers as well as debut and midlist authors to gain advanced training from the masters of the craft in an intimate, day-long training session. CraftFest was designed for all writers to learn from bestselling authors and subject experts who kindly offer their advice and assistance to advance attendees’ writing techniques and further their careers. PitchFest was designed to match writers with agents, editors, publishers, and producers. ThrillerFest, the final two days of the conference, is intended to offer readers a chance to meet the best authors in the industry and be introduced to debut and midlist authors. Expect innovative panels, spotlight interviews, and workshops to educate and inspire. 

North Words Writers Symposium. May 29 - June 1, 2024: Skagway, Alaska. "Exploring the Frontiers of Language," the North Words Writers Symposium welcomes all to an intimate setting with just 40 participants engaging with authors in a spectacular Alaska setting. Join this year's faculty of Alaska-NW authors for four days of panel discussions, writing workshops, readings, and adventure in Skagway, Alaska. Symposium events include activities such as hiking and writing workshops, a barbecue with live music at Alderworks Writers & Artists Retreat in Dyea; and a keynote banquet in a show garden.

Pittsburgh Writing Workshop. May 31 - June 1, 2024: Online. "This is a special two-day “How to Get Published” writing workshop. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Pittsburgh” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation." Will be held virtually.

Wyoming Writers Conference. May 31 - June 2, 2024: Casper, WY. The conference features workshops in craft, marketing, and productivity for poets, fiction writers, and nonfiction writers, as well as publisher pitch sessions, roundtable critiques, and open mics. Past writers have included fiction writer Nina McConigley, and Poet Matt Mason. 
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<![CDATA[8 New Agents Seeking Commercial and Upmarket Fiction, Kidlit, Picture Books, SF/F, Nonfiction, LGBT and BIPOC Writers and more]]>Wed, 17 Apr 2024 11:30:46 GMThttp://ericaverrillo.com/blog/8-new-agents-seeking-commercial-and-upmarket-fiction-kidlit-picture-books-sff-nonfiction-lgbt-and-bipoc-writers-and-more
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Christine Goss
Here are eight new literary agents actively seeking clients. New agents are a boon to writers. They are actively building their lists, and will go the extra mile for their clients.

All of these agents work for established agencies with good track records. They are looking for all genres.
Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists, and submission requirements can change. 

NOTEDon't submit to several agents at the same agency simultaneously. If one rejects you, you may then submit to another. (Some small agencies share. Be alert to a notice that "a no from one is a no from all.")

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients
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Ms. Christine Goss of The Purcell Agency, LLC

Christine Goss is a graduate of Lake Forest College with a BA in communications. Formerly a sales representative, she has skills that pair well with her love of reading and story development.

What she is seeking: Open to queries from BIPOC authors only.

Adult and Young Adult: Stories that could be considered New Adult and also true Young Adult 

Upmarket Fiction/Commercial Fiction
Romance
Fantasy/Romantasy
Dystopian or utopian 

Middle Grade - Adult:
Graphic Novels

Nonfiction:
  • Cookbooks: Original family recipes with anecdotes sprinkled throughout. A true story of cooking. 
  • Stories about motherhood, unspoken troubles and hardships of new motherhood. 
  • A story that would compel readers to take care of themselves or expand sympathy/understanding for themselves (Re: YOU SHOULD REALLY TALK TO SOMEONE). 
  • Christine would love to see books about approachable ways for a sustainable lifestyle. With work resuming and people going back to the office, how can the environment still be top of mind?
  • Anything exposing fast fashion and how fashion is detrimental to the environment, and not only that but how to practice “slow fashion”. 
How to submit: Use her querymanager HERE.
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Ms. Elinor Davies of The Madeleine Milburn Literary Agency (UK)

Elinor joined MMA in 2021 having graduated from Oxford Brookes University with a degree in Publishing Media after a career-change away from holistic therapy. She primarily assisted Hayley Steed with her commercial/upmarket fiction list before recently becoming an Associate. She has been a freelance editor for the Faber Academy and mentors with Asian Women Writers.

What she is seeking: I’m looking for commercial and upmarket fiction stories that will be either the next compulsive read or a cozy winter comfort book. I love a feminist crime thriller and I’m especially drawn to merciless narrators who we can’t help but love (even when they do bad things). I’m also open to lighter crime reads and can’t get enough of crime capers with comedy at their heart. In historical fiction, I’m looking for stories set from the Victorian era onwards, although I’m currently avoiding wartime fiction. I adore a dose of magic in just about everything I read whether it comes in the form of spirituality, family, or love. I’m talking about magical realism rather than outright fantasy.

How to submit: Read the agency guidelines HERE.
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Ms. Millie van Grutten of Rogers, Coleridge & White (UK)

One of my earliest memories is reading Lauren Child’s Clarice Bean – I adored seeing Clarice Bean tucked up in the airing cupboard amongst the knickers and socks whilst reading her comics and escaping her wonderfully eccentric family. Little did I know that one day I would have the enormous pleasure and privilege of working in the world of children’s book writing and illustration. Narrative in both text and illustration have always been important to me. My degree was in Classics and I love the great stories of Virgil and Homer and to me there’s no better example of narrative than the ancients – packed with suspense, jammed with emotion and all within the perfect structure. 

What she is seeking: I work as an agent with a particular interest in illustrators and picture books. 

How to submit: Follow the agency's guidelines HERENote: This agency does not accept submissions from writers in the USA.
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Ms. Lane Clarke of Ultra Literary

Lane Clarke believes in representing books that transport your mind, whether it be in a fantastical world, or the real one. She is always hoping to learn something new from books, and strives to represent a diverse list of creators. 

She earned a Bachelors of Arts in English Literature from Virginia Tech, and a law degree from The University of Chicago Law School. She is the co-founder of PitBlk, a Twitter pitch event for Black writers from across the diaspora, and is the brain behind #BVM, the Black Voices Matter hashtag. She lives in the Washington D.C.-area with her husband and two fur babies.

What she is seeking: Lane is looking for an array of genres in Picture Books, Young Adult, and Adult. In all age groups, she would love to see stories by underrepresented and marginalized creators. In Graphic Novels, she would love to see early readers, MG, YA, and adult by author/illustrators or author and illustrator teams. She is not a good fit for script only. She would love to see both contemporary and speculative graphic novels. In Non-Fiction, she is looking for humorous essay collections that address societal issues and personal growth (HERE FOR IT). She would also love to see memoirs akin to CRYING AT H MART. She is always on the hunt for narrative or prescriptive nonfiction about the Black experience.

How to submit: Use her querymanager HERE.
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Joanna Rasheed of Ultra Literary

Joanna Rasheed joined Ultra after interning at Triada US Literary Agency and working as an assistant at Jennifer Lyons Literary Agency. Joanna graduated from Virginia Tech with a BA in English with a dual focus in Creative Writing and Professional Writing. She is obsessed with books, turning to them for inspiration and adventure. In her free time, you can find her at a coffee shop or in Central Park with her rescue mix.

What she is seeking: Joanna is primarily looking for YA and Adult fantasy, science fiction, women's fiction, and contemporary fiction; if there is a hint of romance mixed in, all the better. A few of her favorites are SaintDivine Rivals, and Little Fires Everywhere

How to submit: Joanna Rasheed is currently open to queries at jrasheed@ultraliterary.com.
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Tyler Monson of Sterling Lord Literistic

Tyler joined Sterling Lord Literistic, Inc. in 2023 and works with Robert Guinsler and Nadyne Pike. Tyler has a Ph.D. in American Literature from Marquette University. He has held teaching positions at Dartmouth College, the University of Wisconsin-Milwaukee, Marquette University, and Seton Hall University. He lives in Manhattan with his partner and their cat and dog.

What he is seeking: Tyler loves books about everyday life and the moments that rupture its routine to surprise, delight, frustrate, reroute, and renew our humanity and bend toward hope. He seeks out fiction and nonfiction that imagines otherwise and other ways of being in the world. In fiction, he enjoys writing about place, family, desire, and time in playful or inventive ways. Tyler values nonfiction that centers the voices and subjects of those who live in the margins of the social, political, and cultural mainstream, especially queer and trans folks. Also, he is interested in literary criticism and essays, data collection and its uses, and everything about tennis. 

How to submit: Use the agency's form HERE.

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Ms. Saskia Leach of Kate Nash Literary Agency (UK)

Saskia joined Kate Nash Literary Agency in 2021, after graduating from Royal Holloway, University of London in 2020 with a BA degree in English and History. She is also Secretary of the AAA Bridge Committee, a sub-committee of the Association of Authors’ Agents who support early career agents.

What she is seeking:  I am especially looking for contemporary cosy crime (I love unconventional settings) and a Lucy Foley-esque locked room psychological thriller that revolves around toxic friendship.

How to submit: Use her querymanager HERE.

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Jo Ramsay of Transatlantic Literary Agency

Jo Ramsay (they/she) comes to Transatlantic after nearly three years working as literary assistant to Carly Watters at P.S. Literary Agency. They’ve worked in publishing for over eight years at a number of publishers and literary magazines which include Simon and Schuster, Shrapnel Magazine, Arsenal Pulp Press, PRISM International, and Greystone Books. Their journalism has been published in The Globe & Mail, Maclean’s, and This Magazine among others. After graduating from UBC with a major in English Literature and a minor in Creative Writing, Jo went on to live in Japan and the UK, always keeping a foot in the publishing world. Now based in Toronto, Jo is looking to represent a variety of adult fiction and nonfiction.

What she is seeking

Fiction:
  • Upmarket fiction (book club conversation starters, fresh take on friendships, relationship, and family)
  • Sci-fi (Black Mirror-esque, commentary on society, genre blending)
  • Speculative fiction
  • Gothic / Neo-Gothic
  • Psychological horror / thriller
  • Light horror (no heavy gore please)
  • Dystopian
  • Mysteries (with unique POV, character-driven)
  • Graphic Novels
  • Select literary fiction (less quiet realism, and more unusual or unique storytelling)
  • Select romance (new spin or genre subversion)
  • Select fantasy (fabulism, light world building)
  • Select historical fiction (unique concept or genre blending)
Non-fiction:
  • Pop Culture Deep Dives
  • Politics and Social Sciences
  • Cultural Critique
  • Investigative Journalism
  • Eco-Nonfiction
  • Naturalist / Survivalist Accounts or Travelogues
  • Pop Science
  • Graphic memoir
How to submit: Query via email HERE.
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<![CDATA[83 Calls for Submissions in April 2024 - Paying markets]]>Wed, 27 Mar 2024 12:04:55 GMThttp://ericaverrillo.com/blog/83-calls-for-submissions-in-april-2024-paying-markets
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Wikimedia
This April there are more than six dozen calls for submissions. All of these are paying markets, and none charge submission fees. As always, every genre, style, and form is wanted, from short stories to poetry to essays.

I post upcoming calls for submissions shortly before the first day of every month. But as I am collecting them, I post them on my page, Calls for Submissions. You can get a jump on next month's calls for submissions by checking that page periodically throughout the month. (I only post paying markets.)

Also see Paying Markets for hundreds of paying markets arranged by form and genre.

Happy submitting!

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Totally Entwined: Family BusinessGenre: Novellas, 30,000 - 50,000 words. Theme: Mafia romance. Payment: Royalties. Deadline: April 1, 2024.

The Paris ReviewGenres: Poetry. Payment: Not specified. Deadline: Opens April 1, 2024, and closes when they reach capacity.

CanthiusRestrictions: Open to women, trans men, nonbinary, Two-Spirit, genderqueer, and gender non-conforming writers. Genres: Unpublished poetry and prose (both fiction and creative non-fiction – "we welcome experimental works and play excerpts). Please limit prose submissions to 3500 words and poetry submissions to five poems." Theme: Trash. Payment: $50 for one page, $75 for two pages, $100 for three, $125 for four pages, and $150 for five pages or more, regardless of genre. Deadline: April 1, 2024.

The Beast HuntGenre: Speculative fiction. "Theme: Monsters have feelings too, even if it’s used to rage against the machine." Payment: Royalties. Deadline: April 1, 2024.

Creature Feature Classics #1: LycanthropyGenre: Stories on theme: Werewolves. Length: 3,000-8,000 words. Payment: £20 and 3 author copies. Deadline: April 1, 2024.

Write or DieGenre: Short fiction. Length: Up to 4000 words. Payment: $200. Deadline: April 1, 2024.

The Ex-PuritanGenre: Poetry, fiction, reviews, interviews, essays, and experimental work. "The Ex-Puritan now seeks to publish the best in all forms of writing." Payment: $100 - $200 (CAD). Deadline: April 1, 2024.

Gordon Square ReviewGenre: Poetry, short stories, personal essays, and hybrid prose works.  Payment: $25 per prose piece and $10 per poem. Deadline: April 1, 2024.

Toronto JournalGenre: Short stories from anywhere in the world. "We will also consider non-fiction pieces about local history (Toronto, GTA, and surrounding)." No word limit. Payment: $50 CAD per piece. All published writers will also receive two printed copies of the issue in which they appear. Deadline: April 1, 2024. 

Kangas KahnGenre: Horror short stories on theme: Clowns Payment: 8 cents/word. Deadline: April 1, 2024..

SalamanderGenre: Poetry, fiction, and nonfiction. Payment: Not specified. Deadline: April 1, 2024.

West BranchGenre: Poetry, fiction, creative nonfiction, and translation. Payment: $50 per submission of poetry, and $.05/word for prose with a maximum payment of $100. Deadline: April 1, 2024.

ShenandoahGenre: Poetry. Payment: $100. Deadline: Opens April 1, 2024, and closes when they reach capacity. 

Zero Street Restrictions: Open to LGBTQ+ writers. Genre: Full-length literary fiction. "Zero Street will be committed to LGBTQ+ literary fiction with commercial potential, providing marginalized authors opportunities for a wide readership in the trade fiction market. The series editors are Timothy Schaffert, bestselling author of The Perfume Thief, and SJ Sindu, author of Blue-Skinned Gods. The series seeks LGBTQ+ literary fiction of all kinds, from stories of modern life to innovations on traditions of genre and are particularly interested in BIPOC authors, trans authors, and queer authors over 50." Payment: Royalties. Deadline: April 1, 2024.

The Best HuntGenre: Speculative Fiction. Theme: Monsters have feelings too, even if it’s used to rage against the machine. Payment: "a percentage of sales divided equally between the contributing authors." Deadline: April 1, 2024.

Cosmic Roots and Eldritch ShoresGenre: Speculative stories. Payment: 8 cents/word for original work. 2 cents/word for reprints. Deadline: April 2, 2024. Opens April 1.

Island OnlineRestrictions: Open to Australian and New Zealand citizens and residents only. Genre: Fiction, Nonfiction. Payment: $500. Deadline: April 3, 2024.

HavokGenre: Flash fiction. See themes. Payment: $50 via PayPal for each story selected for an Anthology. No payment for online publication. Deadline: April 5, 2024.

Only PoemsGenre: Poetry. "We love prose poems, traditional forms (ghazals, villanelles, sestinas), love poems, sex poems, and experimental questionnaires, but we are not married to a style or genre. We are welcoming of anything you think is your most exciting work. Ultimately, we want poems that move us or make us go: “God, I wish I had written this!” Payment: $55. Deadline: April 7, 2024.

DaikaijuzineGenre: Speculative fiction, poetry, art. Payment: $10.00 for each short story, and $5.00 for each poem and flash fiction piece. Deadline: April 7, 2024.

Stone's ThrowGenre: Noir, dark fiction, crime short stories. Length: between 1,000 and 2,000 words. See themePayment: $25. Deadline: April 7, 2024. 

Flame Tree: Sun Rising Short StoriesGenre: Speculative fiction on them: The Sun. "This will be a feast of modern fiction, folklore and mythology, and ancient tales of the looming, life-giving, eye-burning solar entity that dominates our sky." Payment: 8 cents/6 pence per word for original stories, 6 cents/4 pence for reprints. Deadline: April 7, 2024. Accepts reprints

Flame Tree: Moon Falling Short StoriesGenre: Speculative fiction on theme: The Moon. "This collection will bring a potent mix of superstition and belief that reaches back to the gods of Babylon, Ancient Egypt and Greece. Khonsu, Innana, Artemis and Thoth are just a few of the deities who brought a mix of love, sensuality and war to the ancient perceptions of the world." Payment: 8 cents/6 pence per word for original stories, 6 cents/4 pence for reprints. Deadline: April 7, 2024. Accepts reprints

Laughs in SpaceGenre: Humorous science fiction. Length: 2000 words to 9000 words. Payment: £10 per 500 words, up to £55. Deadline: April 7, 2024. 

Terrain.orgGenre: "The Climate Stories in Action series will expand our vision of climate activism and help people imagine meaningful ways to be involved. We are inviting storytellers to submit poetry, nonfiction, fiction, art and multimedia pieces that showcase climate activism in professional, civic and community life. We are interested in stories that help shift our cultural mindset from despair to creative possibility and from isolation to collective purpose." Payment: $200. Deadline: April 8, 2024. 

MslexiaRestrictions: Open to women. Genre: Fiction poetry, nonfiction. Payment: £25. Deadline: April 8, 2024. See themes.

berlin litGenre: Poetry. Payment: 20 euros per poem. Deadline: April 10, 2024.

Seaside GothicGenre: Seaside gothic fiction, poetry, nonfiction, or a collection of photographs or illustrations. Payment: £0.01 per word. Deadline: April 14, 2024.

Solarpunk MagazineGenre: Solarpunk. Payment: $0.08/word for fiction, $40/poem, and $75/essay.  Deadline: April 14, 2024.

Griffith ReviewGenre: Fiction and nonfiction on theme: Status Anxiety. Payment: AUD$0.75 per word. Deadline: April 14, 2024.

Hansen HouseGenre: Hansen House is looking for anything with queer protagonists or by queer authors so long as the story does not fall into the “bury your gays” trope. Payment: Royalties. Deadline: April 15, 2024.

Bull City Press: InchGenre: Small collections—a minimum of three stories or essays, or a constellation of poems, between 10-16 pages in length. Payment: Royalties. Deadline: April 15, 2024.

RadonGenre: Short stories and poetry containing elements of anarchism, transhumanism, dystopia, and/or science fiction. Payment: 1 cent per word for original work, half a cent per word for reprints. $20 per original poem and $10 for reprints. $100 for issue cover art, $30 for back cover art, and $20 for art used on their website. Deadline: April 15, 2024.

Mythulu MagazineGenre: Submit AI-assisted short stories, art, nonfiction. See prompts. Payment: $0.08/word. Comics pay $45/page. A.I. Art pays $10/page. Deadline: April 15, 2024.

Bourbon PennGenre: "We are looking for highly imaginative stories with a healthy dose of the odd. Odd characters, odd experiences, odd realities. We’re looking for genre / speculative stories and are quite partial to slipstream, cross-genre, magic realism, absurdist, and the surreal." Length: 2000 - 7500 words. Payment: 4 cents/word. Deadline: April 15, 2024.

Vault of ShadowsGenre: Short horror, weird, dark fiction between 3000 and 7500 words (not really a firm limit - the final product will be the comics script, not the short story), that can be adapted into a comic book script of 12 pages or less. Payment: $35 per page of the adapted script, up to 12 pages, paid via PayPal, and a print copy of the issue. Deadline: April 15, 2024.

Electric SpecGenre: Speculative fiction. Payment: $20 per piece. Deadline: April 15, 2024.

EpochGenre: Poetry, prose, art and comics. Payment: $100 - $500 for poetry, prose, and comics, depending on length, and $350 for cover art. Deadline: April 15, 2024. No fee for snail mail submissions.

The Threepenny ReviewGenre: Poetry, fiction, nonfiction. Payment: $400 per story or article, $200 per poem or Table Talk piece. Deadline: April 15, 2024.

Consequence Magazine: The Culture of WarRestrictions: Open to BIPOC writers. Genre: Short fiction, poetry, nonfiction, interviews, reviews, and visual art mainly focused on the culture of war. Payment: $20 - $60 for prose and poetry, $150 for art. Deadline: April 15, 2024.

Bikes in SpaceGenre: Queer Halloween short fiction (in written or comics form) about bicycling from a feminist perspective. Payment: $50 minimum. Deadline: April 15, 2024.

Rattle: Tribute to MusiciansGenre: Poetry. "We want to explore how music in the air in forms poems on the page. The poems may be any style or subject, but must be written who have been professional musicians at some point in their lives." Payment: $100. Deadline: April 15, 2024.

Grimm RetoldGenre: Horror and dark fantasy of Dark Grimm Fairy Tales, retold in new and horrific ways. Length: 2000 – 8000 words, Poems 1 - 4 pages. Payment: $25 for stories 2000 - 5000 words (after edits), $35 for stories 5000 - 8000 words (after edits), $15 for poems, $10 for reprints. Deadline: April 19, 2024. Accepts reprints.

AstrolabeGenre: Fiction, creative nonfiction, and photography & art. Payment: $50. Deadline: April 20, 2024.

Super Canucks: An anthology of small-town Canadian superheroesGenre: Superhero stories. " We want stories set in and around the nation’s more often overlooked locales—isolated small towns, remote reservations, bedroom communities, and other underrepresented areas of Canada." Payment: $200. Deadline: April 21, 2024.

Flash Fiction OnlineGenre: Weird Horror flash fiction. Payment: $100. Deadline: April 21, 2024.

MudroomGenre: Poetry, fiction, essays, and essays in translation. Payment: $15. Deadline: April 25, 2024.

Off Topic Publishing: Poetry BoxGenre: Poetry. Payment $30 CAD.  Deadline: April 25, 2024. This is a monthly call.
 
Dragon Soul Press: Fairy Rites. Genre: "All Fae stories are welcome. All genres are accepted." Payment: Royalties. Deadline: April 30, 2024.

BrickGenre: Literary nonfiction. Payment: $55–685, depending on the length of accepted work, plus two copies of the issue the work appears in and a one-year subscription to the magazine. Deadline: April 30, 2024.

Verve Poetry PressGenre: Full-length poetry manuscripts. Payment: Royalties. Deadline: April 30, 2024.

The Rabbit HoleGenre: Weird stories and poems. Theme: “Not From Here”. Payment: Royalties. Deadline: April 30, 2024.

Plenitude Magazine Restrictions: Open to Canadians. "Plenitude Magazine aims to promote the growth and development of LGBTTQI literature through an online publication of literary fiction, nonfiction, poetry, graphic narrative, book reviews and short film by both emerging and established LGBTTQI writers. We define queer literature and arts as works created by LGBTTQI people, rather than works which feature queer content alone." Genre: Poetry. Payment: $50 - $100. Deadline: April 30, 2024.

The Temz ReviewGenre: Prose (fiction and creative non-fiction) up to 10,000 words long. Payment: $20. Deadline: April 30, 2024.

After Happy HourGenre: Fiction, nonfiction, poetry, art, comics. Payment: $10. Deadline: April 30, 2024.

Don’t Ask, Ghosts TellGenre: LGBTQ+ horror anthology loosely related to military life/service. Payment: $0.03/word (USD) for short stories with potential for increase based on Kickstarter success. Deadline: April 30, 2024.

BoulevardGenre: Poems up to 200 lines. Send up to five poems. Also fiction and nonfiction. Payment: $50-$250 for poetry, and $100-300 for prose. Deadline: April 30, 2024. No submission fee for mailed submissions.

AgbowoRestrictions: Open to African origin writers only. Genre: Fiction, nonfiction, poetry, plays, book reviews and art/photography. Payment: Single Poems - $25; Suites of poems (2-4) - $50; One act plays -$50; Essays/Nonfiction - $60; Fiction - $60; Visual Art - $35. Deadline: April 30, 2024.

Massachusetts Review. Genre: Fiction, poetry, hybrid, translations. Payment: $100. Deadline: April 30, 2023. Fee for online submissions. No fee for USPS.

Cast of WondersGenre: YA Speculative fiction. Podcast. See themePayment: $.08/word for original fiction up to 6,000 words. For reprints, a $100 flat rate for Short Fiction, and a $20 flat rate for Flash Fiction. Deadline: April 30, 2024.

the other side of hopeGenre: Poetry by refugees, asylum seekers, and immigrants only. They accept submissions in English for this reading period. Payment: £50. Deadline: April 30, 2024.

Cursed Cooking: A Horror Community Cookbook and Food Horror AnthologyGenre: Horror on theme: Food. Payment: 5 cents per word for original fiction works and 1 cent per word for reprints. Accepted recipe submissions will receive $5. Deadline: April 30, 2024. Reprints accepted.

Book Worms: Rock n RollGenre: Horror: fiction and essays. See theme. Length: Up to 1,500 words. Payment: 8 cents/word. Deadline: April 30, 2024.
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LanternfishRestrictions: Open to writers identifying as Black, Indigenous, and people of color. Genre: Fiction and memoir, full-length (60 to 100,000 words) and novella-length (20 to 40,000 words). Payment: Royalties. Deadline: April 30, 2024.

Deadly Yellowstone: A Collection of Mystery ShortsGenre: Mystery short stories set in Yellowstone National Park. Length: 10,000 words max. 3,000 to 7,000 words preferred. Payment: $25. Deadline: April 30, 2024. 

Small Harbor PublishingGenre: Poetry, art. See themePayment: Honorarium. Deadline: April 30, 2024.

I'm HereRestrictions: Open to writers living in Canada. Genre: YA short stories connected in some way to the theme of “identity." Payment: $250. Deadline: April 30, 2024.

Harbor ReviewGenre: Poetry, art. Payment: $10. Deadline: April 30, 2024.

Book Slayer PressRestrictions: OPEN to any and everyone that identifies (now or in the past) as femme in the most inclusive of definitions. Genre: Adult speculative poetry under 50 lines. "HEMORRHAGING FLOWERS: A COLLECTION OF 100% FEMME RAGE is a collection of speculative poetry showcasing the spectrum of femininity and the rage contained within." Payment: $10. Deadline: April 30, 2024.

Book Slayer Press Hentai EctoplasmGenre: Adult horror, including genre-chimeras. Submissions must be between 3,000 and 6,000 words. "Twelve - fifteen authors will tell a story of survival as their neighborhood is cut off by the destruction, each delivering the perspective of their respective home." Payment: $100. Deadline: April 30, 2024.

Best New England Crime Stories 2024Restrictions: Open to all writers who currently live in the six New England states. Genre: Crime stories, mystery, thriller, suspense, caper, historical, and horror. Payment: $25. Deadline: April 30, 2024.  

Chicken Soup for the Soul: Funny StoriesGenre: True stories and poems. "We are looking for stories about something that happened to you in your life - in your relationship with a partner or spouse, a parent or child, a family member or friend, at work or at home – that made you and the people around you laugh out loud." Payment: $200. Deadline: April 30, 2024.

Texas Review Press publishes poetry, fiction, nonfiction, and scholarly works. "Topics we are interested in include 20th/21st Century American Poetry, Environmental Writing, Ecopoetics, Contemporary Poetics, Creative Writing Pedagogy, Southern Literature, Southern Issues, Gulf of Mexico Studies, Texas/Louisiana Literature, Texas/Louisiana History, Folklore, Cajun-Creole Studies, African-American Literature, African-American Studies, Latinx Literature, Latinx Studies, & Texas/Mexico History." Payment: Royalties. Deadline: April 30, 2024. Submissions are capped at 300, so submit early.

Haven SpeculativeGenre: Speculative fiction and poetry. Payment: 8¢ per word for fiction and $20 for poetry. Deadline: April 30, 2024.

PsychopompGenre: Speculative fiction or literary novellas between 20,000 to 40,000 words, that fall under the umbrella of goth, death, funerary, grief, loss, alternative, otherworldly themes. Payment: $750 advance and 25% of net net receipts. Deadline: April 30, 2024.

Thisledown Press (CANADA). Restrictions: Open to Canadian authors, with a preference for Western Canadian voices. Genre: Full-length literary work, including novels, short story collections, creative non-fiction, and collections of poetry. They will consider YA novels and—occasionally—books for younger children. Payment: Royalties. Deadline: April 30, 2024.

Soul Ink: Volume 2Genre: Poetry. 1,000 word count minimum (not line count) Payment: Royalties (?) Deadline: April 30, 2024.

Chicken Soup for the Soul: Christmas, Thanksgiving, Hanukkah, New Year'sGenre: True stories and poems. "Please submit your true stories and poems about the entire December holiday season, including Thanksgiving, Christmas, Hanukkah, Kwanzaa, Boxing Day, and New Year’s festivities too." Payment: $200. Deadline: April 30, 2024.

MythaxisGenre: Speculative fiction. Payment: $20. Deadline: April 30, 2024.

TypehouseRestrictions: In honor of Arab American Heritage Month, no-fee submissions are open for all Arab creators, not limited to those in the US. Genre: Prose, poetry, art. Payment: $25. Deadline: April 30, 2024.

FIYAHRestrictions: Submissions are restricted to people of the African Diaspora. Genre: Speculative fiction, art, and poetry about African Diaspora. Length: Short fiction 2,000 – 7,000 words and novelettes up to 15,000 words. See theme. Payment: $150 per story. $50 per poem. $300 per novelette. Deadline: April 30, 2024.

Nonbinary ReviewGenre: Speculative fiction, poetry, art. Theme: Heredity. Length: Up to 3,000 words for prose; up to 3 pages for poetry Payment: $0.01/word for prose, $10 for poetry. $25 flat fee for visual art, or $50 for pieces chosen as cover art. Deadline: April 30, 2024.

Malahat Review. Genre: Fiction. Payment: CAD $70/page. Deadline: April 30, 2024. (Note: Submissions by Canadian writers are accepted for consideration all year.)

AND A FEW MORE...

Cincinnati ReviewGenre: Prose, poetry, art. Payment: $25/page for prose in journal. $30/page for poetry in journal. Deadline: Opens on May 1, closes when cap is reached.

Grumpy Old Gods Anthology: Grumpy Old Sherwood Genre: Speculative fiction stories. Theme: Robin Hood. "It’s open season on storytelling.  It means you can take whatever bits you like best of thousands of available tales, and twist and turn them however you like." Length: 3,000-4,000 words. Payment: A percentage of the profits. Deadline: May 1, 2024.

Bright Wall/Dark RoomGenre: Essay on theme: Spike Lee. "For our month of Lee, we’re seeking essays and voices tackling any and all of his films, his performances, his writings, his impact on cinema and culture.” Payment: $100. Deadline: May 1, 2024. 

Everyday HeroesGenre: Contemporary Fiction. "In Honor of Mark Christopher Wagner the 2nd, we are looking for compelling and heartfelt stories centered around those who serve their communities. Stories of Firefighters, First responders, Law Enforcement, etc. Those Everyday Heroes who make a difference in the lives of their communities." Payment: Royalties. Deadline: May 1, 2024.

LONG DIVISION: Stories of Social Decay, Societal Collapse, and Bad MannersGenre: Stories of transgression, of the mechanisms behind what’s fraying the bonds that bind us. Payment: 10c/word for original short fiction (up to 5,000 words). Deadline: Opens on May 1, closes when cap is reached.

The Bombay Literary MagazineGenre: Fiction, poetry, translated fiction/poetry and graphic fiction. Payment: Indian rupees 5,000 (approx. $61) per contribution. Deadline: Opens on May 1.

The First LineGenre: Fiction, poetry, nonfiction using the first line provided. (See site.) Payment: $25.00 - $50.00 for fiction, $10.00 for poetry, and $25.00 for nonfiction. Deadline: May 1, 2024.

Seven Story HotelGenre: Interviews, essays, stories, poems, and artwork. 7SH explores the weird, esoteric, and outsider fringes of contemporary culture, art, and technology. Payment: $35. Deadline: May 1, 2024. or until filled. 

Vault of ShadowsGenre: Short horror, weird, dark fiction between 3000 and 7500 words (not really a firm limit - the final product will be the comics script, not the short story), that can be adapted into a comic book script of 12 pages or less. Payment: $35 per page of the adapted script, up to 12 pages, paid via PayPal, and a print copy of the issue. Deadline: Extended submission window exclusively for LGBTQIA+, BIPOC, neurodivergent, and other marginalized writers open April 16 - May 1, 2024.

Last Girls ClubGenre: Feminist horror: short stories and poems - see themes. Payment: Fiction, 15 cents/word. Poetry, $10. Deadline: May 1, 2024.

FoglifterGenre: Foglifter is a biannual compendium of  queer and trans writing. It’s a space where LGBTQ+ writers celebrate, mourn, rage, and embrace. "Foglifter welcomes daring and thoughtful work by queer and trans writers in all forms, and we are especially interested in cross-genre, intersectional, marginal, and transgressive work. We want the pieces that challenged you as a writer, what you poured yourself into and risked the most to make. But we also want your tenderest, gentlest work, what you hold closest to your heart. Whatever you're working on now that's keeping you alive and writing, Foglifter wants to read it." Payment: $25. Deadline: May 1, 2024.
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<![CDATA[54 Writing Contests in April 2024 — No entry fees]]>Tue, 26 Mar 2024 12:21:25 GMThttp://ericaverrillo.com/blog/54-writing-contests-in-april-2024-no-entry-fees
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Pickpik
This April there are more than four dozen free writing contests for short fiction, novels, poetry, CNF, nonfiction, and plays. Prizes this month range from $100,000 to publication. None charge entry fees.Some of these contests have age and geographical restrictions, so read the instructions carefully.

If you want to get a jump on next month's contests go to Free Contests. Many of these contests are offered annually, so even if the deadline has passed, you can prepare for next year.

Good luck! 

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Mike Resnick Memorial Award: Best Unpublished Science Fiction Short Story by a New Author. Restrictions: Open to an author who has not had any work published (including short stories, novelettes, novellas, and novels in paper, digital or audio form) that has been paid a per-word rate of 6 cents a word or more or received a payment for any single work of fiction totaling more than $50. Genre: Science fiction short story, up to 7,499 words. Prize: $250.00 and publication. Deadline: April 1, 2024.

EACWP Flash Fiction ContestRestrictions: The contest is open to any participant living in Europe (including countries culturally linked to Europe such as Russia, Turkey, and Israel). Eleven different European languages will be leading this year’s competition: English, Spanish, Catalan, Portuguese, French, German, Dutch, Finnish, Swedish, Hebrew and Czech. Genre: Flash fiction. Length: 100 words. The topic is "Incorrect." Prize: €600 top prize. Deadline: April 1, 2024.

The Great American Think-OffGenre: Essay on the theme: “Is freedom of speech worth the cost?” Entrants should take a strong stand agreeing or disagreeing with this topic, basing their arguments on personal experience and observations rather than philosophical abstraction. Essay should be no more than 750 words. Prize: One of four $500 cash prizes. Deadline: April 1, 2024.

Gwenn A. Nusbaum / WWBA ScholarshipRestrictions: Open to poets at the beginning of their careers, ages 25-35 years. Prize: $1800 scholarship. Deadline: April 1, 2024.

The Marguerite and Lamar Smith Fellowship for Writers. Carson McCullers Center for Writers and Musicians awards fellowships for writers to spend time in McCullers' childhood home in Columbus, Georgia. The fellowships are intended to afford the writers in residence uninterrupted time to dedicate to their work, free from the distractions of daily life and other professional responsibilities. Award: Stipend of $5000 to cover costs of transportation, food and other incidentals. Fellowship recipients will be required to introduce or advance their work through reading or workshop/forum presentations. The Fellow will work with the McCullers Center Director to plan a presentation near the end of the residency. Deadline: April 1, 2024.

PEN America’s U.S. Writers Aid InitiativeRestrictions: Applicants must be professional writers based in the United States, and be able to demonstrate that this one-time grant will be meaningful in helping address a short-term emergency situation. Prize: Grant, amount not specified. Deadline: April 1, 2024.

Wergle Flomp Humor Poetry Contest. This contest seeks today's best humor poems, published and unpublished. Please enter one poem only, 250 lines max. Prize: $3,500 in prizes, including a top prize of $2,000, and publication on Winning Writers. Deadline: April 1, 2024.

The Maya Angelou Book Award was founded in 2020 to honor the legacy of Missouri-born author Maya Angelou by celebrating contemporary authors whose work has demonstrated a commitment to social justice in America and/or the world. Restrictions: Entrants must be U.S. Citizens and reside within the United States. Entrants must be at least 18 years of age. Prize: $10,000. Deadline: April 1, 2024.

Hurston/Wright Crossover AwardRestrictions: Open to unpublished, Black writers who are 18 years and older. Genre: Literary nonfiction. Submissions may be stand-alone essays or excerpts from a book in progress. Prize: $2000. Deadline: April 2, 2024.

Fabula Press Short Story ContestGenre: Short Story. Word Count: Not less than 2500 words, and not more than 7000 words. Prize: First Prize: US$500 Second Prize: US$250 Third Prize: US$100. In addition, all authors selected for publication will be paid an honourarium of US$75. Deadline: April 3, 2024.

Creative Capital AwardRestrictions: Entrants must be US citizens or permanent residents, aged 25+, with 5+ years' professional writing experience, and not be full-time students. Genre: Visual arts, performing arts, literature, technology, and film. Grant: Up to $50,000. Deadline: April 4, 2024.

Bacopa Literary ReviewGenres: Fiction, creative nonfiction, poetry. Prizes: First ($200) and Runner-Up ($160) prizes in each genre. All published will receive $20 and a copy of the print journal. After publication, Bacopa will be promoted online. Deadline: April 4, 2024.

Booker International Prize. The Booker International Prize for fiction translated into English is awarded annually by the Booker Prize Foundation to the author of the best (in the opinion of the judges) eligible novel or collection of short stories. Prize: £50,000 divided equally between the author and the translator. There will be a prize of £2,000 each of the shortlisted titles divided equally between the author and the translator. Deadline: For books published between April 1 and Sept 30, 2024 the entry form is due by April 4, 2024.

Furious FictionGenre: Flash fiction. "On the first Friday of every month, a new set of story prompts will be revealed. You will have 55 hours to submit your best 500-word (or fewer) story." Prize: $500AUD. Deadline: April 7, 2024. Opens on April 5.

Chief Minister's Northern Territory History Book Award 2024Restrictions: You must be an Australian citizen or permanent resident to enter. Genre: The Chief Minister's Northern Territory History Book Award recognises the most significant historical book about the Northern Territory published in the previous 12 months. To apply, your book must be a work on Northern Territory history, written in English or one of the First Nations languages of the Northern Territory, available for general sale, and published between 1 January and 31 December 2023. Prize: Recognition. Deadline: April 8, 2024.  

Betty L. Yu and Jin C. Yu Creative Writing PrizesRestrictions: Open to writers of Taiwanese heritage (or writers with other significant connections to Taiwan), or have subject matter otherwise relevant to the Taiwanese or Taiwanese American experience. Submissions will be considered in four categories: Middle School (enrolled in 6th-8th grade as of the deadline), High School (enrolled in high school as of the deadline), College (enrolled in community college or as an undergraduate as of the deadline), Adult (in any stage of life beyond college). Genre: Any literary genre including fiction, poetry, personal essays or other creative non-fiction. Prize: Grand Prize Winner: $500 – one selection per age category. Finalist: $200 – three selections per age category. Honorable Mention: $75 – at judge’s discretion per age category. Deadline: April 13, 2024.

Pegasus Award for Poetry CriticismGenre: This prize seeks to honor the best book-length works of criticism published in the US in the prior calendar year, including biographies, essay collections, and critical editions that consider the subject of poetry or poets. Prize: $10,000. Deadline: April 15, 2024.

Dancing Poetry FestivalGenre: Poetry. Prize: $100 top prize. Deadline: April 15, 2024.

53-Word Story ContestGenre: Flash fiction of exactly 53 words. See promptPrize: Publication and a free book. Deadline: April 15, 2024.

Ruth Lilly and Dorothy Sargent Rosenberg Poetry FellowshipsRestrictions: Applicants must reside in the U.S. or be U.S. citizens. Applicants must be at least 21 years of age and no older than 31 years of age as of April 30, 2024. Genre: Poetry. Prize: $27,000.  Deadline: April 15, 2024. Please register for the online portal by April 8, 2024 if you intend to apply.

The F. Sean Hodge Prize for Poetry in MedicineRestrictions: Open to current medical students, residents, or fellows or physicians who have completed post-graduate training. Genre: Poetry. Prize: $250. Deadline: April 15, 2024.

Edna Staebler Award for Creative Non-FictionRestrictions: The writer must be Canadian, and an entry must be the writer's first or second published book of any type or genre and must have a Canadian locale and/or significance. Genre: Print books and ebooks of creative non-fiction published in the previous calendar year. Prize: C$10,000.00. Deadline: April 15, 2024.

The Anonymous Was A Woman Environmental Art Grants (AWAW EAG)Genre: Environmental art projects led by women-identifying artists in the United States and U.S. Territories. Prize: A total of $300,000 in funding—up to $20,000 per project. Deadline: April 16, 2024.

Casa Africa: PurorrelatoGenre: Micro-stories related to Africa. Length: 1500 characters max. The micro-stories can be submitted in Spanish, English, French or Portuguese. Prize: First award: 750 euros, Second award: 375 euros, Third award: 225 euros. Deadline: April 16, 2024.

Arvon AwardRestrictions: Open to writers living in the North of England at the time of entering and planning to remain here for at least another 12 months. Genre: Full-length work of fiction, poetry or narrative non-fiction work in progress. Prize: Arvon course. Deadline: April 17, 2024.

Northern Promise TLC AwardsRestrictions: Open to people who may have faced barriers to seeing their work progress for financial reasons or issues connected to disability, ethnicity and/or sexuality. living in the North of England at the time of entering and planning to remain here for at least another 12 months. Genre: Full-length work of fiction, poetry, narrative non-fiction, or children's book in progress. Prize: In-depth editorial report on their work in progress. In addition to the Free Read, writers will receive £500 and access to the Northern Writers’ Awards Network. Deadline: April 17, 2024.

Scotiabank Giller PrizeRestrictions: Open to books published in Canada in English. Books must be published in Canada in English between March 1, 2024, and April 30, 2024 to be eligible for the 2024 Prize. Must  be nominated by publisher. Genre: Fiction. Full-length novel or collection of short stories published in English, either originally, or in translation. Prize: $100,000 to the winner and $10,000 to each of the finalists. Deadline: April 19, 2024.

Write the World CompetitionRestrictions: Young writers ages 13-19.5. Genre: Nonfiction essay about the planet we call home. Prize: Best Entry: $100; Runner up: $50. Deadline: April 22, 2024. (Note: This is a monthly contest)

Whiting Foundation Creative Nonfiction GrantRestrictions: Open to US citizens and residents only. Genre: Creative nonfiction. Whiting welcomes submissions for works of history, cultural or political reportage, biography, memoir, the sciences, philosophy, criticism, food or travel writing, and personal essays, among other categories. Writers must be completing a book of creative nonfiction that is currently under contract with a publisher. Prize: $40,000. Deadline: April 23, 2024.

Harper-Wood Creative Writing & Travel Award for English Poetry and LiteratureRestrictions: Open to any student who has graduated from any university in the UK, Ireland, the Commonwealth or the USA. Genre: The Award Holder is expected to engage in a course of study or research, and produce a piece of original fiction, drama or poetry. Prize: £18,600 is provided to cover accommodation and living expenses during the course of the year. Deadline: April 24, 2024.

Proud to Be: Writing by American Warriors. Created by the Missouri Humanities Council, the Warrior Arts Alliance, and Southeast Missouri State University Press, this series of anthologies preserves and shares military service perspectives of our soldiers and veterans of all conflicts and of their families. It is not only an outlet for artistic expression but also a document of the unique aspects of wartime in our nation's history. Genres: Poetry, Short Fiction, Essay, Photography, Interview with a Warrior. Prize: $250 and publication. Deadline: April 26, 2024.

The Sophie Coe PrizeGenre: Informative article or essay on any aspect of food history relating to any period, place, people or culture  Prize: £1,500 top prize. Deadline: April 26, 2024. 

#GWstorieseverywhereGenre: Micro fiction. Your story must be no longer than 25 words, with a max of 280 characters, including spaces and the hashtag. See themesPrize: Free Gotham class. Deadline: April 30, 2024.

Witcraft Monthly Humour CompetitionGenre: Humor with the emphasis on wit, word play, absurdity and inspired nonsense. Prize: First prize A$50, second prize A$20, third prize A$10, payable via Paypal only. Deadline: April 30, 2024.

Friends of Falun Gong, Poetry ContestGenre: Poem. Submit one or two poems of no more than 50 lines each. Poems must encompass at least one of the following themes: Advocate for Falun Gong practitioner’s fundamental human rights. Expose the crimes against Falun Gong perpetrated by the Chinese Communist Party. Share in the beauty, peacefulness and good nature of Falun Gong. Prizes: $500, $250, $100. Deadline: April 30, 2024.

The Letter Review PrizeGenre: Short Fiction (up to 5000 words), Poetry, and Unpublished Books. Prize: The top 2-4 winners share equally in the prize pool of $1000 USD. Deadline: April 30, 2024.

Atwood Gibson Writers' Trust Fiction PrizeGenre: Fiction. Restrictions: Titles must be published in Canada and written by Canadians. No self-published works. Prize: $60,000 will be awarded to a novel or short-story collection published between February 27, 2024 and April 29, 2024. Prizes of $5,000 will be awarded to each of the finalists. Deadline: April 30, 2024.

Hilary Weston Writers' Trust Prize for Non-FictionGenre: Literary non-fiction. Restrictions: Titles must be published in Canada and written by Canadians. Prize: $60,000 will be awarded to a literary nonfiction book published between February 27, 2024 and April 29, 2024. Deadline: April 30, 2024.

Writers' Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging WritersRestrictions: Open to Canadian LGBTQ+ writers. Genre: Debut book for books published between February 27, 2024 and April 29, 2024. Prize: $10,000. Deadline: April 30, 2024.

Sleeping Bear Press: Own Voices, Own Stories AwardRestrictions: Contest is open to new authors who identify as BIPOC and/or LGBTQ+. Applicants must be United States residents and at least 18 years of age. Genre: Short fiction. Submissions should be for ages four through ten and may be fiction, nonfiction, or poetry. Text must come in at under 1,300 words. Prize: Grand Prize winners will receive a $2,000 cash prize, in addition to a publishing contract with advance and royalties standard for new Sleeping Bear Press authors. Honor Award winners will receive a $500 cash prize as well as one consulting session with a Sleeping Bear Press editor. Deadline: April 30, 2024.

Baen Fantasy Adventure AwardGenre: Adventure fantasy, 8K words max. Prize: Winner will be published as the featured story on the Baen Books main website and paid at industry-standard rates for professional story submittals. The author will also receive a handsome engraved award and a prize package containing $500 of free Baen Books. Deadline: April 30, 2024.

Toronto Book AwardsGenres: All genres accepted. Restrictions: Submission "must evoke the city itself, that is, contain some clear Toronto content (this may be reflected in the themes, settings, subjects, etc.). Authors do not necessarily have to reside in Toronto. Ebooks, textbooks and self-published works are not eligible. Prize: A total of $15,000 CD will be awarded. Each shortlisted author (usually 4-6) receives C$1,000 and the winning author is awarded the remainder. Deadline: April 30, 2024. (For books published between May 1, 2023, and May 31, 2024) 

Erbacce-prize for Poetry (UK) Genre: Poetry collection. Prize: Winner will be given a publishing contract with erbacce press who will publish a perfect-bound collection of the winner's book. "We will pay all costs including the legal registering of the book and supplying copies to the major libraries. The book will be sold through our sales/shop pages and the poet will be paid 20% royalties." Deadline: April 30, 2024.

Jessamy Stursberg Poetry Contest for Canadian YouthRestrictions: Open to Canadian citizens or residents attending junior high or high school. Genre: Poetry. Prize: C$400 in each of two age categories: Junior (grades 7-9) and Senior (grades 10-12). Deadline: April 30, 2024.

Author of TomorrowRestrictions: Open to children and youth up to age 21. Genre: Adventure writing. Prize: 11 and Under | 500 words | Prize: £100 plus £150 book tokens for your school; 12-15 years | 1,500 - 5,000 words | Prize: £100 plus £150 book tokens for your school; 16-21 years | 1,500 - 5,000 words. Prize: £1,000. Deadline: April 30, 2024.

E-waste ScholarshipRestrictions: You must be a high school freshman, sophomore, junior, or senior or a current or entering college or graduate school student of any level. Home schooled students are also eligible. There is no age limit. You must also be a U.S. citizen or legal resident. Genre: 500- to 1,000-word essay about e-waste. Prize: $1000 scholarship. Deadline: April 30, 2024.

Miami Book Fair’s Emerging Writer FellowshipGenre: Fiction, nonfiction, poetry. "EWF supports developing writers who demonstrate exceptional talent and promise by providing them with time, space, and an intellectually and culturally rich artistic community. The program’s goal is to actively support these writers – who are working to complete a book-length project within a year – and help them launch their literary careers. Emerging Writer fellows are granted professional experience in arts administration, teaching creative writing, and other opportunities; a $50,000 stipend; and strong literary community support to allow for 12 glorious months of uninterrupted time to craft their works." Deadline: April 30, 2024.

Preservation Foundation Essay Contest for Unpublished WritersRestrictions: The contest is open to writers whose creative writing has never produced revenues of over $250 in any single year. Genre: Animal Nonfiction. “Stories should be factual and true accounts of an encounter or encounters by the author with a wild animal or animals. These include, but are not limited to, birds, fish, butterflies, snails, lions, bears, turtles, wombats, etc., as long as it is not a pet.” Prize: First prize is $200. Runners-up will receive $100. Deadline: April 30, 2024.

Claudia Ann Seaman Awards For Young WritersRestrictions: High school students. Genre: Stories and poems. Prize: $200. Deadline: April 30, 2024.

CNO Naval History Essay ContestGenre: Scholarly essay on naval history.  Prize: First Prize: $5,000. Second Prize:$2,500. Third Prize: $1,500. Deadline: April 30, 2024.

The Ursula K. Le Guin Prize for FictionGenre: A book-length work of imaginative fiction written by a single author published in the U.S. in English or in translation to English. (In the case of a translated work winning the Prize, the cash prize will be equally divided between author and translator) Publication date between April 1, 2023 and March 31, 2024. Prize: $25,000. Deadline: April 30, 2024.

Rattle's Ekphrastic ChallengeGenre: Poetry responding to visual art. (See site) Prize: $100 and publication. Deadline: April 30, 2024.

Furphy Literary AwardGenre: Short stories up to 5000 words, Theme: Australian Life in all its diversity. Prize: First prize of $15,000 in the open category (2nd prize - $ 3,000,  3rd prize - $2,000.  A junior & youth category with a prize pool of $1800 will seek entries for short stories and poetry. Deadline: April 30, 2024.

Substack runs a monthly short story competition. Their mission is to "revive the art of the short story, support artists, and produce something wonderful." Genre: Short story. Length: 6000- 10,000 words. Prize: $100 plus 50% of subscription revenue to be sent by Paypal, Zelle, or check. Deadline: April 30, 2024. Reprints are ok so long as you still have the rights to distribute.


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<![CDATA[49 Awesome Writing Conferences and Workshops in April 2024]]>Thu, 21 Mar 2024 13:00:53 GMThttp://ericaverrillo.com/blog/49-awesome-writing-conferences-and-workshops-in-april-2024
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Monterey: Get Archive
This April there are more than four dozen writing conferences and workshops. Some conferences and workshops will be held online, but most will be held in person or use a hybrid format.

These writing events offer everything a writer might want: intensive workshops, pitch sessions with agents, to how to market yourself and your books, discussions - there is something for everyone.

For a full list of conferences held throughout the year see Writing Conferences. If you miss an application deadline, put it on your calendar for next year. Quite a few conferences offer scholarships, so apply early. Plan ahead!

Be sure to check out Highlights list of workshops. They offer many throughout the year. 

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Rananim online classes Courses run for eight weeks from April through May. "Participants receive personalized feedback on assignments from their instructor, as well as responses from classmates on discussion board forums. All instructors are university professors and/or working professional writers, who have experience teaching at the Taos Summer Writers’ Conference. Classes are limited to 15 students who will engage in conversation with you and your work. Firm deadlines and feedback help keep you writing and improving your work throughout the class." International students accepted. Cost: $400 per class.

Writing About Mental Health for MG and YA Readers: A Two-Night Mini. April 2 - 4, 2024: Online. Join middle grade novelist Crystal Allen and young adult author and pediatric neuropsychologist Katie Keridan to consider what it takes to develop authentic representations of mental health that hold reality and hope throughout your novel.

Beall Poetry Festival. April 3 - 5, 2024, Waco, TX. The festival features readings, panel discussions, and the Virginia Beall Ball Lecture on Contemporary Poetry. Participating poets include Major Jackson, Ruben Quesada, Tracy K. Smith, Allison Benis White, and a Poetry Panel. All events are free and open to the public.

The Monterey Writer Retreat in California. April 3 - 7, 2024: Monterey, CA. Participants in the Monterey Writer Retreat will work one-on-one with two of the best literary "closers" in the business: Paula Munier, Michael Neff, and Jennifer Sander combine 60 years of working with aspiring authors and ushering them to publication. They will be available for multiple private consultations from 9 AM to noon and 2:00 PM to 5:00 PM each day of the retreat. Choice of sessions and focus will be up to each individual writer. 

Stories Your Collection Can Tell: A Larksong Bootcamp for Poets. April 3, 10, 17, 24, 2024: Larksong Writers Place, 1600 N. Cotner Blvd., Lincoln, NE.  "Are you looking to not only consider individual poems, but also look at the sequencing of a collection as a whole? Maybe you’re looking for a workshop for like-minded poets at this stage of their writing who want to be the best they can be, and you want to join them? If any of that is true, a Larksong Bootcamp workshop is for you. The Bootcamps are taught by various teachers and in various genres at various times, so if you can't make one, keep coming back to see if the next one fits your needs."

Tennessee Mountain Writers Annual Conference. April 4 - 6 2024: Oak Ridge, TN. Writing Contests, Workshops, Networking, Manuscript Evaluations, Publishers, Book Signings, Bookstore, Vendors, And more!

Breakout Novel Intensive 2.0. April 4 - 10, 2024: Hood River, OR. Included are new or revised units on story discovery, strong voice, standout characters, the inner journey, compelling story worlds, beautiful writing, creating resonance and finding meaning in both story and process. Breakout fundamentals are also covered: strong characters, inner conflict, personal stakes, plot layers, powerful scenes, micro-tension, practical theme techniques and much more. Instructor: Donald Maass. 

Buffalo Writing Workshop. April 5, 2024: Buffalo, NY. This is a special one-day in-person “How to Get Published” writing workshop at the Embassy Suites by Hilton Buffalo. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

The 2024 Writing Workshop of San Francisco. April 5 - 6, 2024: Online. A full-day “How to Get Published” event. "This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more." Online format.

WriteAngles. April 6, 2024: Northampton, Massachusetts. Panels and workshops, keynote speaker Honorée Fanonne Jeffers, a limited number of agent meetings. Continental breakfast, and buffet lunch included. 

The 2024 Minnesota Writing Workshop. April 6, 2024: St. Paul, MN. "This is a special one-day “How to Get Published” writing workshop. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome."

Las Vegas Writer’s Conference April 11 – 13, 2024: Las Vegas, Nevada. Join writing professionals, agents publishers and marketing experts for a weekend of workshops and enlightening discussions about the publishing industry. A chance to pitch your manuscript and ideas to agents. 

Write Stuff Writers Conference. April 11 -13, 2024: Bethlehem, Pennsylvania. 20 workshops, Agent./Editor pitch sessions, marketing consults plus lunch and Keynote address, Book Fair, Flash Literature Writing Contest, Door Prizes. Featuring: Jonathan Maberry.

Idaho Writers League Annual Conference. April 11 - 13, 2024: Boise, Idaho. Our theme: The Lifelong Author. Do you want to do this writing thing for life? No matter whether that means self-publishing or traditional publishing, part-time writing or making this your career, doing this for life requires a mindset and strategy that anyone can learn. And we’re bringing experts from everywhere to teach you how: from the writer’s life to marketing your work, from the business of writing to improving your craft. They include J. Thorn, Nick Thacker, our keynote speaker, James A. Owen. 

Ozarks Writers League Conference. April 12 - 13, 2024: Branson, MO. The Ozarks Writers League is a group of like-minded individuals dedicated to promoting writing, literacy, photography, and art. Since 1983, OWL has welcomed individuals at all stages of their development. 

Writing Through Trauma to Empower Readers: A Working In-Community Retreat for Storytellers. April 11 - April 14, 2024: Boyds Mills, PA. A 3-night/4-day writing retreat for authors who are crafting books for kids and teens that center their lived experiences in areas of trauma, mental health, grief, and beyond.

Breaks, Blank Space, and Gaps: Poetic Gutters in Novels in Verse and Poetry. April 11 - 18, 2024: Online. How you use stanza breaks, blank space, and the gaps between poems affects the way that readers engage with your story. Join author Laura Shovan for an exploration of how we can use poetic gutters with intention to ensure active reading.

Florida Writing Workshop. April 12 (Tampa) and 13 (Orlando), 2024. Two separate full-day “How to Get Published” writing events in Florida — Tampa (April 12, 2024) and Orlando (April 13, 2024). "These writing events are a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the events. All questions about the events regarding schedule, details and registration are answered below. Thank you for your interest in the 2024 Florida Writing Workshops! We are very proud of our many success stories where attendees sign with agents following events — see our growing list of success stories here."

Authorpreneur Workshop. April 13, 2024: Red Bank, NJ. During this retreat like full day workshop authors have the opportunity to attend various Presentations, pitch Literary Agents and Editors (Optional), get work critiqued by Agents and Editors (Optional), attend the Critical Mass: First Page Critique Literary Agent and Editor Panel, and Network with authors and industry professionals all day long and during a Networking Mixer following the event on Saturday afternoon.

San Antonio Book Festival. April 13, 2024: San Antonio, TX. The San Antonio Book Festival is a FREE, annual, daylong event that unites readers and writers in a celebration of ideas, books, libraries, and literary culture. Featuring more than 80 nationally and regionally acclaimed authors, the Festival offers programming for all ages.

Rally of Writers Conference. April 13, 2024: Lansing, Michigan. Michigan authors and educators in 15 breakout sessions and workshops on all aspects of writing, including poetry, fiction, nonfiction, screenwriting, the Nuts & Bolts of manuscript submissions, and more. 

Writing in the Pines. April 13, 2024 (in person), Stockton University, Galloway, NJ. Choose from workshops in memoir, poetry and revision. Each workshop will meet for 6 hours and will offer craft discussion, writing prompts, writing time, sharing and inspiration. 

Working (PLAYING) Retreat: Artistic Play and Exploration. April 14 - 17, 2024: Boyds Mills, PA. Join the creative duo of Denise Fleming and Ashley Wolff for time to create and connect. (They asked us to include "PLAYING" in the title for this special program, because their sessions will center play and exploration, and celebrate your artistic creativity!)

Non-Traditional Picture Book Structure: A Two-Night Mini. April 15 - 17, 2024: Online. Picture book journeys aren’t one size fits all, and that’s a good thing! Join children’s book author Sudipta Bardhan-Quallen and literary agent Rachel Orr to celebrate alternative approaches to picture book structures.

Emotions in Nonfiction Picture Books: A Two-Night Mini. April 16 - 18, 2024: Online. Picture books open the world of information to readers. Join children’s book author Heidi E.Y. Stemple and editor Eileen Robinson to explore the many ways to infuse emotion into your nonfiction picture book, and hook and inspire your readers. 

Before the Book: A Two-Night Mini to Get Organized and Get to the Heart of Your Story. April 16 - 18, 2024: Online. Getting ready to write a novel doesn’t just mean finding a computer or the right pen—you also need to spend time considering the elements that bring emotion and structure to your story. Join author Jennifer Gennari for this short course to learn tangible techniques for getting organized, and getting to the heart of what you need to know about your story—even before you’ve written a word!

Magpie Poems. April 16 - May 14, 2024: Online. As poets, we depend on our five senses to make images and music on the page. What surprising things will happen to our poems if we allow other artistic disciplines to inspire our content and form? We’ll learn from poets like Tyehimba Jess, Frank O’Hara and Eduardo Corral, and explore artists whose work crosses genres, including Renee Gladman and Lenka Clayton. Drawing from creative mediums like traditional ekphrasis, collage, sculpture, song and more, we’ll challenge the boundaries of the poem on the page and imagine it in constant conversation with its aural and visual neighbors. Poets of all levels are invited to create something new or revive existing work each week in this supportive workshop.

The Crash Course in Children’s Book Publishing (Spring). April 16 - June 18, 2024: Online. Join lead faculty Harold Underdown and special guests for a Crash Course in Children’s Publishing. At the end of the course, you will understand how the children’s book publishing industry works, including submitting, publishing, marketing a book for children, teens, or young adults, and beginning ideas about craft and critique.

Just Do It! Your Collaborative Support Group for Finishing Your Draft (Spring/Summer). April 17 - June 5, 2024. This supportive program takes all creatives (nonfiction or fiction, picture books, novels, essays, and more) from goal-stating to finished drafts. Together, we’ll move through live sessions, writing prompts, studio dates, daily inspirations, check-ins, feedback, and more.

Chicago-North RWA's Spring Fling. April 18 - 20, 2024: Oak Brook, IL. Three day Biennial writer's conference geared towards both aspiring and established writers of any genre but focused on romantic fiction. Bookseller/Blogger/Librarian event, Masterclass in Craft and Marketing, Closing Gala. 

Chanticleer Authors Conference. April 18 - 21, 2024: Bellingham, Wash. Sessions with a special focus on the business of being a working writer on topics such as marketing, publicity, platform, sales tools & strategies, publishing, production, distribution, organization, storycraft, editing, and more. 

Kentucky Writing Workshop, April 19, 2024: Louisville, KY. This is a special one-day “How to Get Published” writing workshop on Friday, April 19, 2024, at the Kentucky International Convention Center. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

Authors' Salon at Clockwork Alchemy. April 19 - 21, 2024: San Mateo, California. Clockwork Alchemy is the San Francisco area's own steampunk convention. Originally a part of FanimeCon, Clockwork Alchemy is now its own independent event celebrating music, makers, dancing, writing, crafting, fashion, and fun related to steampunk!

Multiple Narrator Novels: A Two Night Mini. April 19 - 21, 2024: Online. Join authors Meera Trehan and Sarah Kapit to explore techniques and innovative choices when bringing multiple narrators to your middle grade or young adult novel.

Monadnock Pastoral Poetry Retreat. April 19 - 21, 2024. Greenfield, NH.  Includes workshops, individual conferences, participant & mentor readings; hiking & kayaking (weather permitting). Each workshop uses dual mentors.

Poetry at Round Top Festival. April 19 - 21, 2024: Round Top, Texas. Featuring: Pádraig Ó Tuama, Kimiko Hahn, Kim Stafford, James Crews, Danusha Laméris, ire’ne lara silva, José Antonio Rodríguez. 

North Carolina Writers’ Network Spring Conference. April 20, 2024: University of North Carolina at Greensboro, Greensboro, North Carolina. Features intensive workshops in poetry, fiction, and creative nonfiction, as well as publisher exhibits, on-site "lunch with an author" readings, and an open mic. 

San Diego Writing Workshop. April 20, 2024: San Diego, CA. This is a special one-day “How to Get Published” writing workshop. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. 

Tennessee Writing Workshop. April 20, 2024: Nashville, TN. This is a special one-day “How to Get Published” writing workshop. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. 

Blurred Lines: Writing Speculative Nonfiction. April 20 - May 18, 2024: Online. Though the golden rule of writing nonfiction is to be truthful, in speculative nonfiction, invention and imagination help a writer capture and hold truth’s slippery nature. In this five-week online workshop, we will read examples of speculative nonfiction by other writers like Margot Jefferson, Elissa Washuta and Jami Nakamura Lin, and learn how to draft scenes where facts are not fighting with what is imagined. Through exercises that employ both fiction and speculative nonfiction techniques, we will generate new material or fine-tune pieces already in progress. This workshop is open to new and more experienced writers looking to set their minds free—to use fact to explore fiction, blur the lines and create your own truth.

Nebraska Writers Guild Annual Conference and Writing Retreat. April 25 - 27, 2024: Omaha, NE. Workshops, pitch sessions with an agent and writing sessions followed by evening keynote speakers.

IBPA Publishing University. April 25 - 27, 2024: Denver, Colorado. The Independent Book Publishers Association offers 30+ educational sessions including experiential learning labs, insightful keynotes, a gala book award ceremony, networking events, and more! 

The Pikes Peak Writers Conference. April 25 -  April 28, 2024: Colorado Springs, Colorado. "The three-day conference is full of topical, in-depth workshops, dynamic keynote speakers, opportunities for one-on-one time with agents and editors, the chance to read your work aloud for constructive critique, plus time to socialize with fellow writers. Will be held in person.

Whole Novel Workshop: A Virtual Course for Middle Grade and Young Adult Writers. April 25 - June 27, 2024: Online. A transformative opportunity to have your entire draft (up to 80,000 words) of a novel read by faculty, with detailed written feedback and a private consultation provided. This online program is for any writer of a middle grade or young adult novel. Apply by March 15.

Writing and Illustrating for Kids (WIK): Society of Children's Book Writers and Illustrators. April 26 - 28, 2024: Homewood, Alabama. "Gather with fellow writers, illustrators, translators, agents, editors, and other children's book publishing professionals for a day of craft, networking, professional development, and community. Make new connections, meet new friends, learn and explore, and refine your creative and business skills to move your kidlit career forward. With optional pre-conference intensives offered on Friday afternoon, April 26, and a free kidlit creators' social and trivia night event that evening, this will be a weekend to remember!"

Malice Domestic. April 26 - 28, 2024, Bethesda, MD. Malice Domestic™ is an annual fan convention in the metropolitan DC area that celebrates the traditional mystery, books best typified by the works of Agatha Christie. The genre is loosely identified as mysteries which contain no explicit sex, or excessive gore, or violence. 

The Creativity Workshop in New York. April 26-29, 2024: New York, New York. "The Creativity Workshops take away the fear of writing and open the way to new ideas. They are especially helpful for writers in fiction, poetry, memoir, theatre and film to get over writing blocks. In our Creativity Workshop Retreats you will generate both new work and ideas for the work you are in the midst of creating. We use many different techniques to help you find your way through the novel, essay, poem, memoir, or script you are writing or hope to write. In The Creativity Workshop you will be doing free writing, writing from guided visualizations, collaborative writing, journaling and memoir work and even some rudimentary drawing, collage and photography." 

Philadelphia Writing Workshop. April 27, 2024: Philadelphia, PA.  This is a special one-day “How to Get Published” writing workshop on Saturday, April 22, 2023, at the Philadelphia Convention Center. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

Atlanta Self-Publishing Conference. April 27, 2024: Dunwoody, Georgia. The Atlanta Self-Publishing Conference (ASPC) is dedicated to serving self-published authors and the independent publishing market. No matter whether you're curious about the self-publishing market or you want to learn how to grow your independent author business, our conference will help you launch your career forward.

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<![CDATA[9 New Agents Seeking Nonfiction, Picture Books, Kidlit, YA, Fantasy, Memoir, Graphic Novels and more]]>Thu, 14 Mar 2024 11:38:55 GMThttp://ericaverrillo.com/blog/9-new-agents-seeking-nonfiction-picture-books-kidlit-ya-fantasy-memoir-graphic-novels-and-more
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Taj McCoy

Here are nine literary agents actively seeking clients. New agents are a boon to writers. They are actively building their lists, and will go the extra mile for their clients.


All of these agents work for established agencies with good track records. They are looking for all genres.

Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists, and submission requirements can change. 

NOTEDon't submit to several agents at the same agency simultaneously. If one rejects you, you may then submit to another. (Some small agencies share. Be alert to a notice that "a no from one is a no from all.")

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients
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Syrone Harvey of Belcastro Agency

Syrone is an impassioned literary professional, a vibrant force of creativity in the world of books. With an eclectic background in publication, editorial services, and project management, Syrone is dedicated to supporting authors at every step of their writing journey. Syrone is on a mission to be the ultimate “bookend” for authors, providing them with the personalized support they need to shine at every stage of their literary journey.

With her sharp editorial eye and a keen sense for market trends, Syrone is the ultimate guide for authors navigating the ever-changing landscape of publishing. Whether it’s guiding debut novelists or supporting seasoned writers seeking a new direction, she is passionate about building long-lasting relationships with her clients. She takes a patchwork quilt approach with her authors—every story is unique and one-of-a-kind. She will walk the literary journey with enthusiasm, expertise, and a shared commitment to bringing exceptional stories to readers worldwide.

What she is seeking

Nonfiction:

  • Autobiography/Memoir
  • Food/Drink
  • How To/DYI
  • Humor
  • Religion
  • Self-help
  • Christian
  • Women’s Issues
  • Lifestyle
  • Inspiration
  • Cultural/Social Issues
Picture Books
Middle Grade
Young Adult
Adult Fiction:

  • Contemporary Fiction
  • Christian Fiction
  • Family Saga
  • Historical Fiction
  • Literary Fiction
  • Contemporary Romance
  • Women’s Fiction
  • Funny Women’s Fiction
  • Humor/Satire
  • Commercial
  • Multicultural
How to submit: Use her querymanager HERE.

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Ms. Molly Ketcheson of Wolfson Literary Agency

Molly Ketcheson holds an undergraduate degree from the University of St Andrews and an MA in Creative Writing and Publishing from City, University of London. Prior to joining WLA in 2024, Molly held prestigious internships at multiple publishing companies, where she gained a keen understanding of the international publishing landscape and a love for joyful and impactful fiction. 


What she is seeking: She is actively building her list in commercial and upmarket fiction, as well as select literary fiction, fantasy, and YA titles. She is particularly drawn to books with a unique premise, lyrical prose, complex women, and stories that are, ultimately, hopeful. Molly is passionate about the power of fiction, and is excited to work with her clients to bring books that matter into the world.

How to submit: Use her querymanager HERE.


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Ms. Isabel Lineberry of Perez Literary & Entertainment (UK)
Isabel graduated in 2021 from Barrett, the Honors College at Arizona State University with dual degrees in English Literature and Business Entrepreneurship. Just a few months later she was in Scotland pursuing an MLitt in Fantasy at the University of Glasgow. She wrote her Masters thesis on Tamora Pierce and is a fan of Ray Bradbury, Octavia Butler and Samantha Shannon. 

What she is seeking: I represent YA and New Adult and am particularly interested in Contemporary Romance, Romantasy and Fantasy. I am always attracted to the character and voice first, so give me romantic tension that has me giggling, a villain who is as charming as they are evil or a group of characters who have me watching their conversations as if it's a tennis match. 

How to submit: Use her querymanager HERE.
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Max Moorhead of Massie & McQuilkin Literary Agents
Max Moorhead began his publishing career at The New Republic as an editorial fellow before joining Massie & McQuilkin in 2019 in a junior role. Over the years he has cultivated a client list while also managing backlist titles by Russell & Volkening clients including Annie Dillard, Eudora Welty, Bernard Malamud, Barbara Tuchman, and Marian Engel. Raised in New Hampshire, he graduated with honors from The New School earning a B.A. in Creative Writing.

What he is seeking: As an agent he specializes in literary fiction, narrative nonfiction, biography, cultural history, and memoir. In fiction: he is drawn to beautiful writing, unforgettable characters, family stories, socially engaged writing, and compelling plots. 

How to submit: Please send queries to the attention of Max Moorhead at max@mmqlit.com. Please note that he only responds to queries in which he is interested. If you haven’t heard from him in 4-6 weeks, your project is not a good fit for him.


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Ms. Emily Barrett of The Blair Partnership (UK)I was previously the Publisher of Sphere Non-Fiction at Little, Brown and have worked across the whole gamut of non-fiction, helping authors including experts and influencers turn their books into bestsellers, award-winners and major rights-sellers.

What she is seeking: I’m looking for commercial or upmarket non-fiction which is written with a clear reader in mind, whether that’s to inform or entertain them, or improve their life in some way. 

How to submit: You can submit to Emily at: emilysubmissions@theblairpartnership.com


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Gabrielle Harbowy of Corvisiero Literary Agency 

Gabrielle Harbowy has more than 20 years of experience in the publishing industry, from her entry into the field as a pricing analyst at Scholastic, to becoming a full-time editor and part-time writer. A third-generation reader of fantasy and science fiction, a love for the speculative is in her blood. Gabrielle was Managing Editor at Dragon Moon Press for a decade, has worked with award winners and international bestsellers, and is passionate about elevating the authors around her. A three-time published novelist, short story author, and award-nominated anthologist, Gabrielle has spoken, given workshops, and run D&D and Pathfinder games at numerous conventions. She is a member of SFWA, IAMTW, and the LGBTQ+ Editors Association. Her passions include music, travel, tabletop roleplaying games, crocheting and needlepoint, tattoo art, everything Finnish (except lutefisk), outer space, and the Oxford comma.

What she is seeking: Gabrielle is seeking science fiction, fantasy, paranormal mysteries, queer romance, and genre-bending speculative fiction. She loves reading diverse books, characters that come alive and immersive worlds, and tropes turned on their heads. She would like to see queerness, neurodiversity, and disability represented and normalized, both in the world and on the page. 

How to submit: Use Marisa Corvsiero's querymanager and address your query to Gabrielle.

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Lisa Gouldy of Corvisiero Literary Agency 

Lisa Gouldy is a passionate writer and reader of stories that stretch the imagination and reveal important truths about the world around us. Trained as an attorney, Lisa moved from the legal world into the literary one nearly a decade ago in search of stories less constrained by reality. The literary community in Seattle welcomed her in, and Lisa connected with writers everywhere from coffee shops to Hugo House, from PNWA to SCBWI, from conferences to critique groups. Assisting others with their writing journeys, it turned out, was as much fun as creating her own. As an apprentice with the Corvisiero Literary Agency, Lisa seeks to guide writers through the publishing process the way she once helped clients access the courts.

What she is seeking: Lisa loves stories with lyrical writing, memorable characters, and fast-paced plots that keep her guessing. In adult fiction, she devours upmarket and literary titles with complex protagonists, and has a special hunger for stories with speculative elements. Her sweet spot is a novel with a world much like ours, but with fantasy, sci-fi, or dystopian additions that illuminate real-life issues in a unique way. In children’s literature, Lisa particularly enjoys middle grade fantasy and young adult novels with a speculative bent, as well as picture books that make her (and her daughter) laugh.

How to submit: Use Marisa Corvsiero's querymanager and address your query to Lisa.

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Ciara Smith of Corvisiero Literary Agency 

Ciara earned her Bachelor of Arts in Creative Writing and joined a small press as a freelance editor. She was raised by an editor who instilled in her a love of reading and writing. In her youth, she penned short stories, but left writing behind when she joined the US Navy. But, of course, that love for words never wavered even during her service, and she readily volunteered to edit and review any and all paperwork, reports, and regulations she could get her hands on. After becoming a parent to two beautiful daughters, she decided to leave the military to pursue various creative arts and returned to her first love of writing and editing. 

What she is seeking: ​Ciara has a wide range of interests from YA to NA and Adult. Particularly she's interested in:
  • Fantasy that's a little unconventional and weird. Or cozy like LEGENDS & LATTES.
  • Would love to see African or Asian second worlds and/or mythologies à la THE POPPY WAR, KAIKEYI, and THE GILDED ONES, and morally gray characters like GIDEON THE NINTH.
  • Science Fiction that really makes me wonder about the world and possibilities like POST HUMAN and THE OUTSIDE.
  • Also love cozy in science fiction, A LONG WAY TO A SLOW ANGRY PLANET, and morally gray characters like in THE MURDERBOT DIARIES.
  • Literary Speculative/Dystopian Fiction that makes me worry about the world in the way THE HANDMAID'S TALE and THE POWER did.
  • Romance that's a blend with another genre, like Romantasy, or Romantic Thriller/Suspense.
  • Historical Fiction that will make me cry like THE MIDWIFE OF AUSCHWITZ or that have the same feeling as reading Jane Austen.
  • Horror that reflects feminist rage or body horror that makes me squirm. Not excessively gorey, just highly uncomfortable.
  • Military fiction that shows the complex feelings of serving, both in war time and in between, or the transition to civilian life
  • Any genre blending of the above.
  • In all of these, I would love ND, disabled, LGBTQIA+, and BIPOC #ownvoices.
How to submit: Use Marisa Corvsiero's querymanager and address your query to Ciara.

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Taj McCoy of Rees Agency

Junior Agent Taj McCoy (she/her) has a law degree from Southwestern Law School and a bachelor's degree in Business Law from California State University, Northridge. Taj trained as an agent under Fuse Literary, and has previously served as a Pitch Wars mentor and as co-program manager for Diverse Voices, Inc.’s DVdebut program. Her Adult Fiction is published through Mira/HQN. Taj is building her list in Adult Fiction and Non-Fiction, Young Adult, and Middle Grade, as well as looking for illustrators. She’s passionately seeking BIPOC and queer creators who highlight parts of their cultures and experiences. She is an advocate for body positivity in publishing, and loves to highlight intersectionality. Taj aims to widen the entryway for marginalized authors into the publishing industry, and to  normalize Black joy, fat joy, celebrations of culture, and love without limitations.

What she is seeking:

FICTION (Adult, YA, MG) 
  • MG Fantasy and adventure, crushes, romcom 
  • YA/MG voicey coming of age, embracing identity and/or traditions of culture, Black joy, girls in STEM, romance, romcom, mystery, humorous contemporary fiction 
  • ADULT romance, romcom, romantic suspense, mystery, cozy mystery, family saga, women's fiction, thriller 
NON-FICTION (Adult, YA, MG, PB): 
Send in a query once you have a complete book proposal, a detailed outline, and sample chapters. In your query letter, make sure you tell me why you’re the best person to write this book. 
  • NF picture books only 
  • Illustrated table/survey books 
  • A/MG historical, narrative 
  • Adult memoir, narrative, empowerment, self-help, pop culture, humor, engaging how
ILLUSTRATORS: Please only upload artwork in the upload section if you are an illustrator seeking representation––this is NOT a space for full manuscripts or other artwork. For illustrators, please use the query letter space to tell me about yourself––tell me about the work that you'd like to do with representation? For instance, are you primarily focused on picture books, or are you open to chapter books, MG, YA, GN? Covers? Do you also write picture books, or is art the primary focus? 

How to submit: Use her querymanager HERE



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<![CDATA[Weather: What Agents Say They Want And What They Really Want]]>Thu, 29 Feb 2024 12:20:01 GMThttp://ericaverrillo.com/blog/weather-what-agents-say-they-want-and-what-they-really-want
When my daughter recommended that I read Weather, a novel by Jenny Offill, I dutifully got it from my local library. (While I always read books that my children recommend, I know better than to buy them.) As promised, it was engaging. And because it was composed entirely of short, one-paragraph, diary-like snippets thrown somewhat randomly together, it was perfect for doctors' waiting rooms, airports, and all the other venues of modern life that require casual time-killing.
 
In short, I liked it. But I would never consider putting this book on my shelf. Why? Because I could easily have written it. Stream-of-consciousness is the simplest, and laziest, form of writing. It requires no training, no "crafting," and certainly no thesaurus.

I frown upon that.

Predictably, the critics loved Weather.

"Offill takes subjects that could easily become pedantic — the tensions between self-involvement and social engagement — and makes them thrilling and hilarious and terrifying and alive," gushed New York Times reviewer Leslie Jamison. "Offill’s fragmentary structure evokes an unbearable emotional intensity: something at the core of the story that cannot be narrated directly, by straight chronology, because to do so would be like looking at the sun."


Thrilling, terrifying, hilarious, unbearably intense and like looking into the face of a gigantic ball of inconceivable energy produced by an endless stream of nuclear fusion, no less. All of these descriptions would lead you to believe that this novel has the potential to take you on a wild, unforgettable emotional ride, the likes of which you have never experienced before.

Absolutely not.

The reason I liked Weather was because it required no effort on my part to read it. I didn't have to recall who the characters were, because Offill didn't actually give us enough information to be able to identify them. (It was sort of like my meandering, elderly neighbor who constantly gossiped about Chet and Naomi, whoever they might be.) (I never did find out.) There was no descriptive prose, so I didn't have to tax my mind by imagining where these people were, or when events happened. Oh, now that I think of it, nothing actually did happen, so remembering the order of events was rendered moot. There was no plot. It was like being lost in space, enjoyable in a way that brings to mind an anesthetic haze. Or the pleasures of an opium den.

Apparently, this kind of fiction is appealing to readers. (2,222 ratings on Amazon 35,757 ratings on Goodreads - we'll get to some of those later).  

As a reader, I'm okay with Weather. But, from the point of view of someone who regularly deals with the publishing world, this book is an anomaly. It is precisely the type of a novel that agents say they don't want.

WHAT AGENTS SAY THEY WANT

This is how agents describe their perfect novel:
  • strong storytelling, unputdownable stories with characters that transcend the page
  • plot-driven work with strong world-building, character development,
  • compelling emotional stakes
  • beautiful writing, unforgettable characters, family stories, socially engaged writing,
  • compelling plots
  • unputdownable stories with bold, courageous characters who take you down an emotional journey of perseverance
  • character-driven literary explorations with efficient, stunning prose and commercially appealing plots

(In case you are wondering, all of those descriptions were lifted verbatim from agents' wish lists.)

Agents say they are looking for plot-driven, immersive, page-turners. Yet, Weather is none of those things. It is, however, a novelty. Readers like novelty. Publishers, and hence agents, don't - which is why they avoid taking a chance on new ideas.

WHAT AGENTS REALLY WANT

Agents want to make money. (Sometimes, they also want to champion writers. But that's actually quite rare.) Agents are engaged in a career that involves acting as middlemen between people who produce ideas (writers) and people who sell them (publishers). The agent is simply a go-between. It's nice when they love your work, but their purpose is to make dollar signs happen. 

Weather made dollar signs for its author, and for Alfred A. Knopf, and presumably for Offill's agent. All of that is nice. But it flies in the face of what writers want, which is to be loved and admired.

See: Literary Agents: The Writer's Ultimate Ambiguous Relationship


HOW WEATHER WORKS

Note: If you are anticipating a discussion of pressure fronts and how they interact with moisture, you will be disappointed.

One of the things people who study the mechanics of language - phonemics, syntax, semantics - soon realize is that the relationship between sounds and parts of speech, etc., is what confers meaning, not the sounds and words, in and of themselves. This also holds true at the macro level. If you take two unconnected sentences and place them one after the other, your mind will automatically work to link them together in order to force them to make sense. (You can try that with any two sentences that I have ever written.)

To demonstrate my point, here is a page from Weather, chosen at random:
After the election, Ben makes many small wooden things. One to organize our utensils, one to keep the trash can from wobbling. He spends hours on them. "There, I fixed it," he says.

A turtle was mugged by a gang of snails. The police came to take a report, but he couldn't help them. "It all happened so fast," he said.

And in the ether, people asking the same question again and again. To the yours-to-losers, to the both-the-samers, to the wreck-it-allers.

Happy now?

The path is getting ...  narrower. That is how Ben told me. He was doing the math in his head. 

But it could still...?
It's not possible.

And so we stayed up and watched to the end.
See what I mean? I guarantee you will find a way to make this page make sense. In fact, you will read many more pages, attempting to find a context to place this page into. You will do that because that is the function of language.

SOME ENTERTAINING THOUGHTS BY REVIEWERS

I enjoyed reading this book, mostly because it only took a couple of hours of my time. (I am compelled to read every word of books I take out of the library. It's a diagnosable condition, I'm told.)

Other people were not so generously inclined. Here are a few one-star reviews I found on Amazon.

"Boring and pointless" -  Anything that resembles a plot could be written in 10 pages- good marriage, normal child, sick brother.

Why, oh why...this book did I buy! - I am REALLY struggling to finish this book. Rarely do I buy a hardcover book when it just comes out, but I did with this one and I am disappointed. It consists mainly of random, nonsensical paragraphs page by page.

Weather: NOT a novel - "Weather " is yet another fragmented, MFA-chic, tedious narration of boring events in the life of a contemporary jaded writer.

Noun verb noun - No plot after 25%. Maybe there'll be a point later, but I don't feel much need to slog through poorly crafted prose, with no plot, a boring heroine, no deep understanding of human nature. Of course I haven't finished it and I probably won't. This may appeal to some, but it seems to be the worst thing I've read in a decade.

Impressionistic, not a novel - Impressionistic observations, thoughts, anecdotes over a period of probably a few years — a writer’s notes strung together and called a novel. Many were interesting and many were not; I finished the book, relieved to get away from the chaos.

Terribly written - I had no idea who was who and what was happening. I get stream of consciousness but this was just terrible. Check Alice Walker for ways to do that well.


IN SUM

This post had a point when I started writing it. But I find it hard to maintain a coherent train of thought after reading Weather. (When you read, you unconsciously adopt the author's writing style to your thought patterns.)

Oh yes, now I remember. 

Just write whatever you damn well want to write. Despite all protestations to the contrary, agents (and publishers, as well) want something that will make them money. That is why they almost invariably include on their wish lists a number of successful books that they want your book to emulate. They want another... (just fill in the blank with a book that has sold millions of copies). Rarely do agents (or publishers) go for novelty.

Where does that leave you, the writer? My advice is to ignore the market. Ignore what agents say they want, and sell your idea to them as if you are the best thing since sliced bread.

Because you are.

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Here are some eye-opening stats that  will boost your self-confidence:

Never Give Up! Never Surrender!

10 Things Publishers Wish They Had Never Said

18 Incredibly Stupid Publishing Mistakes
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